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A parody on Wagnerian opera. The action takes place at a ranch and other locations in Texas.
There is no business like show business!
Scenes from the plays and portraits of leading actors accompany a statistical record of the current season
Barbecue: It’s America in a mouthful. The story of barbecue touches almost every aspect of our history. It involves indigenous culture, the colonial era, slavery, the Civil War, the settling of the West, the coming of immigrants, the Great Migration, the rise of the automobile, the expansion of suburbia, the rejiggering of gender roles. It encompasses every region and demographic group. It is entwined with our politics and tangled up with our race relations. Jim Auchmutey follows the delicious and contentious history of barbecue in America from the ox roast that celebrated the groundbreaking for the U.S. Capitol building to the first barbecue launched into space almost two hundred years later. The narrative covers the golden age of political barbecues, the evolution of the barbecue restaurant, the development of backyard cooking, and the recent rediscovery of traditional barbecue craft. Along the way, Auchmutey considers the mystique of barbecue sauces, the spectacle of barbecue contests, the global influences on American barbecue, the roles of race and gender in barbecue culture, and the many ways barbecue has been portrayed in our art and literature. It’s a spicy story that involves noted Americans from George Washington and Abraham Lincoln to Louis Armstrong, Elvis Presley, Martin Luther King Jr., and Barack Obama.
Just as Frank Sinatra had an additional and invaluable career as the great preservationist and evangelist of the American popular song (with particular focus on the Lost and Found), so author-actor-singer-director Bruce Kimmel has additionally served the cause of Broadway and Hollywood beyond measure, producing some of the most memorable vocalists of our time in recordings that give new life to music that might otherwise be forgotten, while renewing and revitalizing the theatrical canon with his impeccable taste and unerring musicality. In his usual engaging and endearing style, he at last gives us a first-hand view of his process. For this terrific chronicle, and for his immeasurable contribution to musical theatre, we can only give our most inadequate thanks. Rupert Holmes, Tony and Edgar award-winning playwright and novelist Bruce Kimmel's rollicking memoir, Theres Mel, Theres Woody, and Theres You, left his fans begging for more. Thankfully, the theatre gods are kind and answered our prayers. Actor, director, composer, playwright, novelist, film-maker...and good at all of them, Kimmel has reinvented himself more times than Madonna and had more lives than a cat. In Album Produced by, he now shape-shifts into what may be his greatest theatrical incarnationas the foremost album producer of theatre music in the last twenty-five years. Through time and labels, his amazing career fluctuates with more highs and lows than the sliding dials on a soundboard and is sweetened with the usual Kimmel witlaced raconteurism.Whether working with the greats (Carol Channing, Lauren Bacall, Dorothy Louden, Ann-Margret, to name a few) or promoting and often discovering the next big musical stars of Broadway, our intrepid hero battles lessthan- visionary bosses, broken promises, harried orchestrators, enraged engineers, the occasional disgruntled diva, and the mysterious crooner, Guy Haines. But he manages to defeat all obstacles and egos in his way, emerging triumphant to dance in divine syncopation with the glorious music he creates. To know the stories behind all those wonderful albums is to listen to them with fresh ears and a new appreciation of the talent, tears, and genius that went into them. Charles Edward Pogue, screenwriter of Dragonheart, DOA, & The Fly
Cincinnati Magazine taps into the DNA of the city, exploring shopping, dining, living, and culture and giving readers a ringside seat on the issues shaping the region.
Scenes from the plays and portraits of leading actors accompany a statistical record of the current season
When the young composer-lyricist Douglas Cohen first secured the musical rights to the novel No Way to Treat a Lady by William Goldman—the acclaimed author of The Princess Bride and Marathon Man—he hoped it would be his big break, the first step on a gilt path to artistic triumph and commercial success in the form of a hit Broadway musical. What happened after that, while memorable, was anything but. How to Survive a Killer Musical chronicles Cohen's decade-long quest to bring that musical to the stage—writing, re-writing, and shepherding it across the US and Europe amidst all manner of adversity and plain rotten luck. It's a fascinating portrait of passion, persistence, and resilience—a coming-of-age story populated with famous mentors and formidable adversaries, told with refreshing honesty and humor. On Cohen's journey, we meet an unforgettable, vividly rendered cast of characters, including: an Oscar-winning screenwriter who invites Cohen to his personal screening room for a marathon midnight writing session; a Tony Award-winning director making his comeback after a horrific accident renders him a quadriplegic; and a celebrated, volatile British director who inspires a fruitful collaboration in London, only to later leave carnage in his wake. Catastrophes abound, including the near-fatal stabbing of a female lead in rehearsal and an onstage accident incapacitating another leading lady—leaving only the author to go on in her place! Whether you’re a fan of musicals or just someone who’s trying to bring a passion project into the world, this tale of fortitude in the face of obstacles, personalities, and egos will make for an eye-opening and frequently hilarious journey.