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"Something Wicked This Way Comes" by the author Ray Bradbury was brought to mind by Jim Richards as a carnival has arrived in Las Vegas and is now the center of his attention for possible criminal activities. Children are starting to vanish and there's a number of jewelry store thefts involving most mysterious circumstances and expensive goods. Jim is asked by the parents of two missing boys to find them. The only clue he has is the handbill announcing the arrival of "Jacob S. Dark's Traveling Carnival and Wonder Show". To help, Buck and Mac go undercover in the carnival. Who is the mysterious Mr. Dark? Did he jump from the pages of Bradbury's book to claim souls in Vegas or is he evil of another form? Jim must hold on to his soul as he enters the world of the dark carnival. On the side, Angelo uses his mob connections to help find out who the mysterious Lucius Cole is and what his real connection is to the carnival people. All things are not as they seem in this twentieth novel featuring the senior citizen sleuth, Jim Richards along with Penny and his crime fighting friends.
"Something Wicked This Way Comes" by the author Ray Bradbury was brought to mind by Jim Richards as a carnival has arrived in Las Vegas and is now the center of his attention for possible criminal activities. Children are starting to vanish and there's a number of jewelry store thefts involving most mysterious circumstances and expensive goods. Jim is asked by the parents of two missing boys to find them. The only clue he has is the handbill announcing the arrival of "Jacob S. Dark's Traveling Carnival and Wonder Show." To help, Buck and Mac go undercover in the carnival. Who is the mysterious Mr. Dark? Did he jump from the pages of Bradbury's book to claim souls in Vegas or is he evil of another form. Jim must hold on to his soul as he enters the world of the dark carnival. On the side, Angelo uses his mob connections to help find out who the mysterious Lucius Cole is and what his real connection is to the carnival people. All things are not as they seem in this twentieth novel featuring the senior citizen sleuth, Jim Richards along with Penny and his crime fighting friends.
In the movie The Big Sleep, Bogart as Philip Marlowe follows a trail of decadence and murder on the dark side of L.A. But even the seamy underside of the city of angels pales in comparison to the freak show found by undercover U.S. narcotics agent Bob Clark . . . in The Carnival of Death. Clark’s investigation begins with cocaine and leads to cold-blooded murder—the discovery of one, and then another, headless corpse. Who is behind the slaughter? Are the killings tied to the drug traffic? Or is a deeper, darker, and even more sinister conspiracy unfolding in the carnival? There are plenty of distractions—bright lights and beautiful girls—but Clark better find the murderers of the midway fast. Because the next head that rolls could very well be his own. In 1934, while living in New York, the heart of the publishing industry, Hubbard struck up a friendship with the city’s medical examiner—a relationship that started his education in undetectable crime and provided him with authoritative clinical background for his detective stories. Also includes the mystery The Death Flyer, in which a man and woman find themselves trapped on a ghost train and bound for a deadly crash . . . unless they can find a way to derail fate and cheat death—on the fly. “Roars to life.” —Library Journal
Floyd Collins had been trapped while exploring a cave in central Kentucky and died in it. By the time the people who tried to rescue him found his body, fifty reporters from sixteen big-city newpapers and film crews from six motion-picture studios had turned him into a popular martyr.
Enjoy this fantasy series set in a magical carnival by urban fantasy author Trudi Jaye. A magical carnival. A deadly enemy. And a secret known only to a select few. Go behind the scenes at the Dark Carnival to find out more... As the Ringmaster's daughter, Rilla Jolly has always lived her life under the bright lights of the big top, and the shadowy magic of the Jolly Carnival runs powerfully through her veins. As gutsy as she is talented, Rilla is the one who keeps the Carnival running, while her father provides the showmanship and charisma that holds them all together. At every stop along their summer-long journey, the Carnival folk use their particular brand of alchemy to make the deepest wish of one lucky punter come true. But the magical balance has been disrupted, and their lives are about to change. When the unthinkable happens, and Rilla is thrust into leadership, she must do everything she can to uncover the identity of the deadly enemy determined to destroy them all. But just when she needs the carnival to be united as one, her right to lead the Carnival is threatened, and Rilla must prove to everyone—including herself—that she has what it takes to be the next Ringmaster. Can she keep her birthright as the last of the Jollys, as well as save the Carnival? Click the link above to read The Dark Carnival Boxed Set and find out. Three full-length novels set in the world of the magical Jolly Carnival, where danger, intrigue and magic lurk around every corner. BONUS CONTENT: two extra carnival novellas just for you!
