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Filled with the lyrical beauty of a now-vanished world, this magnificent novel unfolds during the last great ice age, amid the mist-shrouded mountains of the Pyrenees in prehistoric France. When tainted spring water fatally poisons the women of the tribe of the Horse, the clan’s young men set forth to kidnap new women from the matriarchal tribe of the Red Deer—a quest that must succeed or their people will die out. Golden-haired Mar, the leader of the young men, falls in love with the beautiful Alin, daughter of the Red Deer priestess. And though they are born to embrace different traditions, raised to worship different gods, Mar will fight to claim this strangely powerful woman as his own. Against a lush backdrop of ancient magic, mammoth hunts, and secret rites, this mesmerizing novel brings to life the ritual and adventure of a primeval world and tells a timeless tale of conflict between two societies…two beliefs…two sexes…and two people.
NATIONAL BESTSELLER In this haunting and groundbreaking historical novel, Danielle Daniel imagines the lives of women in the Algonquin territories of the 1600s, a story inspired by her family’s ancestral link to a young girl who was murdered by French settlers. 1657. Marie, a gifted healer of the Deer Clan, does not want to marry the green-eyed soldier from France who has asked for her hand. But her people are threatened by disease and starvation and need help against the Iroquois and their English allies if they are to survive. When her chief begs her to accept the white man’s proposal, she cannot refuse him, and sheds her deerskin tunic for a borrowed blue wedding dress to become Pierre’s bride. 1675. Jeanne, Marie’s oldest child, is seventeen, neither white nor Algonquin, caught between worlds. Caught by her own desires, too. Her heart belongs to a girl named Josephine, but soon her father will have to find her a husband or be forced to pay a hefty fine to the French crown. Among her mother’s people, Jeanne would have been considered blessed, her two-spirited nature a sign of special wisdom. To the settlers of New France, and even to her own father, Jeanne is unnatural, sinful—a woman to be shunned, beaten, and much worse. With the poignant, unforgettable story of Marie and Jeanne, Danielle Daniel reaches back through the centuries to touch the very origin of the long history of violence against Indigenous women and the deliberate, equally violent disruption of First Nations cultures.
For generations, as dawn touched the River of Gold and light hit the fertile valleys of southern France, the young men of the Kindred and the Norakamo tribes raided each other’s horse herds. But when a full-blown war threatened both tribes’ very existence, a taboo-breaking alliance was forged to survive this common enemy. To seal it, Alane, the Norakamo chief’s daughter, was promised in marriage to Nardo, the Kindred chief’s son. Though they worship the same god, their ways are very different—especially for the proud and beautiful Alane, who fights against her forced union with Nardo. But she soon discovers that she can no longer resist the yearnings of her heart for this extraordinary man. And now Alane and Nardo must struggle to rally their people to defend their lands as they, too, must confront their own intense conflicts, ambitions and desires. For if their marriage cannot last, neither will their tribes…
Daughter of the Forest is a testimony to an incredible author's talent, a first novel and the beginning of a trilogy like no other: a mixture of history and fantasy, myth and magic, legend and love. Lord Colum of Sevenwaters is blessed with six sons: Liam, a natural leader; Diarmid, with his passion for adventure; twins Cormack and Conor, each with a different calling; rebellious Finbar, grown old before his time by his gift of the Sight; and the young, compassionate Padriac. But it is Sorcha, the seventh child and only daughter, who alone is destined to defend her family and protect her land from the Britons and the clan known as Northwoods. For her father has been bewitched, and her brothers bound by a spell that only Sorcha can lift. To reclaim the lives of her brothers, Sorcha leaves the only safe place she has ever known, and embarks on a journey filled with pain, loss, and terror. When she is kidnapped by enemy forces and taken to a foreign land, it seems that there will be no way for her to break the spell that condemns all that she loves. But magic knows no boundaries, and Sorcha will have to choose between the life she has always known and a love that comes only once. Juliet Marillier is a rare talent, a writer who can imbue her characters and her story with such warmth, such heart, that no reader can come away from her work untouched. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A teenage girl goes missing. When Hal, an intellectually disabled farmhand, returns from a hunting trip with a flimsy story about the blood in his truck and a dent near the headlight, Alma Costagan and her husband are forced to confront what Hal might be capable of.
Dance me, Daddy. Dance me around.Don’t let my feet ever touch down.There’s nothing better than being your girl.If I am your princess, then you are king of the world.”This picture book by singer and songwriter Cindy Morgan sparkles with the joy of childhood and the blessings of families. Sing along with the CD performed by Point of Grace and listen to Cindy Morgan read the book version of this song that celebrates the joy in all stages of a child’s growing years, from the time his little girl dances on his feet until they dance at her wedding. A great celebration of God’s love.
Your first hunt is always an unforgettable experience. This book is for those who are raised to chase the wild.
A Japanese father sends three daughters to Canada for a better life.
The Daughter’s Way investigates negotiations of female subjectivity in twentieth-century Canadian women’s elegies with a special emphasis on the father’s death as a literary and political watershed. The book examines the work of Dorothy Livesay, P.K. Page, Jay Macpherson, Margaret Atwood, Kristjana Gunnars, Lola Lemire Tostevin, Anne Carson, and Erin Mouré as elegiac daughteronomies—literary artifacts of mourning that grow from the poets’ investigation into the function and limitations of elegiac convention. Some poets treat the father as a metaphor for socio-political power, while others explore more personal iterations of loss, but all the poets in The Daughter’s Way seek to redefine daughterly duty in a contemporary context by challenging elegiac tradition through questions of genre and gender. Beginning with psychoanalytical theories of filiation, inheritance, and mourning as they are complicated by feminist challenges to theories of kinship and citizenship, The Daughter’s Way debates the efficacy of the literary “work of mourning” in twentieth-century Canadian poetry. By investigating the way a daughter’s filial piety performs and sometimes reconfigures such work, and situating melancholia as a creative force in women’s elegies, the book considers how elegies inquire into the rhetoric of mourning as it is complicated by father-daughter kinship.