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Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (July - December)
From remote diners to downtown political havens, the restaurants of central Ohio satisfied palates for generations. In the era of Sunday drives before interstates, fabulous family-owned restaurants were the highlight of the trip. Sample the epicurean empires established by Greek, Italian, German and Chinese families. Recall the secrets of Surly Girl's chandelier, the delicious recipes handed down by chefs and the location of Flippo the Clown's former jazz hideaway. Following their previous book, Lost Restaurants of Columbus, authors Christine Hayes and Doug Motz deliver a second helping of unforgettable establishments that cemented central Ohio's reputation for good food and fun. That includes eighteen destination eateries in fifteen surrounding towns.
In this intriguing novel filled with romance and mystery, a young actress travels to a lakeside villa in northern Italy for the role of a lifetime only to find herself haunted by the ghost of a missing woman—from the New York Times and Globe and Mail bestselling author Susanna Kearsley. When promising young actress Celia “Sullivan” Sands receives a letter from Italy offering her the lead role in a play, she is baffled. The invitation from Alessandro D’Ascanio is curiously addressed to her under her real name, which she has long kept secret. D’Ascanio is planning to stage the first performance of his grandfather Galeazzo D’Ascanio’s masterpiece at an isolated villa on Lake Garda. The stunning play—Galeazzo’s final work—was written in the early 1900s for his muse and mistress, his most enduring obsession: the original Celia Sands. But the night before she was to take the stage in the leading role, she vanished without a trace. Now, decades later, her namesake accepts the part and travels to Italy. She is instantly drawn to the mysteries surrounding the play—and to her compelling, compassionate employer. But as she settles into the role, she begins to wonder if what happened to the first Celia will come back to haunt her....
The complex nature of industrial design, which combines functional and aesthetic elements, allows different modes of protection: cumulative, separate or partially overlapping regimes are applicable according to different legal systems. The legal framework is rapidly changing, especially in Europe where the principle of cumulation of a special sui generis regime for protecting industrial design with copyright rules has been established. In the last decade, national courts of some Member States conferred to the “cumulative regime” a peculiar meaning, other courts enforced design rights in line with the interpretation given by the Court of Justice of the EU. The copyright/design interface is presented here to a wider, non-specialist audience, taking as a starting point the notion of industrial design derived from design studies, on the border between art and science.
The twentieth century saw a proliferation of media discourses on colonialism and, later, decolonisation. Newspapers, periodicals, films, radio and TV broadcasts contributed to the construction of the image of the African “Other” across the colonial world. In recent years, a growing body of literature has explored the role of these media in many colonial societies. As regards the Italian context, however, although several works have been published about the links between colonial culture and national identity, none have addressed the specific role of the media and their impact on collective memory (or lack thereof). This book fills that gap, providing a review of images and themes that have surfaced and resurfaced over time. The volume is divided into two sections, each organised around an underlying theme: while the first deals with visual memory and images from the cinema, radio, television and new media, the second addresses the role of the printed press, graphic novels and comics, photography and trading cards.