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You have been lied to. Werewolves, vampires, ghosts … they aren’t what you think. After the death of her mother, Everly Boderleth has to go back to her spooky hometown, Shroudhaven, and she has a plan to get in and out as quick as possible. Step one, clear out the family home and antique store. Step two, watch her childhood sweetheart die violently at the hands of an indescribable, horrific creature. Wait, what? That wasn't part of the plan. But it was just a dream, wasn't it? As the evidence mounts that what she saw was real, a broken heart is the least of her problems. Everly thinks she's close to the truth, but nothing is as it seems. What is really lurking in the dark? Darkness Unknown is the first book in the Beshadowed series by S.A. Fenech. If you're looking for shifters with a twist, urban fantasy with a touch of horror, and a satisfying mystery, you'll love Beshadowed.
New York Times bestselling sensation Gena Showalter enthralls with a dark, tantalizing world of humans, otherworlders, powers beyond imagining, and a seductive vampire undone by his insatiable hunger for one woman. Growing up poor on New Chicago’s meanest streets, Ava Sans had two options: be the predator or be the prey. No contest. Now, working for Alien Investigation and Removal, she’s been ordered to capture the biggest, baddest warrior of all—a vampire too beautiful to be real, with the abilityto manipulate time. Once the leader of the entire vampire army, McKell has been deemed savage and unstable, spurned even by his own kind. To McKell, humans should be nothing more than sustenance. Yet the petite, golden-skinned Ava is a fascinating contradiction—vicious yet witty, strong yet vulnerable, lethal but fiercely loyal. Against his better judgment, McKell craves that loyalty, and much more. When the chase leads to seduction, McKell and Ava will race to discover the truth about his past. But the answers will come at a price, even for a woman who thought she had nothing left to lose...
A Way from Darkness is the unflinching and confessional story of Taylor Hunt's journey from addiction to health - physical, emotional, and spiritual. His parents' divorce set the stage for a downward spiral of self-destruction. The pressure he felt to keep his family together coupled with a deep desire to "fit in" fueled his experimentation with drugs and alcohol. His descent from upper-middle class teen with a promising future to the depths of heroin addiction left him bankrupt in every imaginable sense of the word. Soon, he was fully immersed in the dark underbelly of society and on the brink of death. Finding his way out of the abyss after ten years was neither quick nor easy. A twelve-step program of recovery and the practice of yoga provided the guiding lights toward a new path. Taylor does much more than share his story in A Way from Darkness; he invites the reader to find healing through community, Ashtanga yoga, and ultimately, acceptance.
"Professing Darkness: Cormac McCarthy's Catholic Critique of American Enlightenment establishes the centrality of Catholic thought, imagery, and sacrament both to the spiritual outlook of the McCarthy corpus and, more specifically, to its critique of Enlightenment values and their realization in American history. To this end, D. Marcel DeCoste surveys McCarthy's fiction from both his Tennessee and southwestern periods, with chapters devoted to eight of his published novels-from Outer Dark to The Road-and an introduction and coda that offer analyses of two of his dramatic works, along with his final novels, The Passenger and Stella Maris. The argument advanced by DeCoste is twofold. First, his readings demonstrate that McCarthy's work mounts a sustained critique of core Enlightenment values and their bloody results in the American context. Second, he establishes that this critical engagement with American Enlightenment is one enabled by, and articulated through, specifically Catholic teachings on such topics as sacraments, ethics, and material creation. Though other studies trace how McCarthy's fiction dissects such American myths as radical individualism and Manifest Destiny, they do not, at the same time, take up the question of how the fiction's spiritual interests and obtrusive Christian symbolism relate to this critical project. More than merely calling attention to McCarthy's own religious background or his drawing on sacramental language, DeCoste examines the significance of Catholicism to the author's depictions not just of religion and ethics, but of the modernity many critics see McCarthy as critiquing. Throughout Professing Darkness, DeCoste offers extended analysis of McCarthy's engagement with American history and myth, early modern and Enlightenment thought, and Catholic theology, ethics, and sacramentalism"--
Suspense, action, murder, romance, mystery. Different than anything you’ve ever read. A young man’s nude body is found in a dumpster; it has a finger freshly amputated. A beautiful well-dressed woman lives in a cave. A lawyer in Florida hauls an old woman’s body in the back of his truck too long. A 24-year-old Adonis has the mind of a four-year-old...but remembers too well. A man jumps from the Golden Gate Bridge onto the windshield of the car of the one man in the world who can least endure the trauma. A trucker in New England barely misses death by an avalanche of deer. A horse rancher in Montana returns home to find his wife dead. The drug trade from South America filters into a mountain village in North Carolina. A man is killed by a used bullet. The Death Card keeps coming in Tarot. Four men from four sections of the country each experience a life-changing tragedy. They pack up and leave, looking for a new beginning...and find one another in a swirling microcosm of emotions. What effect does each have on the other and those around him? And each has something left undone.
