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A selection of the History, Scientific American, and Quality Paperback Book Clubs For a very brief moment during the 1960s, America was moonstruck. Boys dreamt of being an astronaut; girls dreamed of marrying one. Americans drank Tang, bought “space pens” that wrote upside down, wore clothes made of space age Mylar, and took imaginary rockets to the moon from theme parks scattered around the country. But despite the best efforts of a generation of scientists, the almost foolhardy heroics of the astronauts, and 35 billion dollars, the moon turned out to be a place of “magnificent desolation,” to use Buzz Aldrin’s words: a sterile rock of no purpose to anyone. In Dark Side of the Moon, Gerard J. DeGroot reveals how NASA cashed in on the Americans’ thirst for heroes in an age of discontent and became obsessed with putting men in space. The moon mission was sold as a race which America could not afford to lose. Landing on the moon, it was argued, would be good for the economy, for politics, and for the soul. It could even win the Cold War. The great tragedy is that so much effort and expense was devoted to a small step that did virtually nothing for mankind. Drawing on meticulous archival research, DeGroot cuts through the myths constructed by the Eisenhower, Kennedy, and Johnson administrations and sustained by NASA ever since. He finds a gang of cynics, demagogues, scheming politicians, and corporations who amassed enormous power and profits by exploiting the fear of what the Russians might do in space. Exposing the truth behind one of the most revered fictions of American history, Dark Side of the Moon explains why the American space program has been caught in a state of purposeless wandering ever since Neil Armstrong descended from Apollo 11 and stepped onto the moon. The effort devoted to the space program was indeed magnificent and its cultural impact was profound, but the purpose of the program was as desolate and dry as lunar dust.
Susan Michaels was once the hottest reporter on the Beltway Beat until a major scandal ruined her life and left her writing stories about alien babies and Elvis sightings. Life as she once knew it is over, or so she thinks, but then she gets a lead on a story that could salvage her extinct career. She heads to the local animal shelter, expecting a hot news tip, which she gets in the form of a major police cover-up . . . for a ring of soul-sucking vampires out to take over Seattle. So much for saving her credibility. And if that isn't bad enough, she gets talked into adopting a cat and finds she's allergic to it. A cat that turns out to be a shapeshifter who claims to be an immortal vampire slayer on the prowl for the same corrupt cops. Her first thought: seek professional help. But as Susan's drawn into Ravyn's dark and dangerous world, she comes to realize that there's a lot more at stake than just her defunct career. Now it's no longer a question of bringing the truth to her readers; it's a matter of saving their very lives and souls. Ravyn's life was shattered over four hundred years ago, when he mistakenly trusted the wrong human with the truth of his existence. He lost his family, his honor, and his life. Now, in order to save the people of Seattle, he's forced to confront that nightmare all over again, and to trust another woman with the secret that could destroy him. In the world of the Dark-Hunters, life is always dangerous. But never more so than now; when a very human woman can shatter their entire world with just one story. The only question is . . . will she?
The story takes place in a near future (more or less). The world is a huge factory, and the factory is the world. This world is presided over by "The Orifice," the company which revolutionized the working method. You put your hands inside two holes, and you work, without you (or anybody) actually knowing what you're working on... In the midst of all this is Lantz. Lantz is a comic book author. He's the one who came up with the New New Testament, the bestseller that the entire economy depends on. Problem is: he's got writer's block. Riddled with doubt, he doesn't know what he wants anymore, and his various frustrations are making him miserable. Lantz reflects the daily life of many among us. Will he be able to find an honorable way out of his psychological battles?
A behind-the-scenes, in-depth look at the making of one of the greatest sonic masterpieces and most commercially successful albums of all time.
Fish and herons, turtles and dragonflies, beaver lodges and lily pads—a multitude of wonders enchant both the child narrator and any other nature lovers along for the ride in this tender, beautifully illustrated picture book. Baby ducklings ride their mama’s back; an osprey rises with a silver fish clutched in her talons; a loon cries in a star-flecked night. Rhythmic, rhyming quatrains carry the story forward in clean paddle strokes of evocative imagery. In the Red Canoe celebrates the bond between grandparent and grandchild and invites nature lovers of all ages along for the ride.
