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This is a story of love and of genius. Of faith and of rebellion. Mary Wollstonecraft was fifteen when, in 1813, she met the poet Percy Bysshe Shelley. A disciple of Mary's famous father, the philosopher William Godwin (her mother was the great feminist Mary Wollstonecraft), Shelley himself was only twenty, though he was married and soon to be a father. Mary and Shelley fell in love the next summer; and several months later they ran away together.Thus began one of the most tragic, poignant, and, in all respects, brilliant relationships between a woman and a man that has ever been recorded. Shelley went on writing the poetry that was to make him one of the immortals. And Mary, as the result of a contest to see who could produce the best tale of the supernatural, wrote the classic Frankenstein. She was nineteen when she completed Frankenstein, which was at first published anonymously because of the prejudice at the time against female writers.Though they married in 1816, following the suicide of Shelley's wife, Mary and Shelley were for all their time together considered scandalous for their behaviour; in fact, they were both quite prudish and disapproved, for example, of the celebrated sexual exploits of their friend Lord Byron. Their lives were dogged by tragedy: suicide in both families, the early deaths of their first two children, and, finally, the death by drowning of Percy Bysshe Shelley at the age of twenty-nine.Mary Shelley was one of the most remarkable and celebrated women of her time, and for all her happiness with her husband, life was not kind to her. But she never went under, and her story is touching, real, inspiring.Noel Bertram Gerson (1913-1988) was a prolific American author, who wrote 325 books under his own name and under several pseudonyms. He channelled his own wartime experience in military intelligence into many of his novels, as well as writing widely about American history. His titles include Liner, The Conqueror's Wife, The Great Rogue: A Biography of Captain John Smith and I'll Storm Hell: A Novel of Mad Anthony Wayne. Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.
Mary Shelley's own life was as dramatic as her fiction. Even had she not (at the age of 19) authored Frankenstein, one of the greatest horror fables in literature, she would be crucial to the study of Romanticism, as the daughter of two of the great radical thinkers of the day, William Godwin and Mary Wollstonecraft (who died following Mary's birth); and as the second Mrs Percy Bysshe Shelley, her companion for that stormy stay at Byron's Geneva villa in 1816 - the 'haunted summer' that begat Frankenstein. Drawing on unexplored sources, Miranda Seymour's hugely acclaimed biography penetrates the myth to offer the fullest, richest portrait of this extraordinary woman. 'Mary Shelley is the most dazzling biography of a female writer to have come my way for an entire decade.' Financial Times 'Brilliant and enthralling, this portrait illuminates Mary's life in many unexpected ways.' Independent on Sunday 'Miranda Seymour has vivid narrative gifts and a perceptive understanding of the main personalities.' New York Times Book Review 'A thoughtfully considered and exceptionally lifelike portrait of a complex and often misunderstood character.' Los Angeles Times 'A harrowing life, wonderfully retold.' Washington Post Book World 'A splendid biography.' New Yorker
A fictionalized autobiography of the woman who wrote Frankenstein. Two centuries ago, a twenty-year-old woman invented science fiction. Her father gave her a better education than any woman of the age could hope for—and made her the victim of ongoing incest. At fifteen, she became involved with one of the greatest poets in England and made love to him on her mother’s grave. When she was sixteen, she escaped from home by running away for a six-week walking tour of Europe, and shared Percy Bysshe Shelley with her sister. And her mentor, Lord Byron, challenged her to prove she was as good a writer as the best poet-philosophers of the Enlightenment. Both men admired her mind, and both wanted more. She would publish a book that changed the world—and this historical novel imagines her inner life as a woman far ahead of her time.
A look at the metaphysical experiences that shaped the lives and work of 24 great men and women from the Renaissance to modern times • Chronicles the changing relationship with God, nature, and spirituality from the 16th century to the 20th century • Includes encounters with the paranormal of Ben Johnson, Isaac Newton, Mary Shelley, Leo Tolstoy, Doris Lessing, and Winston Churchill What role did the esoteric thought of Swedenborg play in the creative output of Honoré de Balzac? Did a supernatural encounter prompt Mary Wollstonecraft Shelley to focus her work on the theme of immortality? Building on his earlier research on communications with the spirit world that Victor Hugo, author of Les Misérables, experienced while in exile on the isle of Jersey, John Chambers now looks at the role occult knowledge and supernatural experiences played in the lives of 24 geniuses. His investigation spans the life and work of William Blake, Helena Blavatsky, and W. B. Yeats, whose esoteric interests are well known, as well as those little suspected of such encounters with worlds beyond ours, including Doris Lessing, Leo Tolstoy, Norman Mailer, Yukio Mishima, and Winston Churchill. Chambers presents more than a collection of anecdotes and newly revealed secrets. His research provides insightful historical context of the decisive turning point that took place with the collapse of Prague, the occult capital of Europe, in 1620, which resulted in the victory of Cartesian reality and Newton’s scientific paradigm over the esoteric traditions that flourished until that time. The magical and occult world shown in the lives of these 24 great men and women offers us a glimpse of what could still be ours--a world that though it is now overshadowed by modern scientific and technological principles is yet still visible on the horizon through the visions and paranormal experiences of these geniuses.
