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The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
Passage to Manhattan: Critical Essays on Meena Alexander is a unique compendium of scholarship on South Asian American writer Meena Alexander, who is recognized as one of the most influential and innovative contemporary South Asian American poets. Her poetry, memoirs, and fiction occupy a unique locus at the intersection of postcolonial and US multicultural studies. This anthology examines the importance of her contribution to both fields. It is the first sustained analysis of the entire Alexander oeuvre, employing a diverse array of critical methodologies. Drawing on feminist, Marxist, cultural studies, trauma studies, contemporary poetics, phenomenology, and psychoanalysis, the collection features fifteen chapters and an Afterword, by well-established scholars of postcolonial and Asian American literature like Roshni Rustomji, May Joseph, Anindyo Roy, and Amritjit Singh, as well as by emerging scholars like Ronaldo Wilson, Parvinder Mehta, and Kazim Ali. The contributors offer insights on nearly all of Alexander’s major works, and the volume achieves a balance between Alexander’s diverse genres, covering the spectrum from early works like Nampally Road to her forthcoming book The Poetics of Dislocation. The essays engage with a variety of debates in postcolonial, feminist, and US multicultural studies, as well as providing many nuanced and detailed readings of Alexander’s mutli-layered texts.
This text offers new ways of understanding dance on the popular screen in new scholarly arguments drawn from dance studies, performance studies, and film and media studies. Through these arguments, it demonstrates how this dance in popular film, television, and online videos can be read and considered through the different bodies and choreographies being shown.
This Companion covers the hip-hop elements, methods of studying hip-hop, and case studies from Nerdcore to Turkish-German and Japanese hip-hop.
In this volume a group of eminent African American scholars of religious and theological studies examine the problems and prospects of black scholarship in the theological academy. They assess the role that prominent black scholars have played in transforming the study and teaching of religion and theology, the need for a more thorough-going incorporation of the fruits of black scholarship into the mainstream of the academic study of religion, and the challenges and opportunities of bringing black art, black intellectual thought, and black culture into predominantly white classrooms and institutions.
The Black Church Studies Reader addresses the depth and breadth of Black theological studies, from Biblical studies and ethics to homiletics and pastoral care. The book examines salient themes of social and religious significance such as gender, sexuality, race, social class, health care, and public policy. While the volume centers around African American experiences and studies, it also attends to broader African continental and Diasporan religious contexts. The contributors reflect an interdisciplinary blend of Black Church Studies scholars and practitioners from across the country. The text seeks to address the following fundamental questions: What constitutes Black Church Studies as a discipline or field of study? What is the significance of Black Church Studies for theological education? What is the relationship between Black Church Studies and the broader academic study of Black religions? What is the relationship between Black Church Studies and local congregations (as well as other faith-based entities)? The book's search for the answers to these questions is compelling and illuminating.
Since Whitney Houston's tragic and untimely death, the public has gotten to know heretofore private family members such as Pat Houston, who is married to Whitney's brother and served as a trusted manager of the singer's career. She will express her sense of loss, her love and memories of Whitney Houston in the closing pages of this book. Clive Davis, the legendary music industry mogul who guided her career will open the book with his reflections on the star. While in between, the photographic work and words of famed photographer Randee St. Nicholas will show what it was like for Randee and the other photographers featured in this book to work with one of the greatest singers in the world who was also one of the great beauties of the world.
Based on a detailed study of 35 cases in Africa, Asia, Latin America, and post-communist Eurasia, this book explores the fate of competitive authoritarian regimes between 1990 and 2008. It finds that where social, economic, and technocratic ties to the West were extensive, as in Eastern Europe and the Americas, the external cost of abuse led incumbents to cede power rather than crack down, which led to democratization. Where ties to the West were limited, external democratizing pressure was weaker and countries rarely democratized. In these cases, regime outcomes hinged on the character of state and ruling party organizations. Where incumbents possessed developed and cohesive coercive party structures, they could thwart opposition challenges, and competitive authoritarian regimes survived; where incumbents lacked such organizational tools, regimes were unstable but rarely democratized.