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In this work, Nadine Gordimer unfolds the story of a young woman's slowly evolving identity in the turbulent political environment of present-day South Africa. Her father's death in prison leaves Rosa Burger alone to explore the intricacies of what it actually means to be Burger's daughter.
Barbara Mutch's stunning first novel tells a story of love and duty colliding on the arid plains of Apartheid-era South Africa When Cathleen Harrington leaves her home in Ireland in 1919 to travel to South Africa, she knows that she does not love the man she is to marry there —her fiance Edward, whom she has not seen for five years. Isolated and estranged in a small town in the harsh Karoo desert, her only real companions are her diary and her housemaid, and later the housemaid's daughter, Ada. When Ada is born, Cathleen recognizes in her someone she can love and respond to in a way that she cannot with her own family. Under Cathleen's tutelage, Ada grows into an accomplished pianist and a reader who cannot resist turning the pages of the diary, discovering the secrets Cathleen sought to hide. As they grow closer, Ada sees new possibilities in front of her—a new horizon. But in one night, everything changes, and Cathleen comes home from a trip to find that Ada has disappeared, scorned by her own community. Cathleen must make a choice: should she conform to society, or search for the girl who has become closer to her than her own daughter? Set against the backdrop of a beautiful, yet divided land, The Housemaid's Daughter is a startling and thought-provoking novel that intricately portrays the drama and heartbreak of two women who rise above cruelty to find love, hope, and redemption.
During the worst years of official racism in South Africa, the story of one young girl gripped the nation and came to symbolize the injustice, corruption, and arbitrary nature of apartheid. Born in 1955 to a pro-apartheid Afrikaner couple, Sandra Laing was officially registered and raised as a white child. But when she was sent to a boarding school for whites, she was mercilessly persecuted because of her dark skin and frizzy hair. Her parents attributed Sandra's appearance to an interracial union far back in history; they swore Sandra was their child. Their neighbors, however, thought Mrs. Laing had committed adultery with a black man. The family was shunned. And when Sandra was ten, she was removed from school by the police and reclassified as "coloured." As a teenager, Sandra eloped with a black man, and her parents disowned her. The young woman, who had only known the privileged world of the whites, chose to begin again in a poor, rural, all-black township, where life was a desperate, day-to-day struggle against poverty, illness, and a legal system designed to enslave. In this remarkable narrative, veteran journalist and author Judith Stone takes us on her own eye-opening journey as she and Sandra explore the mysteries of Sandra's past and piece together the fractured life of one of apartheid's many victims. As the devastating circumstances of Sandra's life are revealed, Stone comes to understand and admire her for the flawed -- yet enduring -- survivor she is.
It’s been two decades since the fall of apartheid, a quarter century since the liberation of Eastern European states, five decades since the death of American “Jim Crow,” and seventy-plus years since the beginning of the emancipation of the African states. Freedom has advanced, yet there are some Black people in South Africa, the United States, and other parts around the globe who question if it has advanced far enough and are embittered. I am a Black woman born to the racist apartheid regime of South Africa. My family suffered the slights of apartheid--petty and grand--as well as the poverty, degradation, street violence, lack of opportunity, and other ills of the system. Twenty years old when apartheid gave way to the Rainbow Nation, I have lived about half my life under that system. Those who came before me knew only separation and oppression, while those who followed were born to the idea that “South Africa belongs to all who live in it”. My generation--perhaps it’s not really a generation, but rather a seven- to ten-year cohort--knows both. Therefore. My generation has a unique perspective on what happened then as well as what is happening now, on transitioning from restriction to freedom, on recognizing and celebrating progress, on pushing through negatives to embrace forgiveness, hope, and humanity, and on understanding the importance of choice. In telling my story, as well as the stories of some of my friends and teachers, I share my perspective on the issues I have grappled with--including choice, identity, forgiveness, and humanity--with those who are wrestling with similar issues in the United States, my adopted home country, and in South Africa, the country of my birth. Deprivation and marginalization are, after all, as hurtful and debilitating in inner city Baltimore as they are in Soweto, and making a deliberate decision to move forward in the face of either, or both, is always powerful, no matter what your address or particular circumstances.
My Race is the memoir of a gifted Jewish athlete growing up under the apartheid system of South Africa. As both an outsider excluded from the conservative Christian mainstream and an insider who reaped many of the benefits of a society founded on white supremacy, South African track star Lorraine Lotzof Abramson had a unique vantage point on the apartheid experience. Her grandparents left Eastern Europe to escape oppression, only to find themselves in another oppressive society. This time, by virtue of their white skin, they were on the same side of the fence as the oppressors. Lorraine's first-hand account shares her ambitions, her achievements, her losses, her family ties and her growing unease with the system of social inequality that simultaneously excluded her and celebrated her. Along the way, Lorraine learns that the real race the marathon that is a long and eventful human life is a journey towards compassion.
