Download Free Daughters Of Parvati Book in PDF and EPUB Free Download. You can read online Daughters Of Parvati and write the review.

In her role as devoted wife, the Hindu goddess Parvati is the divine embodiment of viraha, the agony of separation from one's beloved, a form of love that is also intense suffering. These contradictory emotions reflect the overlapping dissolutions of love, family, and mental health explored by Sarah Pinto in this visceral ethnography. Daughters of Parvati centers on the lives of women in different settings of psychiatric care in northern India, particularly the contrasting environments of a private mental health clinic and a wing of a government hospital. Through an anthropological consideration of modern medicine in a nonwestern setting, Pinto challenges the dominant framework for addressing crises such as long-term involuntary commitment, poor treatment in homes, scarcity of licensed practitioners, heavy use of pharmaceuticals, and the ways psychiatry may reproduce constraining social conditions. Inflected by the author's own experience of separation and single motherhood during her fieldwork, Daughters of Parvati urges us to think about the ways women bear the consequences of the vulnerabilities of love and family in their minds, bodies, and social worlds.
In The Occupied Clinic, Saiba Varma explores the psychological, ontological, and political entanglements between medicine and violence in Indian-controlled Kashmir—the world's most densely militarized place. Into a long history of occupations, insurgencies, suppressions, natural disasters, and a crisis of public health infrastructure come interventions in human distress, especially those of doctors and humanitarians, who struggle against an epidemic: more than sixty percent of the civilian population suffers from depression, anxiety, PTSD, or acute stress. Drawing on encounters between medical providers and patients in an array of settings, Varma reveals how colonization is embodied and how overlapping state practices of care and violence create disorienting worlds for doctors and patients alike. Varma shows how occupation creates worlds of disrupted meaning in which clinical life is connected to political disorder, subverting biomedical neutrality, ethics, and processes of care in profound ways. By highlighting the imbrications between humanitarianism and militarism and between care and violence, Varma theorizes care not as a redemptive practice, but as a fraught sphere of action that is never quite what it seems.
"A formidable achievement. . . . Mitter spans almost the entire spectrum of the 'woman's question' providing both information and insight into the complex patterns that determine the image, self-image, and status of women in contemporary India." -- Manini Chatterjee, The Hindu (India). -- Book cover.
The magical story of how the princess Parvati opens the heart of her eternal husband Shiva • The courtship story of one of the central couples in Indian lore, Parvati and Shiva, made accessible for Western children • Illustrated throughout with paintings from the classic Indian tradition In the Hindu pantheon the great mother goddess Adishakti is the heavenly wife of Shiva, Lord of All Gods. Whenever Shiva or Adishakti come to Earth in human form, they are fated to marry each other again--but that’s no guarantee that all will go smoothly with their courtship. In this story Adishakti comes to Earth as the mountain princess Parvati, who has her work cut out for her when she tries to win the affections of Shiva. Shiva spends all his time meditating on a remote mountainside in the Himalayas and has no interest in marriage. Parvati washes his feet, wipes his brow, and lays sixteen offerings before him, but he won’t even look at her. Sage Narada advises her to invoke Shiva’s name--Om Namah Shivaya--over and over again as a mantra. So in the heat of the sun, in the driving rain, in snow up to her neck Parvati sits and repeats her beloved’s name until the focused power of her intent opens his heart and persuades him to ask for her hand in marriage. Parvati’s timeless story teaches children that with enough love and perseverance even the seemingly impossible can be achieved. Accompanied by rich, color illustrations prepared according to the traditional Hindu canon, How Parvati Won the Heart of Shiva will transport children to a magical world filled with ancient wisdom.
Shalini Masih grew up in a stimulating environment of priests and healers, witnessing firsthand states of spirit possession and exorcism. In adulthood, she revisited these experiences, motivating her to extend psychoanalysis outside the clinic's realms into spaces of traditional healing. The outcome of her detailed exploration acknowledges the hugely productive interface between cultural manifestations and concerns of psychoanalysis without reducing the phenomenon of spirit possession to something formulaic. Instead, Psychoanalytic Conversations with States of Spirit Possession: Beauty in Brokenness highlights the intrinsic beauty of this complex experience, illustrating relevant themes through culturally sensitive psychoanalytic conversations with participants who felt haunted and possessed by ghosts. The author's journey reveals the ghosts of her own inner world. She draws upon her reveries, dreams, and nightmares to make sense of the unconscious processes in her informant's testimonies, journeys that are so often undertaken from one grotesque ghost to another until these ghastly beings reappear as broken part-selves in search of the glue of spiritual meaning.
