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The fifth book in Lisanne Norman's Sholan Alliance long-running science fiction series of alien contact and interspecies conflict The world of Jalna had revealed many secrets to the Sholan-Human teams sent there on a rescue mission. They had discovered one of the methods Valtegans used to control other races, had learned how deceitful one of their own allies had been, and were about to begin negotiations for an alliance with several newly met races. Yet the planetary conflicts had led to the injured Carrie and Kusac being placed in cryo on a non-Sholan vessel, with Kaid desperately trying to rush them back to Sholan medical facilities. But before they could reach their rendezvous point, the ship they were on was caught in a Valtegan trap, leaving Kaid barely enough time to send Carrie's and Kusac's life-pods into space, in the hope that they'd be found by friendly forces. Kaid was certain he and his people were doomed, until a massive vessel suddenly materialized, scooping up both Kaid's ship and the Valtegan foe. Now all of them were prisoners of a completely unknown people. And only time would tell whether they'd fallen into the clutches of an even more deadly enemy than the Valtegans....
During the Cold War, Soviet missile trains constantly moved nuclear payloads all over Siberia, preventing their detection by satellites and spy planes. In a new nuclear conflict, a wary US government ignores proliferation treaty requirements, and places fifty warheads at the base of an enormous tunnel structure, extending to the depths of the earth. Out of sight, out of mind. One of the warheads malfunctions. The radiation risks force a Special Forces team to infiltrate the damaged and abandoned complex. As the make their way through a relic security perimeter, they soon discover that The Bomb is the least of their worries.
A major contribution to the cultural and literary history of the Victorian age, Rule of Darkness maps the complex relationship between Victorian literary forms, genres, and theories and imperialist, racist ideology. Critics and cultural historians have usually regarded the Empire as being of marginal importance to early and mid-Victorian writers. Patrick Brantlinger asserts that the Empire was central to British culture as a source of ideological and artistic energy, both supported by and lending support to widespread belief in racial superiority, the need to transform "savagery" into "civilization," and the urgency of promoting emigration. Rule of Darkness brings together material from public records, memoirs, popular culture, and canonical literature. Brantlinger explores the influence of the novels of Captain Frederick Marryat, pioneer of British adolescent adventure fiction, and shows the importance of William Makepeace Thackeray's experience of India to his novels. He treats a number of Victorian best sellers previously ignored by literary historians, including the Anglo-Indian writer Philip Meadows Taylor's Confessions of a Thug and Seeta. Brantlinger situates explorers' narratives and travelogues by such famous author-adventurers as David Livingstone and Sir Richard Burton in relation to other forms of Victorian and Edwardian prose. Through readings of works by Arthur Conan Doyle, Joseph Conrad, H. Rider Haggard, Rudyard Kipling, John Hobson, and many others, he considers representations of Africa, India, and other non-British parts of the world in both fiction and nonfiction. The most comprehensive study yet of literature and imperialism in the early and mid-Victorian years, Rule of Darkness offers, in addition, a revisionary interpretation of imperialism as a significant factor in later British cultural history, from the 1880s to World War I. It is essential reading for anyone concerned with Victorian culture and society and, more generally, with the relationship between Victorian writers and imperialism, 'and between racist ideology and patterns of domination in modern history.
Intelligence is a key element of operations, enabling commanders to successfully plan and conduct operations. It enables them to win decisive battles and it helps them to identify and attack high value targets. Intelligence is an important part of every military decision. Military intelligence is the knowledge of a possible or actual enemy or area of operation. It encompasses combat intelligence, strategic intelligence, and counterintelligence, and is essential to the preparation and execution of military policies, plans, and operations. The objective of military intelligence is to minimize the uncertainties of the affects of enemy, weather and terrain on operations. The decisive factor in warfare has often been the utilization of good intelligence. A glimpse of how this has been done in the Canadian Forces is contained in this reference book on the Intelligence Branch history.
Drelvish Spellweavers are born during approximations of the Gray Sun Andreas. The gifts of Andreas to the People of the Forest, the ancient spell book, replicates at a Spellweavers birth. Rarely Grayness bequeaths Magick to a diverse lot, unwonted Spellweavers, who are not Drelvish, dwell in other realms, and connected to Drelvedom by wisps of Magick and threads of fate. Magick oft comes at high cost. Sometimes the unwonted gifts of Grayness are also unwanted. Albtrume . . .
