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Using the idea of a collectivist, humanist culture of traditional African matriarchal heritage, Ifi Amadiume contrasts daughters of the Goddess to a corrupt and oppressive culture of imperialism that she argues is the heritage of contemporary elite-led women's organizations. She examines the activities of such organizations in Nigeria, making comparisons with those in Britain and South Africa as well as international movements; looking at the 1995 Beijing International Women's Conferences, she explores internationalism as an instrument of class reproduction. The author provides a detailed account of the structures and workings of local government in Nigeria and Britain as she raises theoretical and policy issues about civic groups, civil society and the nature of the late twentieth century state. Finally, Professor Amadiume draws lessons from her own experiences working in local government to suggest measures for true gender equity and the democratisation of politics in our increasingly multicultural and multiethnic societies. This book asks some hard questions of contemporary feminist movements and provides the most detailed account available of Nigerian women's politics.
This extraordinary book combines social history, anthropology, religion, politics, women's studies to chart a genealogy of class transformation in the 20th century. Using the idea of a collectivist, humanist culture of traditional African matriarchal heritage, Ifi Amadiume contrasts daughters of the Goddess to a corrupt and oppressive culture of imperialism that she argues is the heritage of contemporary elite-led women's organizations. She examines, analyzes and critiques histories, concerns and activities of such organizations in Nigeria, making comparisons with those in Britain and South Africa as well as international movements.
In 1987, more than a decade before the dawn of queer theory, Ifi Amadiume wrote Male Daughters, Female Husbands, to critical acclaim. This compelling and highly original book frees the subject position of 'husband' from its affiliation with men, and goes on to do the same for other masculine attributes, dislocating sex, gender and sexual orientation. Boldly arguing that the notion of gender, as constructed in Western feminist discourse, did not exist in Africa before the colonial imposition of a dichotomous understanding of sexual difference, Male Daughters, Female Husbands examines the structures in African society that enabled people to achieve power, showing that roles were not rigidly masculinized nor feminized. At a time when gender and queer theory are viewed by some as being stuck in an identity-politics rut, this outstanding study not only warns against the danger of projecting a very specific, Western notion of difference onto other cultures, but calls us to question the very concept of gender itself.
This book reveals how conventional anthropology has consistently imposed European ideas of the "natural" nuclear family, women as passive object, and class differences on a continent with a long history of women with power doing things differently. Amadiume argues for an end to anthropology and calls instead for a social history of Africa, by Africans.
A political, cultural, and intellectual study of race, sex, and Western empire. This book interrogates a system that represents race, gender, sexuality, and class in certain systematic and oppressive ways. It connects sex and eroticism to geopolitics to examine the logic, operations, and politics of sexuality in the West.
The late 1960s witnessed the emergence of African women writers on the African literary space earlier dominated by African men. African women’s writings largely focus on deconstructing the patriarchal order, religious prescription and cultural mores in order to tear women’s veil of invisibility. The topics covered in the book are comprehensive and include among others: The Francophone African Novel; Religious and cultural constructs of African women; The poetic constructs of African women; Fictional constructs of subaltern African women; Marriage and the subordination of women; Physical and sexual exploitation of women; Women and Polygamy in men’s fiction; African women writers and the utilitarian function of their art; Female protagonists in fiction by African women; Discourse on the oppressors and the oppressed; African feminism/Western Feminism.
What does it mean to state ?No One is Illegal??. This rallying call is what unifies migrant protests against exclusionary border regimes around the world, bringing migrants, citizens, `legal` and `illegal` people onto the streets in ever greater numbers. Indeed, the last decade has witnessed an explosion of immigrant protests, political mobilizations by irregular migrants and pro-migrant activists. This edited collection aims to contribute to the growing body of scholarship on migrant resistance movements and to consider the implications of these struggles for critical understandings of citizenship and borders. It offers a rich series of theoretical and political interventions which together explore the tensions between integrationist and autonomous approaches, and between migrant and activist strategies of invisibility and visibility. By bringing immigrant protests to the heart of debates about citizenship, it also extends discussions about the limits and the possibilities of citizenship as the material and conceptual horizon of critical social analysis, political participation and democracy today.This book was published as a special issue of Citizenship Studies.
Clear Word and Third Sight examines the strands of a collective African diasporic consciousness represented in the work of a number of Black Caribbean writers. Catherine A. John shows how a shared consciousness, or “third sight,” is rooted in both pre- and postcolonial cultural practices and disseminated through a rich oral tradition. This consciousness has served diasporic communities by creating an alternate philosophical “worldsense” linking those of African descent across space and time. Contesting popular discourses about what constitutes culture and maintaining that neglected strains in negritude discourse provide a crucial philosophical perspective on the connections between folk practices, cultural memory, and collective consciousness, John examines the diasporic principles in the work of the negritude writers Léon Damas, Aimé Césaire, and Léopold Senghor. She traces the manifestations and reworkings of their ideas in Afro-Caribbean writing from the eastern and French Caribbean, as well as the Caribbean diaspora in the United States. The authors she discusses include Jamaica Kincaid, Earl Lovelace, Simone Schwarz-Bart, Audre Lorde, Paule Marshall, and Edouard Glissant, among others. John argues that by incorporating what she calls folk groundings—such as poems, folktales, proverbs, and songs—into their work, Afro-Caribbean writers invoke a psychospiritual consciousness which combines old and new strategies for addressing the ongoing postcolonial struggle.
This one-volume distillation provides a comprehensive overview of the main branches of contemporary political science. It will serve as the reference book for political scientists and those following their work for years to come.
,The Body and Representation. Feminist Research and Theoretical Perspectives' was conceived as two weeks program within the International Women's University's project area BODY by the Center for Feminist Studies (ZFS) at the University of Bremen and organized in summer 2000. The publication includes results from lectures and seminars and additional contributions adding to main topics. Among the issues raised are concepts, staging, performances and representations of bodies in everyday life, political contexts, art and new media.