Joanna Liddle and Rama Joshi explore the connection in India between gender and caste, and gender and class. They ask whether the subordination of women has diminished as India moves from a caste to a class structure, and what effect colonization had on the status of women in India. Focusing on educated, professional women, the authors look at the particular experiences of 120 women they interviewed, and also interpret the larger patterns of social relations that emerge from the interviews. These sensitive stories are told with an eloquence that is often moving and inspiring. For thousands of years Indian women have had a cultural tradition of resisting male domination. At the same time, the control of female sexuality has always been central to social hierarchies in India. Women are constrained in both class and caste hierarchies, to help distinguish the men at the top of the hierarchy from men at the bottom, where women are less constrained. In class society the seclusion of women allowed men to have sexual control over women and to retain the property that was transferred in marriage. In contemporary India, professional women have had success entering the professions as the social groups to which they belong move increasingly to class rather than caste structures. But men continue to control the type of education they receive and the type of employment open to them, and to participate in the sexual harassment of women in the workplace. The concept that women are inferior to men--a concept that is not part of the Indian cultural heritage--is growing. In a sense, working professional women strengthen male control. The class structure is no more egalitarian than the caste structure, as oppression simply takes other forms.
The Daughters of Madurai is both a page-turning mystery and a heartrending story of the fraught family dynamics and desperate choices that face a young mother in India. Spanning 1990s South India and present-day Australia, the novel follows Janani, a mother who will do anything to save her unborn daughter, and Nila, a young woman who embarks on a life-changing journey of self-discovery. Madurai, 1992. A young mother in a poor family, Janani is told she is useless if she can’t produce a son—or worse, if she bears daughters. They let her keep her first baby girl, but the rest are taken away as soon as they are born, and murdered. But Janani can’t forget the daughters she was never allowed to love . . . Sydney, 2019. Nila has a secret; one she’s been keeping from her parents for too long. Before she can say anything, her grandfather in India falls ill, so she agrees to join her parents on a trip to Madurai. Nila knows little about where her family came from or who they left behind. What she’s about to learn will change her forever. While The Daughters of Madurai explores the harrowing issue of female infanticide, it’s also a universal story about the bond between mothers and daughters, the strength of women, the power of love in overcoming all obstacles—and the secrets we must keep to protect the ones we hold dear. Fans of historical and contemporary fiction novels about India such asAlka Joshi’s The Henna Artist from the Jaipur Trilogy and Thrity Umrigar’s The Space Between Us, as well as Kristin Hannah’s books exploring sisterhood and mother-daughter relationships will enjoy Variyar’s poignant debut. This extraordinary work of fiction tells a story that deserves to be read and discussed for years to come.
In the north Indian state of Uttarakhand, in the Central Himalayas, Hindu deities are ever present in the lives of devotees. Through ritual practices of placemaking, spirit mediums, oracles, priests, and other specialists bring these beings into embodied form, calling on them for healing and counsel. In exchange for alleviating human suffering, deities ask that a place be made for them—in homes, villages, and temples, and in bodies, lives, and communities. Gods in the World is a richly descriptive and evocative ethnography of Hindu ritual practices that shows how deities and other supernatural agents come to matter to ordinary people. Aftab S. Jassal traces how acts of placemaking, including healing practices that repair and restore relations between people and deities, allow deities to participate and intervene in human affairs. Many of the professional healers, storytellers, musicians, spirit mediums, and lay devotees who are chronicled belong to marginalized Dalit communities. These communities are at the forefront of combined pressures of tourism, neoliberal development, and Hindutva nationalist politics and often find creative ways of responding to their changing worlds. Bringing together fresh insights on the dynamics of caste and gender with enduring questions about ritual, healing, and the nature of human-divine relations, Gods in the World offers a striking account of everyday Hinduism in a contested and rapidly changing region.
The 'Brihakatha', or Lord Shiva's narrative to his wife Parvati, is featured in Gunadhya's epic composition 'Katha Sarita Sagara' in Sanskrit. Somadeva's adaptation retains the storyline, with Lord Shiva substituting for Lord Kubera, the God of Wealth. C H Tawney, blending pure Hindu mythology with Buddhist and tantric beliefs, translated the story into English as The Ocean of a Story, which runs 12 volumes and includes footnotes. Shiva's Own Story is a condensed version of Tawney's work. The setting of the stories is India in the 10th and 11th centuries, when the country was composed of many small kingdoms and fiefdoms. There was no dearth of monarchs with dynastic ambitions. The king was usually advised by an intelligent and devoted Brahman minister. The heir apparent, the crown prince, had a circle of friends, mostly sons of the king's ministers, who became part of the cabinet when the prince became king. Intrigue was rife and matrimonial alliances were often a strategy to expand the kingdom. In a country where illiteracy is still formidable, storytelling is a means of promoting and propagating religious and moral culture.