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Today everyone knows the name of John Wilkes Booth, the notorious zealot who assassinated Abraham Lincoln. But in his lifetime, the killer was an actor who was well-known among fans of the theaterÜwell-known but less famous and less admired than his brother Edwin. In the 1860s, Edwin Booth ranked among the greatest and most-respected stars of the stage. He lived in New York and sympathized with the Union cause, while his younger brother stomped the streets of Washington, D.C., and raged as the Civil War turned in favor of the North. John fantasized about kidnapping the president, but after the defeat of the Confederacy, he sought deadly vengeance. The night Lincoln attended a performance at Ford�s Theatre, Edwin was far away, knowing nothing of the plot unfolding in the nation�s capital.
Today everyone knows the name of John Wilkes Booth, the notorious zealot who assassinated Abraham Lincoln. But in his lifetime, the killer was an actor who was well-known among fans of the theater, well-known but less famous and less admired than his brother Edwin. In the 1860s, Edwin Booth ranked among the greatest and most-respected stars of the stage. He lived in New York and sympathized with the Union cause, while his younger brother stomped the streets of Washington, D.C., and raged as the Civil War turned in favor of the North. John fantasized about kidnapping the president, but after the defeat of the Confederacy, he sought deadly vengeance. The night Lincoln attended a performance at Ford's Theatre, Edwin was far away, knowing nothing of the plot unfolding in the nation's capital.
Historian Nora Titone takes a fresh look at the strange and startling history of the Booth brothers, answering the question of why one became the nineteenth-century’s brightest, most beloved star, and the other became the most notorious assassin in American history. The scene of John Wilkes Booth shooting Abraham Lincoln in Ford’s Theatre is among the most vivid and indelible images in American history. The literal story of what happened on April 14, 1865, is familiar: Lincoln was killed by John Wilkes Booth, a lunatic enraged by the Union victory and the prospect of black citizenship. Yet who Booth really was—besides a killer—is less well known. The magnitude of his crime has obscured for generations a startling personal story that was integral to his motivation. My Thoughts Be Bloody, a sweeping family saga, revives an extraordinary figure whose name has been missing, until now, from the story of President Lincoln’s death. Edwin Booth, John Wilkes’s older brother by four years, was in his day the biggest star of the American stage. Without an account of Edwin Booth, author Nora Titone argues, the real story of Lincoln’s assassin has never been told. Using an array of private letters, diaries, and reminiscences of the Booth family, Titone has uncovered a hidden history that reveals the reasons why John Wilkes Booth became this country’s most notorious assassin. The details of the conspiracy to kill Lincoln have been well documented elsewhere. My Thoughts Be Bloody tells a new story, one that explains for the first time why Lincoln’s assassin decided to conspire against the president in the first place, and sets that decision in the context of a bitterly divided family—and nation. By the end of this riveting journey, readers will see Abraham Lincoln’s death less as the result of the war between the North and South and more as the climax of a dark struggle between two brothers who never wore the uniform of soldiers, except on stage.
Historical Dictionary of American Theater: Beginnings covers the history of theater as well as the literature of America from 1538 to 1880. The years covered by this volume features the rise of the popular stage in American during the colonial era and the first century of the United States of America, with an emphasis on its practitioners, including such figures as Lewis Hallam, David Douglass, Mercy Otis Warren, Edwin Forrest, Charlotte Cushman, Joseph Jefferson, Ida Aldridge, Dion Boucicault, Edwin Booth, and many others. The Historical Dictionary of American Theater: Beginnings covers the history of early American Theatre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on actors and actresses, directors, playwrights, producers, genres, notable plays and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the early American Theater.
By 1865, at the age of 26, Booth had much to lose: a loving family, hosts of friends, adoring women, professional success as one of America's foremost actors, and the promise of yet more fame and fortune. Yet he formed a daring conspiracy to abduct Lincoln and barter him for Confederate prisoners of war. The Civil War ended before Booth could carry out his plan, so he assassinated the president, believing him to be a tyrant who had turned the once-proud Union into an engine of oppression that had devastated the South. This book gives a day-by-day account of Booth's complex life--from his birth May 10, 1838, to his death April 26, 1865, and the aftermath--and offers a new understanding of the crime that shocked a nation.
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