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Chronicles submarine warfare in the North Atlantic during the Second World War, and describes the battles above and below the surface
It is autumn, 1941, and a German U-boat commander and his crew set out on yet another hazardous patrol in the Battle of the Atlantic. Over the coming weeks they must brave the stormy waters of the Atlantic in their mission to seek out and destroy British supply ships. But the tide is beginning to turn against the Germans in the war for the North Atlantic. Their targets now travel in convoys, fiercely guarded by Royal Navy destroyers, and when contact is finally made the hunters rapidly become the hunted. As the U-boat is forced to hide beneath the surface of the sea a cat-and-mouse game begins, where the increasing claustrophobia of the submarine becomes an enemy just as frightening as the depth charges that explode around it. Of the 40,000 men who served on German submarines, 30,000 never returned. Written by a survivor of the U-boat fleet, Das Boot is a psychological drama merciless in its intensity, and a classic novel of World War II.
This study investigates the relationship between Lothar-Günther Buchheim (1918-2007), his bestselling 1973 novel Das Boot (The Boat), and West Germany’s Vergangenheitsbewältigung. As a war reporter during the Battle of the Atlantic, Buchheim benefitted from distinct privileges, yet he was never in a position of power. Almost thirty years later, Buchheim confronted the duality of his own past and railed against what he perceived to be a varnished public memory of the submarine campaign. Michael Rothberg’s theory of the implicated beneficiary is used as a lens to view Buchheim and this duality. Das Boot has been retold by others worldwide because many people claim that the story bears an anti-war message. Wolfgang Petersen’s critically acclaimed 1981 film and interpretations as a comedy sketch, a theatrical play, and a streamed television sequel have followed. This trajectory of Buchheim’s personal memory reflects a process that practitioners of memory studies have described as transnational memory formation. Archival footage, interviews, and teaching materials reflect the relevance of Das Boot since its debut. Given the debates that surrounded Buchheim’s endeavors, the question now raised is whether Germany’s “mastering the past” serves as a model for other societies analyzing their own histories. Sitting at the intersection of History, Literature and Film Studies, this is an unprecedented case study depicting how the pre- and postwar times affected writers and others caught in the middle of the drama of the era.
"A powerful, provocative, ultimately profound work of scholarship regarding the stereotypification of Poles and its implications not only for Polish-Jewish relations in the Old World and the New, but also for anyone wishing to fathom the inter-workings of class and ethnicity in an America that has all too often fallen short of its promise."--James P. Leary, folklorist, University of Wisconsin.
Frank Tashlin (1913–1972) was a supremely gifted satirist and visual stylist who made an indelible mark on 1950s Hollywood and American popular culture—first as a talented animator working on Looney Tunes cartoons, then as muse to film stars Jerry Lewis, Bob Hope, and Jayne Mansfield. Yet his name is not especially well known today. Long regarded as an anomaly or curiosity, Tashlin is finally given his due in this career-spanning survey. Tashlinesque considers the director's films in the contexts of Hollywood censorship, animation history, and the development of the genre of comedy in American film, with particular emphasis on the sex, satire, and visual flair that comprised Tashlin's distinctive artistic and comedic style. Through close readings and pointed analyses of Tashlin's large and fascinating body of work, Ethan de Seife offers fresh insights into such classic films as Will Success Spoil Rock Hunter?, The Girl Can't Help It, Artists and Models, The Disorderly Orderly, and Son of Paleface, as well as numerous Warner Bros. cartoons starring Porky Pig, among others. This is an important rediscovery of a highly unusual and truly hilarious American artist. Includes a complete filmography.
