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This book draws on Edward Bawden's delightful illustrations, posters and linocuts of Kew Gardens made over 60 years. It presents a light-hearted social history of Kew, peopled with the many Hanoverian Kings, Queens and Princes who resided there, as well as courtiers such as the 3rd Earl of Bute, Joseph Banks Fulke Greville and their proteges including William Chambers, William Aiton, Fanny Burney and Sir William Hooker. Alongside Bawden's posters and linocuts, the book is illustrated with the contemporary caricatures of Thomas Rowlandson, George Cruikshank and James Gillray as well as botanical illustrations by Franz Bauer, Evelyn Dunbar and others. The book also reproduces in full Bawden's previously unpublished manuscript guide to Kew Gardens, drawn by the artist when he was just 19, and the redrawn illustrations and maps in Robert Herring's 1930 book Adam and Evelyn at Kew.
Life in Death is the most comprehensive collection to date of work by artist Rebecca Louise Law. The book documents the evolution of Law's unique artistic practice, the use of flowers as preserved sculptural material. A journey through the earliest experiments, to her best known immersive installations, via a series of beautifully documented photographs. It also provides a unique insight into the life and influences of the artist, including an introduction written by Law. The title culminates with exclusive imagery of Life in Death, Law's forthcoming exhibition showcasing a sculptural installation at the heart of Kew's Shirley Sherwood Gallery, which pays homage to the expertise in preservation presented throughout Kew's collections and represents a symbol of natural durability which is central to Law's practice. Life in Death runs from 7 October 2017 - 11 March 2018 in the Shirley Sherwood Gallery of Botanical Art, Royal Botanic Gardens, Kew.
A broad-ranging review of organisms which have long-fascinated biologists, ecologists and chemists.
Les oeuvres les plus récentes du sculpteur anglais, qui préfère travailler le bois, vecteur familier, humble, proche et presque vivant, plutôt que la pierre ou le métal. L'utilisation de bois verts permet que le temps apporte sa touche finale de craquelures aléatoires.
This book marks the major exhibition David Nash at Kew Gardens opening in June 2012 through to April 2013. One of the UK's most prolific creators of ecological art, David Nash will produce and exhibit his work across the Gardens, with sculptures, installations, drawings and film in place throughout the Gardens, glasshouses, and exhibition spaces. Nash will work at Kew on a 'wood quarry' from April 2012, creating new pieces for the exhibition using trees from the Gardens that have come to the end of their natural life, and this ongoing work will form part of the exhibition.In a career spanning 40 years, Nash has created over 2,000 sculptures out of wood, many of them monumental in scale. These sculptures are sometimes carved using a chainsaw or axe, or partially burned to produce a charred surface. Through his work, he has gained a deep understanding of the properties of trees and the artistic process itself is, for Nash, deeply collaborative - between the artist, his material, and the natural world.Extensively illustrated, this book will give a unique insight into Nash's' art and life, and encourage readers to engage with the sculptures and their relation to nature, and the beautiful setting of the Royal Botanic Gardens, Kew.
'Soil Culture' demonstrates the UK contribution to the United Nations International Year of Soils, 2015. The programme consists of various events, in particular 12 artist residencies aimed at encouraging an exploration of the ecology and importance of soil.
Mobile Museums presents an argument for the importance of circulation in the study of museum collections, past and present. It brings together an impressive array of international scholars and curators from a wide variety of disciplines – including the history of science, museum anthropology and postcolonial history - to consider the mobility of collections. The book combines historical perspectives on the circulation of museum objects in the past with contemporary accounts of their re-mobilisation, notably in the context of Indigenous community engagement. Contributors seek to explore processes of circulation historically in order to re-examine, inform and unsettle common assumptions about the way museum collections have evolved over time and through space. By foregrounding questions of circulation, the chapters in Mobile Museums collectively represent a fundamental shift in the understanding of the history and future uses of museum collections. The book addresses a variety of different types of collection, including the botanical, the ethnographic, the economic and the archaeological. Its perspective is truly global, with case studies drawn from South America, West Africa, Oceania, Australia, the United States, Europe and the UK. Mobile Museums helps us to understand why the mobility of museum collections was a fundamental aspect of their history and why it continues to matter today. Praise for Mobile Museums 'This book advances a paradigm shift in studies of museums and collections. A distinguished group of contributors reveal that collections are not dead assemblages. The nineteenth and twentieth centuries were marked by vigorous international traffic in ethnography and natural history specimens that tell us much about colonialism, travel and the history of knowledge – and have implications for the remobilisation of museums in the future.’ – Nicholas Thomas, University of Cambridge 'The first major work to examine the implications and consequences of the migration of materials from one scientific or cultural milieu to another, it highlights the need for a more nuanced understanding of collections and offers insights into their potential for future re-mobilisation.' – Arthur MacGregor
The Royal Botanic Gardens, Kew boasts more than 325 acres, more than thirty thousand plant species, and more than 1.35 million visitors a year. With so many sights and more than two centuries of history, the Kew Guide is the perfect introduction for anyone wishing for a memorable visit--and a perfect keepsake for those wanting a memory to take home. This extensive guidebook helps readers discover Kew's many greenhouses, landscapes, and exhibits while exploring both the scientific and the artistic sides of the gardens. Chapters zoom in on Kew's glasshouses and the plants they house, the variety of gardens and plant collections in them, the trees and the wildlife of the arboretum, and the stunning contemporary and historical architecture. The book also provides an engaging overview of Kew's history, from the time Caesar walked the land to the introduction of the Millennium Seed Bank. With beautiful photographs that bring the grounds to life, and a bounty of garden facts, this new edition of the Kew Guide is sure to be treasured.