Ufrieda Ho’s compelling memoir describes with intimate detail what it was like to come of age in the marginalized Chinese community of Johannesburg during the apartheid era of the 1970s and 1980s. The Chinese were mostly ignored, as Ho describes it, relegated to certain neighborhoods and certain jobs, living in a kind of gray zone between the blacks and the whites. As long as they adhered to these rules, they were left alone. Ho describes the separate journeys her parents took before they knew one another, each leaving China and Hong Kong around the early 1960s, arriving in South Africa as illegal immigrants. Her father eventually became a so-called “fahfee man,” running a small-time numbers game in the black townships, one of the few opportunities available to him at that time. In loving detail, Ho describes her father’s work habits: the often mysterious selection of numbers at the kitchen table, the carefully-kept account ledgers, and especially the daily drives into the townships, where he conducted business on street corners from the seat of his car. Sometimes Ufrieda accompanied him on these township visits, offering her an illuminating perspective into a stratified society. Poignantly, it was on such a visit that her father—who is very much a central figure in Ho’s memoir—met with a tragic end. In many ways, life for the Chinese in South Africa was self-contained. Working hard, minding the rules, and avoiding confrontations, they were able to follow traditional Chinese ways. But for Ufrieda, who was born in South Africa, influences from the surrounding culture crept into her life, as did a political awakening. Paper Sons and Daughters is a wonderfully told family history that will resonate with anyone having an interest in the experiences of Chinese immigrants, or perhaps any immigrants, the world over.
Provides a new perspective on the struggle against apartheid, and contributes to key debates in South African history, gender inequality, sexual violence, and the legacies of the liberation struggle.
#1 NEW YORK TIMES BESTSELLER • More than one million copies sold! A “brilliant” (Lupita Nyong’o, Time), “poignant” (Entertainment Weekly), “soul-nourishing” (USA Today) memoir about coming of age during the twilight of apartheid “Noah’s childhood stories are told with all the hilarity and intellect that characterizes his comedy, while illuminating a dark and brutal period in South Africa’s history that must never be forgotten.”—Esquire Winner of the Thurber Prize for American Humor and an NAACP Image Award • Named one of the best books of the year by The New York Time, USA Today, San Francisco Chronicle, NPR, Esquire, Newsday, and Booklist Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.
Justine van der Leun reopens the murder of a young American woman in South Africa, an iconic case that calls into question our understanding of truth and reconciliation, loyalty, justice, race, and class—a gripping investigation in the vein of the podcast Serial “Timely . . . gripping, explosive . . . the kind of obsessive forensic investigation—of the clues, and into the soul of society—that is the legacy of highbrow sleuths from Truman Capote to Janet Malcolm.”—The New York Times Book Review The story of Amy Biehl is well known in South Africa: The twenty-six-year-old white American Fulbright scholar was brutally murdered on August 25, 1993, during the final, fiery days of apartheid by a mob of young black men in a township outside Cape Town. Her parents’ forgiveness of two of her killers became a symbol of the Truth and Reconciliation process in South Africa. Justine van der Leun decided to introduce the story to an American audience. But as she delved into the case, the prevailing narrative started to unravel. Why didn’t the eyewitness reports agree on who killed Amy Biehl? Were the men convicted of the murder actually responsible for her death? And then van der Leun stumbled upon another brutal crime committed on the same day, in the very same area. The true story of Amy Biehl’s death, it turned out, was not only a story of forgiveness but a reflection of the complicated history of a troubled country. We Are Not Such Things is the result of van der Leun’s four-year investigation into this strange, knotted tale of injustice, violence, and compassion. The bizarre twists and turns of this case and its aftermath—and the story that emerges of what happened on that fateful day in 1993 and in the decades that followed—come together in an unsparing account of life in South Africa today. Van der Leun immerses herself in the lives of her subjects and paints a stark, moving portrait of a township and its residents. We come to understand that the issues at the heart of her investigation are universal in scope and powerful in resonance. We Are Not Such Things reveals how reconciliation is impossible without an acknowledgment of the past, a lesson as relevant to America today as to a South Africa still struggling with the long shadow of its history. “A masterpiece of reported nonfiction . . . Justine van der Leun’s account of a South African murder is destined to be a classic.”—Newsday
The book is the story of a young American girl living in South Africa during the early years of Apartheid (1948-1960). One of six children of a Swedenborgian minister who was sent to South Africa to establish a theological school for Africans, the author reaches back into this unique time and place in an effort to rediscover the culture that influenced her own adult attitudes. Rather than following a strictly chronological format, the story is laid out in a series of verbal snapshots, supported by photographs. Family life, experienced through the eyes of a child living in a complex environment, contrasts with the lives of those who were impacted by the institutionalized racism of apartheid. Examples of the Acts of Apartheid at the end of each chapter include news articles, interviews, and commentary. Deep childhood fears of some unnamed threat are represented by home invasions, wildfires, and the cry of a hyena in the mountains. The mountains are dangerous, they present a great barrier, but they can be conquered. After returning permanently to America as a teenager¿through a confusing and sometimes painful process of discussion and observation¿the author uncovers those artifacts of the past that inform her place in the world today.