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"Without question, some of the most interesting writing of the last decade has come from the Latina literary movimiento. Daughters of the Fifth Sun is an informed and inspiring collection of short fiction and poetry that displays the breadth and achievement of celebrated Latina authors while introducing the next generation of voices, be they Chicana, Cubana, Puertorriquena, Dominican, or U.S.-born Latinas."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Fifth Sun offers a comprehensive history of the Aztecs, spanning the period before conquest to a century after the conquest, based on rarely-used Nahuatl-language sources written by the indigenous people.
"A retelling of traditional folk tales that originate from Mexico and Central America. They reflect the pre-Colombian, Mesoamerican worldview, and include characters like Quetzalcoatl and trickster figures like coyote. A few of the tales are contemporary and seem to originate from Nahuatl-speaking descendants of the Aztecs"--Provided by publisher.
In November 1519, Hernando Cortés walked along a causeway leading to the capital of the Aztec kingdom and came face to face with Moctezuma. That story--and the story of what happened afterwards--has been told many times, but always following the narrative offered by the Spaniards. After all, we have been taught, it was the Europeans who held the pens. But the Native Americans were intrigued by the Roman alphabet and, unbeknownst to the newcomers, they used it to write detailed histories in their own language of Nahuatl. Until recently, these sources remained obscure, only partially translated, and rarely consulted by scholars. For the first time, in Fifth Sun, the history of the Aztecs is offered in all its complexity based solely on the texts written by the indigenous people themselves. Camilla Townsend presents an accessible and humanized depiction of these native Mexicans, rather than seeing them as the exotic, bloody figures of European stereotypes. The conquest, in this work, is neither an apocalyptic moment, nor an origin story launching Mexicans into existence. The Mexica people had a history of their own long before the Europeans arrived and did not simply capitulate to Spanish culture and colonization. Instead, they realigned their political allegiances, accommodated new obligations, adopted new technologies, and endured. This engaging revisionist history of the Aztecs, told through their own words, explores the experience of a once-powerful people facing the trauma of conquest and finding ways to survive, offering an empathetic interpretation for experts and non-specialists alike.
The acclaimed national and international bestseller “Epic, romantic, and enthralling from start to finish.”—Stephanie Garber, #1 New York Times bestselling author of the Caraval series “An all-consuming work of literary fantasy that is breathtaking both for its beauty and its suspense."—BookPage, starred review A captivating and romantic debut epic fantasy inspired by the legend of the Chinese moon goddess, Chang’e, in which a young woman’s quest to free her mother pits her against the most powerful immortal in the realm. Growing up on the moon, Xingyin is accustomed to solitude, unaware that she is being hidden from the feared Celestial Emperor who exiled her mother for stealing his elixir of immortality. But when Xingyin’s magic flares and her existence is discovered, she is forced to flee her home, leaving her mother behind. Alone, powerless, and afraid, she makes her way to the Celestial Kingdom, a land of wonder and secrets. Disguising her identity, she seizes an opportunity to learn alongside the emperor’s son, mastering archery and magic, even as passion flames between her and the prince. To save her mother, Xingyin embarks on a perilous quest, confronting legendary creatures and vicious enemies. But when treachery looms and forbidden magic threatens the kingdom, she must challenge the ruthless Celestial Emperor for her dream—striking a dangerous bargain in which she is torn between losing all she loves or plunging the realm into chaos. Daughter of the Moon Goddess begins an enchanting duology which weaves ancient Chinese mythology into a sweeping adventure of immortals and magic, of loss and sacrifice—where love vies with honor, dreams are fraught with betrayal, and hope emerges triumphant.
The words of her father echo in a young girl's head: Never want what you can never have. Born on the day of the Mexican Goddess of Grass, Malinalli, she takes that name until 1519 when she begins her new Christian life as Marina, one of twenty slaves given to Conquistador Hernán Cortés after he defeats the natives of Tabasco. Having been sold into slavery by a wicked stepfather, Malinalli has learned Mayan as well as her native tongue Nahuatl. When Cortés discovers she can speak two languages, he makes her his interpreter and keeps her constantly at his side. His soldiers admire her and give her the respectful title of Don?a Marina (Lady Marina). Later, as she learns Spanish and becomes trilingual, she helps Cortés form alliances among Nahuatl speakers who hate Moctezuma II, a tyrant who has waged wars on neighboring tribes to obtain captives for human sacrifice. Cortés and his coalition of Spanish conquistadors and Tlaxcalan warriors lead a fierce attack upon the Aztec empire, conquer Moctezuma II, and thus change the fate of Mexico and Spain forever. Although Cortés comes to love Marina, and she brings out his best qualities, he allows her to marry a hidalgo lover for her future protection. Yet Cortés and Malinalli (also called La Malinche) become a team that rebuilds a devastated nation, shapes its Christian destiny, and leaves a proud legacy for two nations that enriched each other even as they tried to destroy each other.
"Iep jāltok is a collection of poetry by a young Marshallese woman highlighting the traumas of her people through colonialism, racism, forced migration, the legacy of nuclear testing by America, and the impending threats of climate change"--Provided by publisher.
Describes daily life in the Aztec world, including coverage of geography, foods, trades, arts, games, wars, political systems, class structure, religious practices, trading networks, writings, architecture and science.
Retells a Mexican legend in which the sky god and the wind god bring music from Sun's house to the Earth.
The ancient Aztecs dwelt at the center of a dazzling and complex cosmos. From this position they were acutely receptive to the demands of their gods. The Fifth Sun represents a dramatic overview of the Aztec conception of the universe and the gods who populated it—Quetzalcoatl, the Plumed Serpent; Tezcatlipoca, the Smoking Mirror; and Huitzilopochtli, the Southern Hummingbird. Burr Cartwright Brundage explores the myths behind these and others in the Aztec pantheon in a way that illuminates both the human and the divine in Aztec life. The cult of human sacrifice is a pervasive theme in this study. It is a concept that permeated Aztec mythology and was the central preoccupation of the aggressive Aztec state. Another particularly interesting belief explored here is the “mask pool,” whereby gods could exchange regalia and, thus, identities. This vivid and eminently readable study also covers the use of hallucinogens; cannibalism; the calendars of ancient Mexico; tlachtli, the life-and-death ball game; the flower wars; divine transfiguration; and the evolution of the war god of the Mexica. A splendid introduction to Aztec religion, The Fifth Sun also contains insights for specialists in ethnohistory, mythology, and religion.