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Dateline: Toronto collects all 172 pieces that Hemingway published in the Star, including those under pseudonyms. Hemingway readers will discern his unique voice already present in many of these pieces, particularly his knack for dialogue. It is also fascinating to discover early reportorial accounts of events and subjects that figure in his later fiction. As William White points out in his introduction to this work, “Much of it, over sixty years later, can still be read both as a record of the early twenties and as evidence of how Ernest Hemingway learned the craft of writing.” The enthusiasm, wit, and skill with which these pieces were written guarantee that Dateline: Toronto will be read for pleasure, as excellent journalism, and for the insights it gives to Hemingway's works.
Dateline Soweto documents the working lives of black South African reporters caught between the mistrust of militant blacks, police harrassment, and white editors who—fearing government disapproval—may not print the stories these reporters risk their lives to get. William Finnegan revisited several of these reporters during the May 1994 election and describes their post-apartheid working experience in a new preface and epilogue. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995. Dateline Soweto documents the working lives of black South African reporters caught between the mistrust of militant blacks, police harrassment, and white editors who—fearing government disapproval—may not print the stories these reporters risk the
Rarely is the public taken deep into the inner sanctum of major news organisations. In this extraordinary book, award-winning journalist John Lyons goes to the heart of how the media reports--or does not report--one of the biggest stories of our time: the conflict in the Middle East. He looks at the power of lobby groups and shows how they determine much of what is written about Israel, and he turns the spotlight on his own profession and its failings. For Lyons, the six years he spent in Jerusalem as Middle East correspondent for The Australian were the toughest of his forty-year career. He explains how lobby groups attempt to prevent the real story being told and describes how journalists who accurately report what they see can be hounded and vilified, part of a practice of intimidation, harassment and influence peddling that is designed to stop the truth from being told--a practice that must stop. This is an insider's account of why the real story of the Israel-Palestine conflict goes largely unreported. It is also the story of why, in the wake of the international backlash against media coverage of the May 2021 Israel-Hamas violence, this could be about to change.
A White House correspondent talks about the Presidents and their families, from JFK to Gerald Ford.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
During World War II, American journalist Henry C. Cassidy observed the war in Russia at close range as Moscow correspondent of the Associated Press. Fluent in Russian and French, Cassidy served as the Associated Press bureau chief in Moscow from 1940 to 1944. During this period he became Joseph Stalin’s first and most publicized pen pal. This book provides a fascinating report of his observations during years 1941-43 and constitutes one of the best books to shine a light on the Soviet Union at war behind the scenes.