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One night would never be enough ... Penelope Blake Sinclair always gets what he wants. And what he wants now? Me. Everything about him screams danger. Every arrogant, sexy inch of him. A smart woman would walk away. Apparently, I'm a fool. I didn't just give him my heart. I gave him my virginity. Now I'm his new obsession. I wish I could say he wasn't mine. But that would be a lie. Together, we're fire. Even though I know I should save myself, there's part of me that wants to stoke the flames...even if it burns my whole life to the ground. Blake I'm an addict. Penelope Green is my drug of choice, and I indulge in her every chance I get. The more time we spend together, the more I crave. I want to crawl inside her and never leave. I want--no, need--to possess her. But my past is as dark as her eyes, and not everyone is willing to leave it buried. Someone is out to expose me. He wants what's mine. Setting her free is the right thing to do. Too bad I've never been any good at doing the right thing. AUTHOR'S NOTE Dark Descent into Desire is a standalone, spicy, dark billionaire romance featuring a heroine who is stronger than she realizes and an anti-hero who wants her more than his next breath.
The title Descent into Darkness came to me several months before I started to work on the book. I felt inspired to write about a particular transition in my life at midlife. With several questions about my true purpose in life, my life path had come up. And I felt I needed to dive deep into unknown waters of emotion, desire, fear, and pain in order to find the answers. I had an intuitive sense that I was slightly off track and that something deep inside of me was not touched, and I felt something big missing in my life. I have decided to take the lid off and dive into the invisible, the unknown, and take the risks of either falling off the abyss or finding true freedom. I have found that writing has been my only way to stay sane in this process. And so I birthed this book.
This Companion offers fresh insight into the art and politics of James Baldwin, one of the most important writers and provocative cultural critics of the twentieth century. Black, gay, and gifted, he was hailed as a 'spokesman for the race', although he personally, and controversially, eschewed titles and classifications of all kinds. Individual essays examine his classic novels and nonfiction as well as his work across lesser-examined domains: poetry, music, theatre, sermon, photo-text, children's literature, public media, comedy, and artistic collaboration. In doing so, The Cambridge Companion to James Baldwin captures the power and influence of his work during the civil rights era as well as his relevance in the 'post-race' transnational twenty-first century, when his prescient questioning of the boundaries of race, sex, love, leadership, and country assume new urgency.
In this provocative, classic metaphysical thriller, a group of suburban amateur actors plagued by personal demons and terrors explore the pathways to heaven and hell Certain inhabitants of Battle Hill, a small community on the outskirts of London, are preparing to mount a new play by the neighborhood’s most illustrious resident, the writer Peter Stanhope. Each actor struggles with self-absorption, doubt, fear, and sin. But “the Hill” is not like other places. Here the past and present intermingle, ghosts walk among the living, and reality is often clouded by dreams and the dark fantastic. For young Pauline Anstruther, who is caring for an aging grandmother and frightened by the specter of a doppelgänger who gets closer with each visitation, the prospect of heaven exists in the renowned playwright’s willingness to bear the burden of her terror. For eminent historian Lawrence Wentworth, the rejection of his desire pulls him deeper inside himself, leaving him vulnerable to the lure of the succubus and opening wide the entrance to hell. A brilliant theological thriller, Descent into Hell is an extraordinary fictional meditation on sin and personal salvation by one of the twentieth century’s most original and provocative literary artists. Charles Williams, a member of the Inklings alongside fellow Oxfordians C. S. Lewis, J. R. R. Tolkien, and Owen Barfield, has written a powerful work at once profoundly disturbing and gloriously uplifting, an ingenious amalgam of metaphysics, religious thought, and darkest fantasy.