First published in 1976, this was the first comprehensive annotated bibliography of Mary Wollstonecraft’s works and most of the critical and biographical comments on her in English written between 1788 and 1975. It is designed both as a research tool for scholars and students and as a revelation of the quantity and variety of comment. The book is divided into three main chronological time periods of publication date and suggests the vagaries of Wollstonecraft’s posthumous reputation and indicates the peaks and troughs of interest. Known as an eighteenth-century British writer, philosopher, and advocate of women's rights, Mary Wollstonecraft has received much critical attention with particular interest in her unorthodox lifestyle of the time and is now regarded as one of the founding feminist philosophers.
From Marilyn to Mussolini, people captivate people. A&E's Biography, best-selling autobiographies, and biographical novels testify to the popularity of the genre. But where does one begin? Collected here are descriptions and evaluations of over 10,000 biographical works, including books of fact and fiction, biographies for young readers, and documentaries and movies, all based on the lives of over 500 historical figures from scientists and writers, to political and military leaders, to artists and musicians. Each entry includes a brief profile, autobiographical and primary sources, and recommended works. Short reviews describe the pertinent biographical works and offer insight into the qualities and special features of each title, helping readers to find the best biographical material available on hundreds of fascinating individuals.
Graham Allen provides both an introduction to and review of the critical responses to Mary Shelley's major fictions, from the Romantic period to the present day, while also pushing debates forward. The book moves beyond Frankenstein, presenting new readings of other texts such as Matilda, Valperga, The Last Man and Lodore.
A Best Novel of Summer (New York Times Book Review) From the acclaimed author of Mr. Dickens and His Carol, a richly-imagined reckoning with the life of another cherished literary legend: Mary Wollstonecraft – arguably the world’s first feminist August, 1797. Midwife Parthenia Blenkinsop has delivered countless babies, but nothing prepares her for the experience that unfolds when she arrives at Mary Wollstonecraft’s door. Over the eleven harrowing days that follow, as Mrs. Blenkinsop fights for the survival of both mother and newborn, Wollstonecraft recounts the life she dared to live amidst the impossible constraints and prejudices of the late 18th century, rejecting the tyranny of men and marriage, risking everything to demand equality for herself and all women. She weaves her riveting tale to give her fragile daughter a reason to live, even as her own strength wanes. Wollstonecraft’s urgent story of loss and triumph forms the heartbreakingly brief intersection between the lives of a mother and daughter who will change the arc of history and thought. In radiant prose, Samantha Silva delivers an ode to the dazzling life of Mary Wollstonecraft, one of the world's most influential thinkers and mother of the famous novelist Mary Shelley. But at its heart, Love and Fury is a story about the power of a woman reclaiming her own narrative to pass on to her daughter, and all daughters, for generations to come.
"Iconoclastic Departures contributes to the ongoing reevaluation of Mary Shelley as a professional author in her own right with a lifelong commitment to the development of her craft. Many of its essays acknowledge the importance of her family to her work - the steady theme of much earlier scholarship - but for them the family has become an imperative socio-psychological context within which to better understand her innovations in the many literary forms she worked with during her career: journals, letters, travelogues, biographies, poems, dramas, tales, and novels." "The book's essays also convey the conviction that even if Mary Shelley, after Percy Shelley's death, gradually retired from public life as his relatives wished, she retained a resiliently resistant attitude toward many of the established orders of her day, easily recovered by a careful look beyond her "feelings" to the productions of her literary "imagination."" "The Mary Shelley who inhabits this three-part collection of portraits is a radical, even if a quiet radical. Part 1 focuses on various moments in her construction of her authorial identity; parts 2 and 3 anatomize the nature of her resistance and her innovation. She is presented as a writer who reappropriates authority for herself, who redesigns genres, who redefines gender, who rewrites history and biography, who revises her readers' aesthetic expectations, and who protests cultural imperialism at home and abroad. It seems significant to the contributors to this volume that this new, radical Mary Shelley was not invented by a pointed call for papers but emerged spontaneously from an open invitation to scholars working in various corners of the English-speaking world."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved