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Lonely, fatigued, intense. Detective Maria Diaz is too overworked to pay attention to anything beyond putting one foot in front of the other. When a high profile case drops in her lap, she forges ahead only to discover this case, and her main suspect, isn't like any other. Walking, talking sex. Avery Ashland has movie star looks and easy grace. She's used to having anyone she wants, but thanks to the brutal murder of her nemesis, a wrench is thrown into her fun. And the sexy detective assigned to the case is all business and no pleasure. The more Avery advances, the further Maria pulls away. Maria does her best to work the case, but that requires getting up close and personal with Avery and her exclusive resort, Euphoria, where almost anything goes. Can Maria survive both danger and desire?
Thirtysomething Cara Foster is, one might say, eco-anxious—perhaps even eco-neurotic. She eats out of dumpsters (not because she wants to but because it’s the right thing to do), does laundry as seldom as possible, takes navy showers every couple of days, and is reevaluating her boyfriend for killing a spider instead of saving a life. Cara has never met her six (soon to be seven) nephews and nieces because she doesn’t fly domestic (unless it’s an emergency) or international (ever). She longs for a carbon footprint so light you’d hardly know she exists. Then, during a mimosa-soaked Sunday brunch, she meets her boyfriend’s alluring mother, Millie, and Cara finds herself mesmerized. Millie represents everything Cara’s against: She eats meat, has cowhide rugs, drives a car the size of a small yacht, and blithely travels the world by boat, plane, and train—without any guilt whatsoever. In fact, Cara soon admits this may be why she finds herself so drawn to Millie. As they begin spending time together, getting pedicures and drinking sixteen-olive martinis, Cara becomes hooked on Millie and this new freedom from the harsh realities of life in the twenty-first century. Yet before long, Cara risks losing everything to be close to the mundane extravagance of Millie’s world—her career, her best friend, and her identity all hang in the balance as she struggles to disentangle from this intoxicating muse. Irreverent, witty, and provocative, My Days of Dark Green Euphoria is a satirical novel of how a life on the edge of eco-anxiety can spiral wildly out of control, as well as how promising and inspiring a commitment to saving our planet can be.
New York Times Bestseller: An “enthralling,” prize-winning novel of a love triangle among three young archaeologists in 1930s New Guinea (Vogue). Winner of the Kirkus Prize Winner of the New England Book Award for Fiction Finalist for the National Book Critics Circle Award Named a Best Book of the Year by: The New York Times Book Review, Time, NPR, Washington Post, Entertainment Weekly, Newsday, Vogue, New York Magazine, Seattle Times, San Francisco Chronicle, Wall Street Journal, Boston Globe, Kirkus Reviews, Publishers Weekly, Oprah.com, Salon From the author of Writers & Lovers and Five Tuesdays in Winter, Euphoria follows three young, gifted anthropologists caught in a passionate love triangle that threatens their bonds, their careers, and, ultimately, their lives. Inspired by events in the life of revolutionary anthropologist Margaret Mead, Euphoria is “dazzling . . . suspenseful . . . brilliant . . . an exhilarating novel” (The Boston Globe). “A thrilling read.” —Publishers Weekly (starred review) “Atmospheric and sensual.” —NPR “A taut, witty, fiercely intelligent tale of competing egos and desires in a landscape of exotic menace. . . . Exquisite.” —The New York Times Book Review
When undercover work requires working under the covers, danger is an uninvited bedfellow… Erin McKenzie, a newly promoted homicide detective, lands the assignment of her career when she is chosen to investigate Elizabeth Adams, the number one suspect in a slew of serial murders. Adams, elusive and devastatingly beautiful, is not only an accomplished seductress but also a lesbian. Erin, straight and married, needs a crash course in more than just undercover detecting. With Patricia Henderson, a fellow homicide cop and Adam’s former lover as a mentor, Erin embarks on the journey of her life…with love and danger hot on her heels.
Ever since the witch cursed Babs, she turns invisible sometimes. She has her mum and her dog, but teachers and classmates barely notice her. Then, one day, Iris can see her. And Iris likes what they see. Babs is made of fire. Iris grew from a seed in the ground. They have friends, but not human ones. Not until they meet Babs. The two of them have a lot in common: they speak to dryads and faeries, and they're connected to the magic that's all around them. There's a new boy at school, a boy who's like them and who hasn't yet found his real name. Soon the three of them are hanging out and trying spellwork together. Magic can be dangerous, though. Witches and fae can be cruel. Something is happening in the other realm, and despite being warned to stay away, the three friends have to figure out how to deal with it on their own terms. Anyone who loves the work of Francesca Lia Block and delights in Studio Ghibli films will be entranced by this gorgeous and gentle young adult novel about three queer friends who come into their power.
In this touching, poetic tale, a determined little girl sets out on an adventure to find her parents, while people and nature itself tries to stand in her way.
In an inspired restaging of Daphne du Maurier’s classic Rebecca, a young curator finds herself haunted by the legacy of her predecessor. Two years have passed since the tragic death of Alena, curator at the Nauk, a cutting-edge art museum on Cape Cod. At the Venice Biennale, Bernard Augustin, the Nauk’s wealthy, enigmatic founder—to whom Alena had been closest confidante and muse—offers the position to an aspiring young curator from the Midwest. It’s the job of her dreams, and she dives at the chance. Just as quickly, she finds herself well out of her depth. The Nauk echoes with phantoms of the past—a past obsessively preserved by the museum’s staff—and the newcomer’s every move mires her more deeply in artistic, erotic, and emotional entanglements. When recently discovered evidence calls into question the circumstances of Alena’s death, shattering secrets surface, putting to the test the loyalty, integrity, and courage of our heroine—who remains nameless, like the heroine of Daphne du Maurier’s Rebecca, the inspiration for this provocative and spellbinding tale.
In the fourth volume of the Fourth Talisman series, Nazafareen risks everything on a desperate gamble to stop the Vatras once and for all… With Meb safely among her own people, Nazafareen has finally embraced her dangerous fire magic. She is the Fourth Talisman, destined to free the heirs from the wards binding their own extraordinary power. With Nocturne and Solis poised on the brink of war, the choices she makes will decide the fate of mortals and daevas alike. Determined to confront Culach and make amends, Nazafareen goes to Val Moraine, setting off a chain of events that ultimately leads her deep into the perilous wasteland called the Kiln and the faceless enemy waiting there. But the ancient hatred that shattered the world a millennium before is stronger and far more devious than she and her companions imagine. Is the Viper truly dead? And can Nazafareen triumph without facing the darkness that lurks within her own heart?
The 1940s was a turbulent period in the history of South Africa. It opened with parliament's bitterly contested decision to enter the war; was rocked by political turmoil; and ended with a bang, as well as a whimper, as the National party captured political power in 1948.