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Boston was well-known in the nineteenth century as a center for intellectual ferment. Amidst the popular lecturing of Ralph Waldo Emerson and the discussion groups led by Margaret Fuller sat a remarkable young woman, Caroline Healey Dall (18221912): transcendentalist, early feminist, writer, reformer, and, perhaps most importantly, active diarist. During the seventy-five years that Dall kept a diary, she captured all the fascinating details of her sometimes agonizing personal life, and she also wrote about all the major figures who surrounded her. Her diary, filling forty-five volumes, is perhaps the longest diary ever written by any American and the most complete account of a nineteenth-century woman"s life. Daughter of Boston is a selection of the best from Dall"s diary, woven together with biographical narrative. What Samuel Pepys did in his Diary for seventeenth-century London, Caroline Dall does in hers for nineteenth-century Boston. The city"s celebrations, mob scenes, poverty-ridden neighborhoods, lectures, and exhibits are described with great wit and insight. Dall also writes colorfully about people whose names never made it into the history books-wives and mothers, fugitives, servants, children, and working people of all ages. Daughter of Boston is both a significant document of social history and an engrossing account of one woman"s life and thoughts. "In Daughter of Boston, Helen Deese, one of our foremost scholars of American Romanticism, has unearthed the fascinating journals of Caroline Healey Dall, a nineteenth-century New Englander who was an astute observer and active participant in nearly every major intellectual and political movement of her day, from Transcendentalism to abolition to women"s rights." -Megan Marshall, author of The Peabody Sisters
New York Times bestseller! An unforgettable novel about a young Jewish woman growing up in Boston in the early twentieth century, told “with humor and optimism…through the eyes of an irresistible heroine” (People)—from the acclaimed author of The Red Tent. Anita Diamant’s “vivid, affectionate portrait of American womanhood” (Los Angeles Times), follows the life of one woman, Addie Baum, through a period of dramatic change. Addie is The Boston Girl, the spirited daughter of an immigrant Jewish family, born in 1900 to parents who were unprepared for America and its effect on their three daughters. Growing up in the North End of Boston, then a teeming multicultural neighborhood, Addie’s intelligence and curiosity take her to a world her parents can’t imagine—a world of short skirts, movies, celebrity culture, and new opportunities for women. Addie wants to finish high school and dreams of going to college. She wants a career and to find true love. From the one-room tenement apartment she shared with her parents and two sisters, to the library group for girls she joins at a neighborhood settlement house, to her first, disastrous love affair, to finding the love of her life, eighty-five-year-old Addie recounts her adventures with humor and compassion for the naïve girl she once was. Written with the same attention to historical detail and emotional resonance that made Diamant’s previous novels bestsellers, The Boston Girl is a moving portrait of one woman’s complicated life in twentieth century America, and a fascinating look at a generation of women finding their places in a changing world. “Diamant brings to life a piece of feminism’s forgotten history” (Good Housekeeping) in this “inspirational…page-turning portrait of immigrant life in the early twentieth century” (Booklist).
Refusing to settle for anything less than a romantic relationship that pleases God, Faith O'Connor steels her heart against her desire for the roguish Collin McGuire. But when Collin tries to win her sister Charity's hand, Faith isn't sure she can handle the jealousy she feels. To further complicate matters, Faith finds herself the object of Collin's affections, even as he is courting her sister. The Great War is raging overseas, and a smaller war is brewing in the O'Connor household. Full of passion, romance, rivalry, and betrayal, A Passion Most Pure will captivate readers from the first page. Book 1 of the Daughters of Boston series.
In nineteenth-century Boston, amidst the popular lecturing of Ralph Waldo Emerson and the discussion groups led by Margaret Fuller, sat a remarkable young woman, Caroline Healey Dall (1822-1912): transcendentalist, early feminist, writer, reformer, and, perhaps most importantly, active diarist. During the seventy-five years that Dall kept a diary, she captured all the fascinating details of her sometimes agonizing personal life, and she also wrote about all the major figures who surrounded her. Her diary, filling forty-five volumes, is perhaps the longest running diary ever written by any American and the most complete account of a nineteenth-century woman's life. In Daughter of Boston, scholar Helen Deese has painstakingly combed through these diaries and created a single fascinating volume of Dall's observations, judgments, descriptions, and reactions.
