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During the Eleventh Century in Wales, a clan of elves met their demise, or so everyone believed. Miraculously, they survived in caverns underground for ninety-one years, their existence becoming legend. A young elf, Tril, is shown disturbing visions by the spirits of atrocities taking place above, at Castle Nor. He must act. To turn his head would be turning away from God. The clan is furious. Tril, his girlfriend Lily, and a young wolf are going to expose them all once again to the world above, causing their death sentence. Given the combined tools of vision, logic, sharp teeth, youth and compassion, the trio set out to do what the clan insists is impossible: restore justice. Novelist Robin Duggan and her daughter set out for Wales from Torrance, California. Their mission: look for clues verifying pages torn from a diary penned by Lady Alaine, found in the ruins of a castle by one of Robin's ancestors. Robin believes the story is true, and why not? God designed dinosaurs. Elves would hardly be a small step from center.:
Besieged by depraved creatures and spiritual apathy, the fantasy kingdom of New Geniss stands at the twilight of destruction. Only a lost boy possesses the key to unlocking their salvation.
Gathered together for the first time, the essays in this volume were selected to give scholars ready access to important late-twentieth and early twenty-first-century contributions to scholarship on the Romantic period and twentieth-century literature and culture. Included are Charles J. Rzepka's award-winning essays on Keats's 'Chapman's Homer' sonnet and Wordsworth's 'Michael' and his critical intervention into anachronistic new historicist readings of the circumstances surrounding the composition of "Tintern Abbey." Other Romantic period essays provide innovative interpretations of De Quincey's relation to theatre and the anti-slavery movement. Genre is highlighted in Rzepka's exploration of race and region in Charlie Chan, while his interdisciplinary essay on The Wizard of Oz and the New Woman takes the reader on a journey that encompasses the Oz of L. Frank Baum and Victor Fleming as well as the professional lives of Judy Garland and Liza Minnelli. Taken together, the essays provide not only a career retrospective of an influential scholar and teacher but also a map of the innovations and controversies that have influenced literary studies from the early 1980s to the present. As Peter Manning observes in his foreword, "this collection shows that even in diverse essays the force of a curious and disciplined mind makes itself felt."
Musaicum Books presents to you this ultimate collection about witchcraft: Introduction to Witchcraft: The Superstitions of Witchcraft by Howard Williams The Devil in Britain and America by John Ashton Witchcraft in Europe: History of Magic and Witchcraft: Magic and Witchcraft Lives of the Necromancers Witch, Warlock, and Magician Practitioners of Magic & Witchcraft and Clairvoyance Mary Schweidler, the Amber Witch Sidonia, the Sorceress La Sorcière: The Witch of the Middle Ages Tales & Legends: Witchcraft & Second Sight in the Highlands & Islands of Scotland Witch Stories Studies: The Witch Mania Witchcraft and Superstitious Record in the South-Western District of Scotland Modern Magic Witchcraft in America: The Wonders of the Invisible World Salem Witchcraft Salem Witchcraft and Cotton Mather A History of the Salem Village Witchcraft Trials An Account of the Witchcraft Delusion at Salem in 1682 House of John Procter, Witchcraft Martyr, 1692 Studies: The Salem Witchcraft, the Planchette Mystery, and Modern Spiritualism by Samuel Roberts Wells The Witchcraft Delusion in Colonial Connecticut (1647-1697) by John M. Taylor Witchcraft of New England Explained by Modern Spiritualism by Allen Putnam On Witchcraft: Glimpses of the Supernatural – Witchcraft and Necromancy by Frederick George Lee Letters On Demonology And Witchcraft by Sir Walter Scott
CARTOMANCY is a COMPLETE universal role playing game designed for two different kinds of players. First, the complete curious NEWBIE that want to know what roleplaying games are all about, without buying special dice and huge 400 pages thick books. Then, the VETERAN player that want to be able to dive into any game world (of his own making, or seen in a book or movie) in only ten real human minutes. You just need to equip yourself with a standard deck of cards. There are no computations in the game, no factors of this or adjustment of that. We manage probabilities and randomness another way, with simple cards. CARTOMANCY has been a long practised art of telling the future with cards. Now CARTOMANCY means telling the future of all your game worlds with just this book. When you play CARTOMANCY, the fortune-tellers are right. Welcome into YOUR worlds.
This book is a response to the burgeoning interest in cultural tourism and the associated need for a coherently theorized approach for understanding the practices that such an interest creates. Cultural tourism has become an important and popular aspect of contemporary tourism studies, as well as providing a rich seam of upscale product development opportunities in the industry as a whole. Much of the related literature, however, focuses upon describing and categorizing cultural tourism from a supply-side perspective. This has prompted the taxonomizing of cultural tourists on the basis of their level of involvement and interest in cultural tourism products and/or their economic worth as a sought after market segment. There have been few recent attempts at a rigorous re-theorization of the issues beyond conventional representational theories; this book aims to fill that void. This groundbreaking volume provides a theoretical and empirical account of what it means to be a cultural or heritage tourist. It achieves this by exploring the interactions of people with places, spaces, intangible heritage and ways of life, not as linear alignments but as seductive ‘moments’ of encounter, engagement, performance and meaning-making, which are constitutive of cultural experience in its broadest sense. The book further explores encounters in cultural tourism as events that capture and constitute important social relations involving power and authority, self-consciousness and social position, gender and space, history and the present. It also explores the consequences these insights have for our understanding of culture and heritage and its management in the context of tourist activity. In capturing the ‘cultural moment’, this book provides a better understanding of the motivations, on-site activities, meaning constructions and other cultural work done by both tourists and tourist operators. The volume confronts and explores the cultural, political and economical interrelations between culture, heritage and the tourism industry. In so doing, it also investigates how this co-mingling of identity, representation and social life may be better apprehended with the wider shift in critical thought towards notions of affect and performativity. The book is a fundamental and influential contribution to research in this field. It will be of significant value to students, academics and researchers interested in this broad topic area.
This historical fiction chronicles the history of Darkest Nation while combining epic heroism, action, fantasy, mystery, horror and poetry. It will explore the unexplored corners of ancient kingdoms to unravel the mystery behind the rapid rise of Darkest Nation. This is Part 1 of the series and will be continued if readers find it highly satisfactory.
The sheikh bargains for an heir in this story by USA TODAY bestselling author Olivia Gates At first sight, Sheikh Numair Al Aswad's lethal sensuality overwhelms Princess Jenan Aal Ghamdi. And when he rescues her from an arranged marriage, he has a shocking price...an heir! Though logic screams no, her body and soul burn for him. Numair has come from the darkest of pasts to exact revenge--and to claim his throne. Jenan is vital to his plans. But his cold-blooded scheme melts under the heat of their passion. Now he must choose: his lifelong ambitions or the woman who carries his unborn child.