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An incredible fourth book in the horror anthology series which Booklist called "Highly recommended for longstanding horror fans and those readers who may not think horror is for them. There is something for everyone in this one." Darkness Beckons is the fourth volume in the non-themed horror series of entirely original stories, showcasing the very best short fiction that the genre has to offer, and edited by Mark Morris. This new anthology contains 20 original horror stories, 16 of which have been commissioned from some of the top names in the genre, and 4 of which have been selected from the 100s of stories sent to Flame Tree during a 2-week open submissions window. A terrifying cocktail of the familiar and the new, the established and the emerging. Previous titles in the series, all still in print are After Sundown, Beyond the Veil and Close to Midnight. Contents List: SAINT BARBARA by Nina Allan HARE MOON by H.V. Patterson UNDER COVER OF DARKNESS by Stephen Volk DUSK by Angela Slatter A FACE LEAVING NO TRACES by Brian Evenson GOOD BONES by Sarah Read FACTS CONCERNING THE DISAPPEARANCE OF THE ORLOFF SIX by Alyssa C. Greene HE WASN’T THERE AGAIN TODAY by Peter Atkins DODGER by Carly Holmes FROM THE MAN-SEAT by Reggie Oliver THE SERVICE by Ally Wilkes THE LATE MRS. APPLEGARTH by Mark Gatiss THE FIG TREE by Lucie McKnight Hardy IF YOUR SOUL WERE A PITCHFORK I’D DESPISE YOU by Eric LaRocca HEEBIE JEEBIES by Amanda Cecelia Lang KILLING BONES by Simon Clark IL CREPUSCOLO by Helen Marshall REMEMBER ME by Ronald Malfi WITCH’S CLUTCH by Simon Strantzas CAMP NEVER by J.S. Breukelaar FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more about Flame Tree Press at www.flametreepress.com and connect on social media @FlameTreePress.
Those who fight monsters risk becoming monsters themselves. Darkness beckons. Will I answer? I am imprisoned by my mortal enemy - the Necrolord. I don't know if my friends are dead or alive. And there are more and more people and monsters wanting me dead. But not everything is at it seems. Through darkness, magic and madness, my world will change. Enemies may become allies, and those I once trusted may come to be my biggest enemies. My name is Kat Drummond, and I'm a monster hunter. Face the darkness in this action-packed and thrilling instalment of Kat Drummond's urban fantasy saga.
A murdered woman returns to seek vengeance...a monster killer faces her greatest challenge...a woman wears a mask to hide--what? These dark fantasies and more will take you to where Darkness Beckons...Beware....you have been warned....
Living beside some of the most renowned scenery in Northern Ireland and an inspiration for C.S Lewis's Narnia, has inspired me to write these pieces. The people I am acquainted with have also contributed greatly to my writings and poured their emotions into my work. My intentions for these poems are to stir up feelings, encouraging people to ponder and capture the themes of each poem.
This beginner's guide to speleology emphasizes safety and protection of fragile ecosystems. Learn how to plan a caving trip from start to finish. Instructions show how to maneuver through small areas and vertical caves using ropes and how to rig a pitch for ascending and descending a vertical climb. Knot-tying diagrams aid the first-time spelunker. The book gives background on the two main types of cave passages, vadose and phreatic, and tips on spotting rock formations and cave decorations such as flowstone, stalagmites, helicites, and rimstone pools. Sections on cave surveying and photography describe how more advanced cavers augment their experiences underground.
Seventeen-year-old Lorelei Patio is the adopted daughter of a two-hundred-year-old vampire, Sergio Patio. She never realized why her family has had to move often or why she is not permitted to get too friendly with other young people. In fact, except for one shocking moment, that seemed more like a dream, Lorelei never fully realized who and what her father was, nor what her sisters were brought up to do for him. But one day, that all changed. Sergio's 'daughters' serve a very important purpose: they are all beautiful young ladies who can easily attract - and lure - men so Sergio can feed on their blood. And now Daddy expects Lorelei to be the obedient daughter he needs and bring him new victims. But when Lorelei meets the shy but handsome Buddy in school, she quickly falls in love with him. He feels the same way, but wonders why she doesn't want to take him home to meet her father. Lorelei knows what will happen if she does and tries desperately to keep her two worlds apart, but she knows she can never truly escape her fate as a daughter of darkness.
An interstellar agent discovers his latent powers while investigating a warlike planet in this classic sci-fi fantasy by the author of Dune. It’s been centuries since the devastating Rim Wars separated numerous planets from the protection and control of the galactic empire. The Rediscovery and Reeducation Service is dedicated to finding these “lost planets” and returning them to the fold. But not all civilizations are eager to cooperate. Young and charismatic, Lewis Orne is one of the best R&R agents in the organization’s history. But when he identifies troubling signs on the planet of Hamal, he is transferred to Investigative Adjustment, the agency that specializes in dealing with violent worlds. Suddenly, Orne is shuttling to the edge of the galaxy to detect any signs of latent aggression among Hamal’s population. Shortly after making landfall, Orne makes a far more astonishing discovery: he suddenly finds himself in possession of profound extrasensory powers. When these powers become known, he is invited to join Hamal’s company of “gods.” It is an offer too enticing to refuse. Yet being a god comes with certain expectations . . .