The everyday sights, sounds and smells of a colorful and bustling city come alive in this book - a child's view of Boston. Maryann Cocca-Leffler remembers frequent bus trips she took into the city as a girl with her mother and little sister. Together they shopped for delicious treats in the Italian North End - warm pizza and creamy cannoli - or stopped for ice cream sundaes at Bailey's after a day of bargain hunting at Filene's Basement. One of the best things about the trips was the bus driver, Bill. He started his route each day in their neighborhood and knew all the kids on the street. In this engaging Parents' Choice Award book, the author-artist conveys all the warmth and simple pleasure of childhood memories and the people and places that made them so special.
The riveting story of a museum director caught in a web of local and international intrigue while secretly pursuing a forgotten Renaissance painting-the Boston Raphael. On the eve of its centennial celebrations in 1969, the Boston MFA announced the acquisition of an unknown and uncatalogued painting attributed to Raphael. Boston's coup made headlines around the world. Soon, an Italian art sleuth began investigating the painting's export from Italy, challenging the museum's ownership. Simultaneously, experts on both sides of the Atlantic lined up to debate its very authenticity. The museums charismatic director, Perry T. Rathbone, faced the most challenging crossroads of his career. The Boston Raphael was a media sensation in its time, but the full story of the forces that converged on the museum and how they intersected with the challenges of the Sixties is now revealed in full detail by the director's daughter.
In the mid-nineteenth-century shipbuilding town of Essex, Massachusetts, twelve-year-old Addie learns a startling secret about her past when she escapes servitude by running away to live in the snowy woods and meets an elderly Wampanoag woman.
A paperback edition of the book described by the New York Times Book Review as 'thoroughly absorbing'. Henry James minced no words in crediting John Singer Sargent with a 'knock-down insolence of talent.' Among the painter's many renowned works, few deserve the phrase as much as The Daughters of Edward Darley Boit, which stands alongside Madame X and Lady Agnew of Lochnaw as one of Sargent's greatest images. The painting, depicting four young sisters in the family apartment (first exhibited at the Paris Salon of 1883, it predated by just one year the scandal of Madame X), both explores and defies convention, crossing the boundaries between portrait and genre scene, formal composition and casual snapshot. At its unveiling, one prominent critic rushed to praise Sargent's stunning originality, while another dismissed the canvas as 'four corners and a void.' Using numerous unpublished archival documents, Erica E. Hirshler explores this iconic canvas from a variety of angles, discussing its innovative significance as a work of art, the people involved in its making and what became of them, its importance to Sargent's career, its place in the tradition of artistic patronage, and its changing meanings and lasting popularity. Sargent's Daughters is an evocative, multifaceted book that will transform the way you look at Sargent's work, simultaneously illuminating a much beloved painting and reaffirming its mystery
Young Elizabeth O'Connor is the little sister John Brady always longed for. But she wants much more than that from her spiritual mentor. As she blossoms into a beautiful young woman intent on loving John, he must push back the very real attraction he feels for her. His past just won't let him go there. Unfortunately, Lizzie won't let him go anywhere else--until she discovers he is not all that he seems. Can true love survive such revelations? Full of the romance and relationships Lessman readers have come to love, A Passion Denied is the final book in the popular Daughters of Boston series.
Graced with physical beauty, though shallow of heart, Charity O'Connor is a woman who knows what she wants. She sets her sights on the cantankerous Mitch Dennehy, editor at the Irish Times, who has unwittingly stolen her heart. And although the sparks are there, Mitch refuses to fan the coals of a potential relationship with his ex-fiancée's sister. But Charity has a plan to turn up the heat and she always gets what she wants--one way or another. Is revenge so sweet after all? Or will Charity get burned? Full of intense passion, betrayal, and forgiveness, A Passion Redeemed will delight Lessman's fans and draw new ones.