"A beautiful story, expertly told." -- Per Mertesacker, Arsenal defender and member of the German national team, winners of the 2014 World Cup Estáo do Maracan", July 13, 2014, the last ten minutes of extra time in the World Cup Final: German forward Mario Gö jumps to meet a floated pass from Andr' Schü cushions the ball with his chest, and in one fluid motion volleys the ball past the onrushing Argentine goalkeeper into the far corner of the net. The goal wins Germany the World Cup for the first time in almost thirty years. As the crowd roars, Gö looks dazed, unable to comprehend what he has done. In Das Reboot, Raphael Honigstein charts the return of German soccer from the dreary functionality of the late 1990s to Gö's moment of sublime, balletic genius and asks: How did this come about? The answer takes him from California to Stuttgart, from Munich to the Maracan", via Dortmund and Amsterdam. Packed with exclusive interviews with key figures, including JüKlinsmann, Thomas Mü Oliver Bierhoff, and many more, Honigstein's book reveals the secrets of German soccer's success.
From the New York Times bestselling author of Evidence of Harm and Animal Factory—a groundbreaking scientific thriller that exposes the dark side of SeaWorld, America's most beloved marine mammal park Death at SeaWorld centers on the battle with the multimillion-dollar marine park industry over the controversial and even lethal ramifications of keeping killer whales in captivity. Following the story of marine biologist and animal advocate at the Humane Society of the US, Naomi Rose, Kirby tells the gripping story of the two-decade fight against PR-savvy SeaWorld, which came to a head with the tragic death of trainer Dawn Brancheau in 2010. Kirby puts that horrific animal-on-human attack in context. Brancheau's death was the most publicized among several brutal attacks that have occurred at Sea World and other marine mammal theme parks. Death at SeaWorld introduces real people taking part in this debate, from former trainers turned animal rights activists to the men and women that champion SeaWorld and the captivity of whales. In section two the orcas act out. And as the story progresses and orca attacks on trainers become increasingly violent, the warnings of Naomi Rose and other scientists fall on deaf ears, only to be realized with the death of Dawn Brancheau. Finally he covers the media backlash, the eyewitnesses who come forward to challenge SeaWorld's glossy image, and the groundbreaking OSHA case that challenges the very idea of keeping killer whales in captivity and may spell the end of having trainers in the water with the ocean's top predators.
With almost 5 million copies sold 60 years after its original publication, generations of readers have now journeyed with Milo to the Lands Beyond in this beloved classic. Enriched by Jules Feiffer’s splendid illustrations, the wit, wisdom, and wordplay of Norton Juster’s offbeat fantasy are as beguiling as ever. “Comes up bright and new every time I read it . . . it will continue to charm and delight for a very long time yet. And teach us some wisdom, too.” --Phillip Pullman For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason. Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams!
The former German U-boat commander Herbert Werner navigates readers through the waters of World War II, recounting four years of the most significant and savage battles. By war's end, 28,000 out of 39,000 German sailors had disappeared beneath the waves.
“Zoo Station is a beautifully crafted and compelling thriller with a heart-stopping ending as John Russell learns the personal faces of good and evil. An unforgettable read.”-Charles Todd, author of the Inspector Ian Rutledge series Praise for previous books by David Downing: “The author combines his erudition with an excellent political imagination. He writes well, clearly and has a nice wit.”-The Sunday Times (London) “An atmospheric thriller . . . furious pacing.”-Booklist “An elegant rapid-fire spy story.”-The Virginian-Pilot “Compulsive reading.”-The Sunday Telegraph (London) By 1939, Anglo-American journalist John Russell has spent over a decade in Berlin, where his son lives with his mother. He writes human-interest pieces for British and American papers, avoiding the investigative journalism that could get him deported. But as World War II approaches, he faces having to leave his son as well as his girlfriend of several years, a beautiful German starlet. When an acquaintance from his old communist days approaches him to do some work for the Soviets, Russell is reluctant, but he is unable to resist the offer. He becomes involved in other dangerous activities, helping a Jewish family and a determined young American reporter. When the British and the Nazis notice his involvement with the Soviets, Russell is dragged into the murky world of warring intelligence services. David Downing grew up in suburban London and is the author of numerous works of fiction and nonfiction for adults and children, including The Moscow Option, Russian Revolution 1985, and The Red Eagles. He lives with his wife, an American acupuncturist, in Guildford, England. From the Hardcover edition.