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A novel of love and violence set against the sensual world of 17th century India based around the life of the Emperor Shah Jahan.
One Master survived the inferno that destroyed the Order of the Illuminati. He may know that I survived, but does he suspect that I betrayed the Order?Rudolf Heine has sent Hunters flooding into Westport, wreaking carnage on vampires, shifters, and mages. Normal humans are taking notice, and the shadow world teeters on the verge of being revealed. The Hunters also may be hunting me. Do I stay and fight for my new life and my friends, or run again?
Dancers After Dark is an amazing celebration of the human body and the human spirit, as dancers, photographed nude and at night, strike poses of fearless beauty. Without a permit or a plan, Jordan Matter led hundreds of the most exciting dancers in the world out of their comfort zones—not to mention their clothes—to explore the most compelling reaches of beauty and the human form. After all the risk and daring, the result is extraordinary: 300 dancers, 400 locations, more than 150 stunning photographs. And no clothes, no arrests, no regrets. Each image highlights the amazing abilities of these artists—and presents a core message to the reader: Say yes rather than no, and embrace the risks and opportunities that life presents.
A collection of 148 poems written by African-American women about four major themes, including protest, heritage, love, and nature.
"This novel of modern India centers around national and personal conflicts in its story of V. S. Krishnan, a Brahmin, who, returned after ten years of schooling in England, finds that his country's strife over partition and the English evacuation is reflected in his own struggle to find a meaning and a definition of his life. His career arranged, his marriage predetermined, he escapes disgrace in a civil demonstration and settles into his government service post. Although Kamala is the perfect Hindu wife, personifying non-violence in which resignation can be translated into resistance, when Cynthia Bainbridge turns up their friendship, begun in England, becomes a passionate affair but it is ended when Krishna realizes that his religion is no longer open to him. Joining Kamala in riot-torn Shantihpur, he is confronted by the vicious hatred of the Moulems and the threat of cholera and is the witness of Kamala's murder when she attempts to protect a Moslem girl. After the traditional rites of her burial, he returns to Delhi and Government Service knowing that Kamala's final profession of faith has effected a change in him even if it has gone for nothing in larger terms. The parallel struggles of individual and state for freedom, the symbols, fundamentals, rituals and practices of different Indian groups, are overlaid with heavy textured prose that is exhaustive in its exploration of contemporary Indian thinking."--Kirkus.
The #1 New York Times bestselling author of the beloved Sookie Stackhouse novels brings you a reader-favorite tale of passion and terror. Rue LeMay is desperate for cash when she takes a job as a dancer at Blue Moon Entertainment. Her tough childhood has prepared her to handle just about anything, including the enigmatic vampires she has to dance with at Blue Moon. But she isn't prepared for the sparks that fly when she meets her regular dance partner, the inscrutable Sean McClendon, a three-hundred-year-old redheaded vampire from Dublin. And when Rue finds herself hunted by a terrifying stalker, Sean may be the only one she can trust…
#1 NEW YORK TIMES BESTSELLER • OPRAH’S BOOK CLUB PICK • From the National Book Award–winning author of Between the World and Me, a boldly conjured debut novel about a magical gift, a devastating loss, and an underground war for freedom. “This potent book about America’s most disgraceful sin establishes [Ta-Nehisi Coates] as a first-rate novelist.”—San Francisco Chronicle IN DEVELOPMENT AS A MAJOR MOTION PICTURE • Adapted by Ta-Nehisi Coates and Kamilah Forbes, directed by Nia DaCosta, and produced by MGM, Plan B, and Oprah Winfrey’s Harpo Films NOMINATED FOR THE NAACP IMAGE AWARD • NAMED ONE OF PASTE’S BEST NOVELS OF THE DECADE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Time • NPR • The Washington Post • Chicago Tribune • Vanity Fair • Esquire • Good Housekeeping • Paste • Town & Country • The New York Public Library • Kirkus Reviews • Library Journal Young Hiram Walker was born into bondage. When his mother was sold away, Hiram was robbed of all memory of her—but was gifted with a mysterious power. Years later, when Hiram almost drowns in a river, that same power saves his life. This brush with death births an urgency in Hiram and a daring scheme: to escape from the only home he’s ever known. So begins an unexpected journey that takes Hiram from the corrupt grandeur of Virginia’s proud plantations to desperate guerrilla cells in the wilderness, from the coffin of the Deep South to dangerously idealistic movements in the North. Even as he’s enlisted in the underground war between slavers and the enslaved, Hiram’s resolve to rescue the family he left behind endures. This is the dramatic story of an atrocity inflicted on generations of women, men, and children—the violent and capricious separation of families—and the war they waged to simply make lives with the people they loved. Written by one of today’s most exciting thinkers and writers, The Water Dancer is a propulsive, transcendent work that restores the humanity of those from whom everything was stolen. Praise for The Water Dancer “Ta-Nehisi Coates is the most important essayist in a generation and a writer who changed the national political conversation about race with his 2015 memoir, Between the World and Me. So naturally his debut novel comes with slightly unrealistic expectations—and then proceeds to exceed them. The Water Dancer . . . is a work of both staggering imagination and rich historical significance. . . . What’s most powerful is the way Coates enlists his notions of the fantastic, as well as his fluid prose, to probe a wound that never seems to heal. . . . Timeless and instantly canon-worthy.”—Rolling Stone