The definitive biography of Hollywood horror legend Tod Browning--now revised and expanded with new material One of the most original and unsettling filmmakers of all time, Tod Browning (1880-1962) began his career buried alive in a carnival sideshow and saw his Hollywood reputation crash with the box office disaster-turned-cult classic Freaks. Penetrating the secret world of "the Edgar Allan Poe of the cinema," Dark Carnival excavates the story of this complicated, fiercely private man. In this newly revised and expanded edition of their biography first published in 1995, David J. Skal and Elias Savada researched Browning's recently unearthed scrapbooks and photography archives to add further nuance and depth to their previous portrait of this enigmatic artist. Skal and Savada chronicle Browning's turn-of-the-century flight from an eccentric Louisville family into the realm of carnivals and vaudeville, his disastrous first marriage, his rapid climb to riches in the burgeoning silent film industry, and the alcoholism that would plague him throughout his life. They offer a close look at Browning's legendary collaborations with Lon Chaney and Bela Lugosi as well as the studio politics that brought his remarkable run to an inglorious conclusion. With a revised prologue, epilogue, filmography, and new text and illustrations throughout, Dark Carnival is an unparalleled account of a singular filmmaker and an illuminating depiction of the evolution of horror and the early film industry.
I am Lilith. Welcome to my carnival. The small town of Arkham awakes to find a traveling carnival outside its borders. Lilith's Carnival seems a simple diversion. Or is it-for those special enough to receive a red ticket? It's good for any show, but of course, it's their choice to use it-it's always their choice. Sheriff Jim McNee finds it odd a carnival would appear overnight. The owner, a tall, black haired, beauty, explains that in the darkness they simply took a wrong road and, since she loves playing to small towns, decided to setup. However, the disappearance of several townspeople and the brutal death of one teenaged boy soon cast a dark cloud over the carnival. Johnny Solom, a man on the run, convicted for the disappearance and assumed murder of his girlfriend, followed the trail back to Lilith's Carnival, the last place he saw her alive. Johnny doesn't know of the dark evil that awaits him-an evil that could consume him-an evil that knows who he is. These men, destined to meet-one man running from the law, the other is the law-both have one thing in common: discovering the secret of the Dark Carnival.
Encounter the scariest clowns and freakiest curiosities under the big top, in stories by Stephen Graham Jones, Laird Barron, Priya Sharma, and others. With an introduction from Katherine Dunn Ladies and gentlemen, step right up for fifteen tales of terrifying rides, supernatural sideshows, and petrifying performers guaranteed to keep you up all night—with Hugo and Bram Stoker Award–winning editor Ellen Datlow as the ringmaster. In Stephen Graham Jones’s “The Darkest Part,” three men are driven to madness by the clown that has haunted them since one misguided Tunnel of Love ride during their childhoods. The deaths of three circus performers—two brothers and a beautiful fire dancer—become the burning obsession of an author who wrote a book about the tragedy in “The Firebrand” by Priya Sharma. “Skullpocket” by Nathan Ballingrud takes you to an alternate fantasy world where a well-respected ghoul from a town near Chesapeake Bay grieves the death of his one true love, a freak show attraction known as the Orchid Girl. Under the tent, you’ll find more chilling stories by Genevieve Valentine, Robert Shearman, N. Lee Wood, Nick Mamatas, A. C. Wise, Terry Dowling, Joel Lane, Glen Hirshberg, Jeffrey Ford, Dennis Danvers, and Livia Llewellyn. “To Datlow’s credit a number of her selections take the dark carnival theme into provocative new territory. . . . Ballingrud’s tale is a magnificent piece of storytelling. Accompanied by another 14 estimable acts, it makes admission into Nightmare Carnival well worth the price.” —Locus “There’s not a bad story in the bunch.” —Horror DNA
The panoramic story of how the horror genre transformed into one of the most incisive critiques of unchecked American imperial power The American empire emerged from the shadows of World War II. As the nation’s influence swept the globe with near impunity, a host of evil forces followed—from racism, exploitation, and military invasion to killer clowns, flying saucers, and monsters borne of a fear of the other. By viewing American imperial history through the prism of the horror genre, Dark Carnivals lays bare how the genre shaped us, distracted us, and gave form to a violence as American as apple pie. A carnival ride that connects the mushroom clouds of 1945 to the beaches of Amity Island, Charles Manson to the massacre at My Lai, and John Wayne to John Wayne Gacy, the new book by acclaimed historian W. Scott Poole reveals how horror films and fictions have followed the course of America’s military and cultural empire and explores how the shadow of our national sins can take on the form of mass entertainment.
One of the most original and unsettling filmmakers of all time, Browning is also one of the most enigmatic directors who ever worked in Hollywood. Illustrated throughout with rare photos, Dark Carnival is both an artful and shocking portrait of a singular film pioneer and an illuminating study of the evolution of horror, essential to an understanding of our continuing fascination with the macabre.