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Darwin's Screens addresses a major gap in film scholarship—the key influence of Charles Darwin's theories on the history of the cinema. Much has been written on the effect of other great thinkers such as Freud and Marx but very little on the important role played by Darwinian ideas on the evolution of the newest art form of the twentieth century. Creed argues that Darwinian ideas influenced the evolution of early film genres such as horror, the detective film, science fiction, film noir and the musical. Her study draws on Darwin's theories of sexual selection, deep time and transformation, and on emotions, death, and the meaning of human and animal in order to rethink some of the canonical arguments of film and cinema studies.
A new peace movement that changes society's condition for the better is opposed by violence-loving people, Darwin's orphans.
Darwin and Theories of Aesthetics and Cultural History is a significant contribution to the fields of theory, Darwin studies, and cultural history. This collection of eight essays is the first volume to address, from the point of view of art and literary historians, Darwin's intersections with aesthetic theories and cultural histories from the eighteenth century to the present day. Among the philosophers of art influenced by Darwinian evolution and considered in this collection are Alois Riegl, Ruskin, and Aby Warburg. This stimulating collection ranges in content from essays on the influence of eighteenth-century aesthetic theory on Darwin and nineteenth-century debates circulating around beauty to the study of evolutionary models in contemporary art.
In this collection of essays from leading scholars, the dynamic interplay between evolution and Victorian culture is explored for the first time, mapping new relationships between the arts and sciences. Rather than focusing simply on evolution and literature or art, this volume brings together essays exploring the impact of evolutionary ideas on a wide range of cultural activities including painting, sculpture, dance, music, fiction, poetry, cinema, architecture, theatre, photography, museums, exhibitions and popular culture. Broad-ranging, rather than narrowly specialized, each chapter provides a brief introduction to key scholarship, a central section exploring original insights drawn from primary source material, and a conclusion offering overarching principles and a projection towards further areas of research. Each chapter covers the work of significant individuals and groups applying evolutionary theory to their particular art, both as theorists and practitioners. This comprehensive examination of topics sheds light on larger and previously unknown Victorian cultural patterns.
Film has taken a powerful position alongside the global environmental movement, from didactic documentaries to the fantasy pleasures of commercial franchises. This book investigates in particular film’s complex role in representing ecological traumas. Eco-trauma cinema represents the harm we, as humans, inflict upon our natural surroundings, or the injuries we sustain from nature in its unforgiving iterations. The term encompasses both circumstances because these seemingly distinct instances of ecological harm are often related, and even symbiotic: the traumas we perpetuate in an ecosystem through pollution and unsustainable resource management inevitably return to harm us. Contributors to this volume engage with eco-trauma cinema in its three general forms: accounts of people who are traumatized by the natural world, narratives that represent people or social processes which traumatize the environment or its species, and stories that depict the aftermath of ecological catastrophe. The films they examine represent a central challenge of our age: to overcome our disavowal of environmental crises, to reflect on the unsavoury forces reshaping the planet's ecosystems, and to restructure the mechanisms responsible for the state of the earth.
A beautifully illustrated volume follows a lesser-known Victorian naturalist and explorer on his global journeys — and reveals how he developed his own theory of evolution. Everyone knows Charles Darwin, the famous naturalist who proposed a theory of evolution. But not everyone knows the story of Alfred Russel Wallace, Darwin’s friend and rival who simultaneously discovered the process of natural selection. This sumptuously illustrated book tells Wallace’s story, from his humble beginnings to his adventures in the Amazon rain forest and Malay Archipelago, and demonstrates the great contribution he made to one of the most important scientific discoveries of all time.
In this work, Richard Weikart explains the revolutionary impact Darwinism had on ethics and morality. He demonstrates that many leading Darwinian biologists and social thinkers in Germany believed that Darwinism overturned traditional Judeo-Christian and Enlightenment ethics, especially the view that human life is sacred. Many of these thinkers supported moral relativism, yet simultaneously exalted evolutionary 'fitness' (especially intelligence and health) to the highest arbiter of morality. Darwinism played a key role in the rise not only of eugenics, but also euthanasia, infanticide, abortion and racial extermination. This was especially important in Germany, since Hitler built his view of ethics on Darwinian principles, not on nihilism.
These 23 stories take us on a twisted fun ride into some future times and parallel universes where characters as diverse as a one-legged International Actuarial Forensics specialist, a pharmaceutical guinea pig, and a far-sighted fetus engage in their own games of the survival of the fittest. From a new short story by William Gibson in which a teen disassociated from his body haunts his neighborhood through the decades, to Douglas Coupland’s balls-out satire of a slightly futuristic Survivor, to Sheila Heti's meditative romp about beleaguered physicists and Oracle of Delphi-like Blackberrys, Darwin’s Bastards is a fast-moving, thought-provoking reading extravaganza.
Soon after film came into existence, the term epic was used to describe productions that were lengthy, spectacular, live with action, and often filmed in exotic locales with large casts and staggering budgets. The effort and extravagance needed to mount an epic film paid off handsomely at the box office, for the genre became an immediate favorite with audiences. Epic films survived the tribulations of two world wars and the Depression and have retained the basic characteristics of size and glamour for more than a hundred years. Length was, and still is, one of the traits of the epic, though monolithic three- to four-hour spectacles like Gone with the Wind (1939) and Lawrence of Arabia (1962) have been replaced today by such franchises as the Harry Potter films and the Lord of the Rings trilogy. Although the form has evolved during many decades of existence, its central elements have been retained, refined, and modernized to suit the tastes of every new generation. The Encyclopedia of Epic Films identifies, describes, and analyzes those films that meet the criteria of the epic—sweeping drama, panoramic landscapes, lengthy adventure sequences, and, in many cases, casts of thousands. This volume looks at the wide variety of epics produced over the last century—from the silent spectacles of D. W. Griffith and biblical melodramas of Cecil B. DeMille to the historical dramas of David Lean and rollercoaster thrillers of Steven Spielberg. Each entry contains: Major personnel behind the camera, including directors and screenwriters Cast and character listings Plot summary Analysis Academy Award wins and nominations DVD and Blu-ray availability Resources for further study This volume also includes appendixes of foreign epics, superhero spectaculars, and epics produced for television, along with a list of all the directors in the book. Despite a lack of overall critical recognition and respect as a genre, the epic remains a favorite of audiences, and this book pays homage to a form of mass entertainment that continues to fill movie theaters. The Encyclopedia of Epic Films will be of interest to academics and scholars, as well as any fan of films made on a grand scale.
Twelve contestants compete in the most ambitious adventure race ever attempted--to advance into the deepest unexplored gorge on Earth. As they plunge deeper into the gorge, death follows, and the racers realize that the mist-shrouded gorge is not as uninhabited as believed. Original.