A NEW YORK TIMES BESTSELLER AN NPR BEST BOOK OF THE YEAR A CHICAGO PUBLIC LIBRARY BEST BOOK OF THE YEAR "Inescapably compelling." —VICTORIA SCHWAB, #1 New York Times bestselling author of The Invisible Life of Addie Larue "A masterful and monstrous retelling." —STEPHANIE GARBER, #1 New York Times and internationally bestselling author of Caraval and Legendary A stunning and dark reimagining of Frankenstein told from the point-of-view of Elizabeth Lavenza, who is taken in by the Frankenstein family. Elizabeth Lavenza hasn't had a proper meal in weeks. Her thin arms are covered with bruises from her "caregiver," and she is on the verge of being thrown into the streets . . . until she is brought to the home of Victor Frankenstein, an unsmiling, solitary boy who has everything—except a friend. Victor is her escape from misery. Elizabeth does everything she can to make herself indispensable—and it works. She is taken in by the Frankenstein family and rewarded with a warm bed, delicious food, and dresses of the finest silk. Soon she and Victor are inseparable. But her new life comes at a price. As the years pass, Elizabeth's survival depends on managing Victor's dangerous temper and entertaining his every whim, no matter how depraved. Behind her blue eyes and sweet smile lies the calculating heart of a girl determined to stay alive no matter the cost . . . as the world she knows is consumed by darkness. **Ebook exclusive: the full text of Mary Shelley's FRANKENSTEIN**
Tailored specifically for students new to the daunting field of literary theory, Fred Botting's Gothic is a clear and welcome introduction to the study of this compelling genre. This lucid, easy-to-follow guide: * Explains the transformations of the genre through history * Outlines all the major figures which define the genre, such as ghosts, monsters and vampires * Charts key texts over two centuries * Traces origins of the form * Looks at the cultural and historical location of gothic images and texts * Provides a succinct introduction to the field which is a.
The rule of Jesus articulated in Matthew's Gospel is neither obscure nor archaic. Jesus' imperatives speak powerfully to the contemporary issues of our day, and do so by illuminating a way of clarity, simplicity, and love. Where populism demands separation, Jesus promotes unity; where institutionalism extols hierarchical power, Jesus encourages humble service; where individualism lauds immediate gratification, Jesus asserts the path of sacrificial love. Indeed, as the Gospel of Matthew lays out, the pathway that Jesus defines is one of awareness, self-knowledge, and personal growth. It is a way of generativity, fruitfulness, and abundance. As we travel with Jesus in intimate conversation, we walk the line in a rhythm that fosters advancement, enjoyment, and soulful acceptance.
Only when we transform our minds can we break the chains of our mental enslavement and find true liberation from our misperceptions about race, crime, and justice. Social commentators and scholars have presented numerous theories on these topics. But while all lament the horrors associated with discrimination and racism, few so far have proposed a viable way to escape these sufferings. By taking a critical look at the writings of novelists, social commentators, and scholars in the fields of sociology, criminology, criminal justice, black studies, philosophy, and law, Professor Leon E. Pettiway presents a series of essays that provide a path that liberates us from these sufferings. In doing so, he provides a unique perspective that reframes the social realities of racial membership and institutional racism in the US and how they impact our perceptions of crime and justice. Buddhism and race are essential elements of these discussions, but Pettiway’s commentary is also informed by an Afrocentric perspective. In these ways, Pettiway examines our thoughts concerning race, the causes of crime, and the administration of justice. He uses these frameworks to demonstrate how our current modes of thinking reinforce and perpetuate white supremacy, influence our scholarly endeavors, and frame today’s public policies and social agendas. In Only for the Brave at Heart: Essays Rethinking Race, Crime, and Justice, readers will: (1) learn new ways of thinking that can liberate our world from injustice (2) assess the ways we create the realities of race, crime, and justice (3) explore how love and compassion lead to meaningful actions that can reduce human suffering Pettiway has spent his career as an academic and Buddhist monk reflecting on and writing about the African-American experience. Only for the Brave at Heart attempts to create an intellectual movement that reimagines how we think about the perceived differences that fracture our society and disenfranchise so many. In the end, Only for the Brave at Heart is a critique and commentary on social justice. This powerful collection of essays about discrimination and racism will prove to be one of the most important books about race in America today.