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Françoise d’Aubigné, marquise de Maintenon and secret wife of the Sun King, Louis XIV, was born in a bleak French prison in 1635, her father a condemned traitor and murderer, her mother the warden’s seduced daughter. A timely pardon and a hopeful Caribbean colonial venture failed to mend the family’s fortunes, and Françoise was reduced to begging in the streets. Yet, armed with beauty, intellect, and shrewd judgment, she was to make her way to the center of power at Versailles, the most opulent and ambitious court in all Europe. At fifteen, she was married off to the forty-two-year-old satirical poet Paul Scarron, a former roué now grievously deformed by rheumatism—“a sort of human Z,” as he described himself. Despite his ailments, Scarron presided over the liveliest and most scandalous literary salon in Paris, and Françoise quickly became its most prized ornament. After Scarron’s death, she enjoyed a merry widowhood in the fashionable Marais district, in the company of the courtesan Ninon de Lenclos and the King’s splendid mistress, Athénaïs de Montespan, who made the young widow governess to her brood of illegitimate children. The appointment transformed Françoise’s life, but was fatal to the temperamental Athénaïs herself, with the King soon turning his attentions to the graceful governess. Françoise was raised to the nobility as Madame de Maintenon—and, unofficially, “Madame de Maintenant,” the lady of the moment. The acclaimed biographer Veronica Buckley traces the extraordinary story of Françoise’s progress from pauper child to salonnière to the compromised position of Louis’s secret wife and uncrowned Queen. An absolute ruler, Louis turned away his many other mistresses to live with Françoise only, trusting her as his closest confidante and remaining in love with her for forty years. Sparkling with the irresistible wit of contemporary chroniclers such as Madame de Sévigné, this exactingly researched biography is a pinnacle of the form. In vibrant colors, The Secret Wife of Louis XIV paints a portrait of Europe in an age of violent change, and the Sun King’s France in the process of becoming its modern self.
Merle D’Aubigne published two series of historical works for which he is most famous. The first was The History of the Reformation in the Sixteenth Century, a five volume set containing twenty books and covering every country in Europe and every major figure of that time. He stated, “I believe that the Reformation is a work of God; this must have been already seen. Still, I hope to be impartial in tracing its history. Of the principal Roman Catholic actors in this great drama, for example, of Leo X, Albert of Magdeburg, Charles V, and Doctor Eck—I believe I have spoken more favourably than the greater part of historians have done.” The second series was The History of The Reformation in the Times of Calvin and was originally published as sixteen books bound in eight volumes. Each volume was published and released as the author completed the books which were contained in that volume. Therefore, each volume (with the exclusion of volume 2) has its own introduction. The volumes were broken down thusly: Volume 1 contained Book 1 and part of 2, Volume 2 contained the remainder of book 2 and all of book 3, Volume 3 contained books 4 and 5, Volume 4 contained books 6 and 7, Volume 5 contained books 8 and 9, Volume 6 contained book 10 and part of 11, Volume 7 contained the remainder of book 11 and all of books 12 and 13, and Volume 8 contained books 14, 15, and 16.
When the present publisher first issued The Reformation in England in 1962, it was hoped, in the words of its editor, S. M. Houghton, that it would 'be a major contribution to the religious needs of the present age, and that it [would] lead to the strengthening of the foundations of a wonderful God-given heritage of truth'. In many ways there has been such a strengthening. Renewed interest in the Reformation and the study of the Reformers' teaching has brought forth much good literature, and has provided strength to existing churches, and a fresh impetus for the planting of biblical churches.
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A foundational text in the Seventh Day Adventist church, The Great Controversy is a vision White had of the great battle between Christ and Satan throughout the ages of the early and modern church. Although the book is not held with as high esteem in Protestant circles, it still is able to outline a way of impactful theological thinking.