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Womanhood in Islam: a Comparative Look Before the advent of Islam, women were considered to have only one purpose all over the world: to serve men. It was the Qur'an that declared that she, too, was only created for Allah (as seen in the above verse) and, in that regard, was a complete equal to man. The Messenger of Allah Taala said clearly, "Women are the twin halves of men." at-Tirmidhi, Abu Dawud It was also through Allah's Final Word that women for the first time were given constitutional rights such as in marriage, divorce and the ability to own possessions. Yet at the same time, Islam does not mistake equality of worth for sameness in roles. Since it is obvious that men and women have been created differently both physically and psychologically, it is also clear that both have been made for distinct, though equally important, roles. In Islam, Allah dignifies both men and women in their distinctiveness, not sameness, while maintaining that in the most meaningful sense of equality - equality before the Creator - they both are the same. And whosoever does deeds of righteousness, whether male or female, and has faith, these will enter Paradise and not the least injustice will be done to them. Qur'an, 4:124 A look at examples of other societies and religions and their outlook towards women demonstrates exactly how advanced the teachings of Islam were 1400 years ago and how advanced they still stand today.
This collection of stories of women from the Bible and Apocrypha creates a kind of magic - the women live, and the reader enters their world, forgetting the 21st century concerns. This is a must-read for children and adults alike.
An Indie Next Pick The stunning, timely new novel from the acclaimed, internationally bestselling author of The Architect's Apprentice and The Bastard of Istanbul. Peri, a married, wealthy, beautiful Turkish woman, is on her way to a dinner party at a seaside mansion in Istanbul when a beggar snatches her handbag. As she wrestles to get it back, a photograph falls to the ground--an old polaroid of three young women and their university professor. A relic from a past--and a love--Peri had tried desperately to forget. Three Daughters of Eve is set over an evening in contemporary Istanbul, as Peri arrives at the party and navigates the tensions that simmer in this crossroads country between East and West, religious and secular, rich and poor. Over the course of the dinner, and amidst an opulence that is surely ill-begotten, terrorist attacks occur across the city. Competing in Peri's mind however are the memories invoked by her almost-lost polaroid, of the time years earlier when she was sent abroad for the first time, to attend Oxford University. As a young woman there, she had become friends with the charming, adventurous Shirin, a fully assimilated Iranian girl, and Mona, a devout Egyptian-American. Their arguments about Islam and feminism find focus in the charismatic but controversial Professor Azur, who teaches divinity, but in unorthodox ways. As the terrorist attacks come ever closer, Peri is moved to recall the scandal that tore them all apart. Elif Shafak is the number one bestselling novelist in her native Turkey, and her work is translated and celebrated around the world. In Three Daughters of Eve, she has given us a rich and moving story that humanizes and personalizes one of the most profound sea changes of the modern world.
Muslims who explore sources of morality other than Islam are threatened with death, and Muslim women who escape the virgins' cage are branded whores. So asserts Hirsi Ali's meditation on Islam and the role of women, the rights of the individual, the roots of fanaticism, and Western policies toward Islamic countries and immigrant communities. This controversial book is a call to arms for the emancipation of women from religious and cultural oppression and from an outdated cult of virginity. It is a defiant call for clear thinking and for an Islamic Enlightenment. But it is also the courageous story of how Hirsi Ali herself fought back against everyone who tried to force her to submit to a traditional Muslim woman's life and how she became a voice of reform. She relates her experiences as a Muslim woman so that oppressed Muslim women can take heart and seek their own liberation.--From publisher description.
Important for a general audience interested in women and religion, this book should be especially valuable to scholars in the fields of feminist theology, comparative religion and interfaith studies.
In Emancipation's Daughters, Riché Richardson examines iconic black women leaders who have contested racial stereotypes and constructed new national narratives of black womanhood in the United States. Drawing on literary texts and cultural representations, Richardson shows how five emblematic black women—Mary McLeod Bethune, Rosa Parks, Condoleezza Rice, Michelle Obama, and Beyoncé—have challenged white-centered definitions of American identity. By using the rhetoric of motherhood and focusing on families and children, these leaders have defied racist images of black women, such as the mammy or the welfare queen, and rewritten scripts of femininity designed to exclude black women from civic participation. Richardson shows that these women's status as national icons was central to reconstructing black womanhood in ways that moved beyond dominant stereotypes. However, these formulations are often premised on heteronormativity and exclude black queer and trans women. Throughout Emancipation's Daughters, Richardson reveals new possibilities for inclusive models of blackness, national femininity, and democracy.
In Soulmates: Resurrecting Eve, Juliana Geran Pilon argues for a return to an egalitarian view of men and women, found in the original Genesis narrative, as reflected through Judaism, Christianity, and Islam. In each of these Abrahamic traditions, it was understood that man and woman were created to be soulmates in God’s image—equal despite their different functions within society. Pilon writes that this original message has gradually been distorted, with disastrous effect. Any hope for an ennobling human community begins by resurrecting Eve as an equal partner to Adam. The work examines the Biblical creation narrative, comparing it to Greek and other ancient mythologies. Pilon explains how the disturbing association of woman with sin and death led to Eve’s demise as Adam’s equal. The final section of the work deals with the Goddess myth, love and marriage in early religious narratives, and modern man’s search for his soul no less than for a soulmate. The book, at its core, is a meditation on the relationship between men and women but also among human beings. The resurrection of Eve is indispensable to attaining a true appreciation of love and faith. Pilon uses religious texts, expert commentary, and various works of fiction, poetry, and psychology to make her argument come alive. The work is strengthened by the writing style, alternately poetic and humorous, and a clear and illuminating progression of ideas. Its emphasis on reconciliation and understanding, and its post-feminist outlook will find a receptive audience.