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Seventeen-year-old Snow lives within the walls of the Whittaker Institute, a high security mental hospital in upstate New York. Deep down, she knows she doesn't belong there, but she has no memory of life outside, except for the strangest dreams. And then a mysterious, handsome man, an orderly in the hospital, opens a door – and Snow knows that she has to leave ... She finds herself in icy Algid, her true home, with witches, thieves, and a strangely alluring boy named Kai. As secret after secret is revealed, Snow discovers that she is on the run from a royal lineage she's destined to inherit, a father more powerful and ruthless than she could have imagined, and choices of the heart that could change everything. Heroine or villain, queen or broken girl, frozen heart or true love, Snow must choose her fate ... A wonderfully icy fantastical romance, with a strong heroine choosing her own destiny, Danielle Paige's irresistibly page-turning Snow Queen is like Maleficent and Frozen all grown up.
For decades the work of Swiss photographer Karlheinz Weinberger was shrouded in obscurity. In the 1950s he published numerous homoerotic photographs under the pseudonym "Jim" in Der Kreis (The Circle), the legendary international gay magazine that featured highly sophisticated photographs by, among others, George Platt Lynes and Herbert List. Weinberger was one of the first queer photographers to show his often working class models posing in their everyday surroundings. For Weinberger, eroticism was always grounded in the quotidian -- a revolutionary and courageous approach back in the 1950s. In the late 1950s Weinberger started to develop an obsessive interest in the nascent biker culture and its proud and self-confident celebration of the body, embarking on a longtime study of their lifestyle. In many ways, Weinberger's photographs will remind viewers of Kenneth Anger's cult classic Scorpio Rising. Weinberger's photographs are a unique document both of pre-Stonewall gay culture and postwar youth culture and its cycles. His erotic and provocative photographs are imbued with a mischievous sense of humor that makes them as vibrant and vital today as they were when they were first taken.
When an old girlfriend and leader of an insurgent rebel group offers him a shot at an incredible fortune, Han can't resist. The resistance will be light and the take enormous. Then he discovers that the planet of Ylesia is far from a pushover, and that the rebels have an agenda of their own.
Here is the first book in the blockbuster trilogy that chronicles the never-before-told story of the young Han Solo. Set before the Star Wars movie adventures, these books chronicle the coming-of-age of the galaxy's most famous con man, smuggler, and thief. The first book in this exciting new Han Solo series begins with a recounting of Han's late teen years and shows us how he escaped an unhappy adopted home situation to carve out an adventurous new life for himself as a pilot. Han Solo, the handsome rogue, is every girl's dream man, and every boy's hero. The Paradise Snare is another stellar Star Wars production, complete with original music and sound effect
First published in Germany in 1929, The End and the Beginning is a lively personal memoir of a vanished world and of a rebellious, high-spirited young woman's struggle to achieve independence. Born in 1883 into a distinguished and wealthy aristocratic family of the old Austro-Hungarian Empire, Hermynia Zur Muhlen spent much of her childhood travelling in Europe and North Africa with her diplomat father. After five years on her German husband's estate in czarist Russia she broke with both her family and her husband and set out on a precarious career as a professional writer committed to socialism. Besides translating many leading contemporary authors, notably Upton Sinclair, into German, she herself published an impressive number of politically engaged novels, detective stories, short stories, and children's fairy tales. Because of her outspoken opposition to National Socialism, she had to flee her native Austria in 1938 and seek refuge in England, where she died, virtually penniless, in 1951. This revised and corrected translation of Zur Muhlen's memoir - with extensive notes and an essay on the author by Lionel Gossman - will appeal especially to readers interested in women's history, the Central European aristocratic world that came to an end with the First World War, and the culture and politics of the late nineteenth and early twentieth centuries.