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The Roman Imperial Court in the Principate and Late Antiquity examines the Roman imperial court as a social and political institution in both the Principate and Late Antiquity. By analysing these two periods, which are usually treated separately in studies of the Roman court, it considers continuities, changes, and connections in the six hundred years between the reigns of Augustus and Justinian. Thirteen case studies are presented. Some take a thematic approach, analysing specific aspects such as the appointment of jurists, the role of guard units, or stories told about the court, over several centuries. Others concentrate on specific periods, individuals, or office holders, like the role of women and generals in the fifth century AD, while paying attention to their wider historical significance. The volume concludes with a chapter placing the evolution of the Roman imperial court in comparative perspective using insights from scholarship on other Eurasian monarchical courts. It shows that the long-term transformation of the Roman imperial court did not follow a straightforward and linear course, but came about as the result of negotiation, experimentation, and adaptation.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
This richly illustrated work provides a new and deeper perspective on the interaction of visual representation and classical culture from the fifth century B.C. to the fourth century A.D. Drawing on a variety of source materials, including Greco-Roman literature, historiography, and philosophy, coupled with artistic renderings, Paul Zanker forges the first comprehensive history of the visual representation of Greek and Roman intellectuals. He takes the reader from the earliest visual images of Socrates and Plato to the figures of Christ, the Apostles, and contemporaneous pagan and civic dignitaries. Through his interpretations of the postures, gestures, facial expressions, and stylistic changes of particular pieces, we come to know these great poets and philosophers through all of their various personas—the prophetic wise man, the virtuous democratic citizen, or the self-absorbed bon vivant. Zanker's analysis of how the iconography of influential thinkers and writers changed demonstrates the rise and fall of trends and the movement of schools of thought and belief, each successively embodying the most valued characteristics of the period and culture. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.
Established in 1895 as the first U.S. scholarly journal in its field, AJS remains a leading voice for analysis and research in the social sciences, presenting work on the theory, methods, practice, and history of sociology. AJS also seeks the application of perspectives from other social sciences and publishes papers by psychologists, anthropologists, statisticians, economists, educators, historians, and political scientists.