IN THE AFTERMATH OF THE PRIME MINISTER'S ASSASSINATION, ANOTHER CRIME IS COMMITTED. Amrita Chaddha, a rookie lecturer, is left lame. Her idyllic past with her brother shaken. Overcome by an onslaught of doubts about her future and the future of the country, she plunges into a kind of madness. Centered in Delhi over three summer months in 1985, the crisis is both psychological and real. The struggle reveals all sorts of secret wounds in the families beyond, the holocaust of the 1947 India Partition, the choices made. Journeying into Pakistan and Britain (and the U.S. and the moon), four generations of family and national history must collide with the present before the battle for justice and love can take place. Anju Kanwar's novel magically renders a society in moral conflict as it grapples with compassion, imagination, reason, sacrifice, appetite, bigotry, violence, all to make a choice. The Dark Side of the Moon, at its heart, uses the kaleidoscope of memory to frame love and home.
A motiveless kidnapping and a solo flight to the dark side of the moon are juxtaposed in William Corlett's extraordinary novel. At first the narratives seem unrelated until the reader sees the dramatic parallels in the two situations, which give the book its force and relevance. The story begins with the kidnapping. A boy is taken from his Scottish boarding school but there seems to be no reason behind the kidnapping: no ransom, no threats, just a note saying WE HAVE GOT YOUR BOY. MAY SOCIETY ROT AND THIS MESS OF A WORLD PERISH. While the police sift through the evidence, a lonely astronaut faces his private terrors during a critical moon flight.
The OPSIG team must literally leave Earth to save it in this “thriller ride of a lifetime” from the USA Today–bestselling author of The Lost Codex (Gayle Lynds). In 1972, Apollo 17 returned to Earth with two hundred pounds of rock—as well as something far more dangerous than they could have imagined. For decades, the military concealed the crew’s mysterious discovery. But now a NASA contractor has leaked the intel to conspiring foreign powers, putting in their hands the most powerful weapon of mass destruction yet created. While FBI profiler Karen Vail and OPSIG Team Black colleague Alexandra Rusakov try to root out the NASA mole and break up the spy ring, covert operatives Hector DeSantos and Aaron Uziel prepare for a mission beyond anything they’ve ever attempted—a spaceflight to the moon itself—to avert a war that could not only disrupt the global balance of power, but also end in catastrophic annihilation . . . Dark Side of the Moon is the 4th book in the OPSIG Team Black series, but you may enjoy reading the series in any order.
In this dark and gripping sci-fi noir, an exiled police detective arrives at a lunar penal colony just as a psychotic android begins a murderous odyssey across the far side of the moon. Purgatory is the lawless moon colony of eccentric billionaire, Fletcher Brass: a mecca for war criminals, murderers, sex fiends, and adventurous tourists. You can’t find better drugs, cheaper plastic surgery, or a more ominous travel advisory anywhere in the universe. But trouble is brewing in Brass’s black-market heaven. When an exiled cop arrives in this wild new frontier, he immediately finds himself investigating a string of ruthless assassinations in which Brass himself—and his equally ambitious daughter—are the chief suspects. Meanwhile, two-thousand kilometers away, an amnesiac android, Leonardo Black, rampages across the lunar surface. Programmed with only the notorious “Brass Code”—a compendium of corporate laws that would make Ayn Rand blush—Black has only one goal in mind: to find Purgatory and conquer it. Visual, visceral, and tons of fun, The Dark Side fuses hard science with brutal crime and lunar adventure. It’s an intense, stylish, and action-packed thriller with a body count to match.
The endurance of Pink Floyd's The Dark Side of the Moon on the Billboard Top 100 Chart is legendary, and its continuing sales and ongoing radio airplay ensure its inclusion on almost every conceivable list of rock's greatest albums. This collection of essays provides indispensable studies of the monumental 1973 album from a variety of musical, cultural, literary and social perspectives. The development and change of the songs is considered closely, from the earliest recordings through to the live, filmed performance at London's Earls Court in 1994. The band became almost synonymous with audio-visual innovations, and the performances of the album at live shows were spectacular moments of mass-culture although Roger Waters himself spoke out against such mass spectacles. The band's stage performances of the album serve to illustrate the multifaceted and complicated relationship between modern culture and technology. The album is therefore placed within the context of developments in late 1960s/early 1970s popular music, with particular focus on the use of a variety of segues between tracks which give the album a multidimensional unity that is lacking in Pink Floyd's later concept albums. Beginning with 'Breathe' and culminating in 'Eclipse', a tonal and motivic coherence unifies the structure of this modern song cycle. The album is also considered in the light of modern day 'tribute' bands, with a discussion of the social groups who have the strongest response to the music being elaborated alongside the status of mediated representations and their relation to the 'real' Pink Floyd.