AN INSTANT NEW YORK TIMES BESTSELLER "[An] immersive saga. . . . A celebration of family and a paean to the power of storytelling.”—People, "Book of the Week" "Trigiani conveys the beauty of Italy, the hardships of war, the taste of family recipes, and the enduring love of family."—Library Journal (starred) “The beauty of any book by Adriana Trigiani is her ability to interweave life and fiction. . . . Don’t miss your chance to take this unforgettable journey with the Cabrelli women!” —Lisa Wingate, Book of the Month From “a master of visual and palpable detail” (The Washington Post), comes a lush, immersive novel about three generations of Tuscan artisans with one remarkable secret. Epic in scope and resplendent with the glorious themes of identity and belonging, The Good Left Undone unfolds in breathtaking turns. Matelda, the Cabrelli family’s matriarch, has always been brusque and opinionated. Now, as she faces the end of her life, she is determined to share a long-held secret with her family about her own mother’s great love story: with her childhood friend, Silvio, and with dashing Scottish sea captain John Lawrie McVicars, the father Matelda never knew. . . . In the halcyon past, Domenica Cabrelli thrives in the coastal town of Viareggio until her beloved home becomes unsafe when Italy teeters on the brink of World War II. Her journey takes her from the rocky shores of Marseille to the mystical beauty of Scotland to the dangers of wartime Liverpool—where Italian Scots are imprisoned without cause—as Domenica experiences love, loss, and grief while she longs for home. A hundred years later, her daughter, Matelda, and her granddaughter, Anina, face the same big questions about life and their family’s legacy, while Matelda contemplates what is worth fighting for. But Matelda is running out of time, and the two timelines intersect and weave together in unexpected and heartbreaking ways that lead the family to shocking revelations and, ultimately, redemption.
While caring for her terminally-ill Aunt Louise, Nori McFarlane stumbles on a mystery related to her aunt’s medical fellowship at a tuberculosis sanitorium in the Adirondacks in the 1950s. The discovery of her aunt’s journal and conversations they have together lead Nori further into the mystery. Will Nori have the courage to follow that trail, wherever it might lead, even if it results in a radical resorting of her understanding of the past?
Has there ever been a time in your life when you had to leave everything you have ever known and rush headlong into something not known, not wanted by you? At such times, all of us experience deep fears, doubts, and horrifying anxieties. We don’t know which way to turn. All we want to do is go back to what was and no longer is. Mourning is a non-illuminated place. We don’t want to experience it, especially for long periods of time. It’s the blackest of black, the darkest of dark, and the gravest of grave. It is a place most of us would just as soon not visit. But if we don’t go there – and allowing ourselves to go there is a choice – then we would never experience the rich treasures embedded within its solemn dreariness.
Sixth Century Italy was a desolate land. The Romans cowered under the brutality of their Lombard overlords until one of them, Titus, dares to rally them. After some success he rashly frees his 400 slaves. That act--He’s subverting the foundations of our State!--compels him, bloodied, into a naked walk into banishment. But what a triumph it is!