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Tells the story of David Amram's adventures growing up on a farm in Pennsylvania, working odd jobs, misfitting in the Army, barnstorming through Europe with the famous Seventh Army Symphony, exiling in Paris, scuffling on the Lower East Side, day-laboring - often down but never out - finally emerging as a major musical force.
An illustrated version of the classic Woody Guthrie folk song, perfect for a family singalongs! Since its debut in the 1940s, Woody Guthrie's "This Land Is Your Land" has become one of the best-loved and most timely folk songs in America, inspiring activism and patriotism for all. This classic ballad is now brought to life in a richly illustrated edition for the whole family to share. Kathy Jakobsen's detailed paintings, which invite readers on a journey across the country, create an unforgettable portrait of our diverse land and the people who live it.
In a career spanning 70 years, composer, conductor, and multi-instrumentalist David Amram is hailed today as the creator of symphonic works, chamber music, and two operas; as a brilliant jazz and vocal improviser; and the composer of memorable stage and film scores. He has collaborated with many leading musicians, playwrights, artists, actors, and writers, including Jack Kerouac, Woody Guthrie, Leonard Bernstein, Dizzy Gillespie, Charlie Parker, Arthur Miller, Elia Kazan, Bob Dylan, Judy Collins, Elmira Darvarova, Paul Newman, Willie Nelson, Steve Earle, and hundreds more. An innovator who blended jazz and global folk styles with classical traditions, Amram’s career also emphasizes the creative potential of joyful collaboration. This new book offers a fascinating and wide-ranging picture of Amram’s work and influence, from the rich, pioneering days of 1950s America to today’s embrace of international cultures. It shows how Amram’s gift as an on-stage spontaneous creator enriches his formal classical composing. With multi-media links for readers, it is possible to see and hear film and audio highlights and adventures described in this book by important conductors, musicians, performers, scholars, and journalists. This book is the essential guide to a major figure in contemporary music.
"Fueled by coffee and pea soup, Jack Kerouac speed-typed On the Road in just three weeks in April 1951. He'd been travelling America for the past ten years and now, at last, the energy of his experiences flowed through his fingertips in a mad rush, pealing forth on a makeshift scroll that he laboriously taped together. The On the Road scroll became literary legend, and now Burning Furiously Beautiful sets the record straight, uncovering the true story behind one of America's greatest novels. Burning Furiously Beautiful explores the real lives of the key characters of the novel-- Sal Paradise, Dean Moriarty, Carlo Marx, Old Bull Hubbard, Camille, Marylou, and others. Ride along on the real-life adventures through 1940s America that inspired On the Road. By tracing the evolution of Kerouac's literary development, this book explains how it took years--not weeks--to write the seemingly sporadic 1957 novel. Through new research and exclusive interviews, this revised and expanded edition of Jack Kerouac's American Journey (2007) takes a closer look at the rise of Jack Kerouac and the beat generation, giving insight into Kerouac's family roots, his time at sea, the shocking murder that landed Kerouac in jail, his romances, and his startlingly original writing style."--Back cover.
He was the leading light of the Beat Generation writers and the most dynamic author of his time, but Jack Kerouac also had a lifelong passion for music, particularly the mid-century jazz of New York City, the development of which he witnessed first-hand during the 1940s with Charlie Parker, Dizzy Gillespie and Thelonious Monk to the fore. The novelist, most famous for his 1957 book On the Road, admired the sounds of bebop and attempted to bring something of their original energy to his own writing, a torrent of semi-autobiographical stories he published between 1950 and his early death in 1969. Yet he was also drawn to American popular music of all kinds � from the blues to Broadway ballads � and when he came to record albums under his own name, he married his unique spoken word style with some of the most talented musicians on the scene. Kerouac's musical legacy goes well beyond the studio recordings he made himself: his influence infused generations of music makers who followed in his work � from singer-songwriters to rock bands. Some of the greatest transatlantic names � Bob Dylan and the Grateful Dead, Van Morrison and David Bowie, Janis Joplin and Tom Waits, Sonic Youth and Death Cab for Cutie, and many more � credited Kerouac's impact on their output. In Kerouac on Record, we consider how the writer brought his passion for jazz to his prose and poetry, his own record releases, the ways his legacy has been sustained by numerous more recent talents, those rock tributes that have kept his memory alive and some of the scores that have featured in Hollywood adaptations of the adventures he brought to the printed page.
Based on interviews with family and friends, this account of the jazz great's life reveals the influence of Miles Davis' life on his work as well as the musician's persistent desire to re-invent himself.
Text and Drugs and Rock'n'Roll explores the interaction between two of the most powerful socio-cultural movements in the post-war years - the literary forces of the Beat Generation and the musical energies of rock and its attendant culture. Simon Warner examines the interweaving strands, seeded by the poet/novelists Jack Kerouac, Allen Ginsberg, William Burroughs and others in the 1940s and 1950s, and cultivated by most of the major rock figures who emerged after 1960 - Bob Dylan, the Beatles, Bowie, the Clash and Kurt Cobain, to name just a few. This fascinating cultural history delves into a wide range of issues: Was rock culture the natural heir to the activities of the Beats? Were the hippies the Beats of the 1960s? What attitude did the Beat writers have towards musical forms and particularly rock music? How did literary works shape the consciousness of leading rock music-makers and their followers? Why did Beat literature retain its cultural potency with later rock musicians who rejected hippie values? How did rock musicians use the material of Beat literature in their own work? How did Beat figures become embroiled in the process of rock creativity? These questions are addressed through a number of approaches - the influence of drugs, the relevance of politics, the effect of religious and spiritual pursuits, the rise of the counter-culture, the issue of sub-cultures and their construction, and so on. The result is a highly readable history of the innumerable links between two of the most revolutionary artistic movements of the last 60 years.