Pilot Vincent Ten Ponies has no problems when he is flying. But when he lands, his shady and eccentric employer Clive MacLeod gives him all he can handle. Forced to work with a college dropout couple recruited into Clive's Caribbean "import/export venture," it falls to Vince to keep the naive giant Jim alive, his ambitious, dysfunctional girlfriend Macy in check, and all of them out of prison. In just a few more months he can buy his own plane and be free to work for himself-if his boss and new co-workers don't get him killed first. Nadir's Fire is a fast-moving action-adventure reminiscent of Jack London's The Sea Wolf. The style is much like B. Traven's The Treasure of Sierra Madre. Author Daniel Bell writes in a ruthlessly convincing way about drug and gun running. His insight into human nature makes his characters come frighteningly to life and the story line has an artful pacing that turns the book into a breathless page turner. Bell's first novel reads like a true story. The whispered tone of societal and moral decay provides a perfect literary perspective on our not-so-perfect times. It may be a genre novel, but it is also a fine literary work for anyone except perhaps the faintest of hearts. -William Allen, Pulitzer nominee and author of Starkweather: Inside the Mindof a Teenage Killer Daniel Bell's prose is as tense as flexed muscle, the characters are drawn in quick fine-pointed strokes, and the action hums with menace. Nadir's Fire is a fast ride down the slippery back alleys of paradise, and an impressive debut by a sure-handed writer. -Randall Silvis, Author of the acclaimed fabulist novel In a Town Called Mundomuerto Drue Heinz Literature Prize winner and author/screenwriter of the novel/movie An Occasional Hell. Daniel Bell is a sometime author and full time ne'er-do-well hiding on a cattle farm in northeast Ohio. He has never finished a college degree, never been married, never held a job for more than a year and almost never been in jail. He has been a factory worker, farm hand, painter, field biologist, carpenter, bartender, bad credit risk, "unlicensed pharmaceutical distributor," deck hand, waiter, drunk, scuba instructor, karate teacher, soldier, bouncer, cook, redneck handgun target, caffeine addict, weightlifting coach, satyr, cuckold and serial exaggerator. He fears success, failure, commitment, abandonment and small, yappy dogs. He is not a pilot, yacht captain or currently under indictment. Dan is half-heartedly at work on his second novel between hay baling, fence repair, dark periods of self-doubt and reflection upon a misspent life.
Malcolm Bradbury On William Golding Golding Addressed Fundamental Questions Of Good And Evil, Being, Wholeness And Creative Aspiration In A Godless Age. His Stories Were, He Once Said, Not Fables But Myths Fable Being An Invented Thing Out On The Surface Whereas Myth In Something That Comes Out Of The Roots Of Things In The Ancient Sense Of Being A Key To Existence...And Experience As A Whole.Golding S Work Challenges Many Of The Liberal And Humanistic Conventions Of Much British Fiction, And There Is A Certain Timelessness About The Prose Though Not The Technique Which Makes It Stand Monumentally Apart From Much Contemporary Writing. But It Is And Will Surely Remain A Central Contribution To The Modern British Novel.The 1983 Nobel Prize Winner Author, Golding Had The Unique Distinction Of Being Both A Fabulist And A Realist.Golding S Works Will Remain Of Significant Relevance As Long As Man Continues To Careen Madly On The Razor S Edge Of So-Called Civilisation While His Ugly True Self-Barbaric And Greedy Claims His Soul In Mephistophilean Triumph. At Times Golding S Eschatological Views Are Sombre, But He Weaves A Torturous Path Through The Paradoxes Of Good And Evil In His Novels; Pincher Martin, Darkness Visible And The Spire (To Name Only A Few). He Tried To Achieve A Synthesis Of Flesh And Spirit Through An Illuminating Reconciliation. Golding Wished To Salvage The Soul Of Man From The Wreckage Of 20Th Century Godlessness, Entropy And The Malaise Of Whoring After False Gods.How Do You React To The Charge Of Peter Moss And A Number Of Critics That You Are A Pessimist?I Would Call Myself A Universal Pessimist But A Cosmic Optimist. My Novels Examine The Human Condition. Just As A Doctor Diagnoses A Physical Disease I Explore The Spiritual Ills Of Man. I Am Too Old To Go About Preaching On The State Of Man, But One Has To Harbour Hope. The Very Act Of Living Today Is One Of Hope.Golding S Commitment To Truth And Reality Is Undying. He Speaks Through Samuel Mount-Joy In Free Fall: But We Are Neither The Innocent Nor The Wicked. We Are The Guilty. We Fall Down. We Crawl On Hands And Knees. We Weep And Tear Each Other. Or Again: I Am Looking For The Beginning Of Responsibility, The Beginning Of Darkness, The Point Where I Began. Golding Demands From Man A Moral Evolution, A Spiritual Growth Worthy Of His Species. As He Observed, What The World Now Needs Is The Homomoralis The Human Being Who Cannot Kill His Own Kind, Nor Exploit Them Nor Rob Them.