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Wren is marrying the man of her dreams just as soon as she returns from her trip to the Carolinas—on the first night there, all is changed in an instant. Why? Because the hero of my recently completed novel, Dargan’s Desire, has mistakenly taken her virginity. Set in South Carolina in 1826 this fun and sensual, the book is woven with love and deceit. Teaching two people the ultimate meaning of honesty, passion, and devotion. Charming, spirited, full of excitement and exquisitely beautiful, Wren is forced into a loveless marriage when a beast of a man who takes her innocence. Worldly and influential, Dargan Knight, feels as if he has been trapped by this sprite of a girl into a loveless marriage he will never be able to get out of. Then fate steps in to shake up both their lives when Wren realizes she is with child.
As working women invaded the public space of the factory in the nineteenth century, they challenged Victorian notions of female domesticity and chastity. With virtue at the forefront of discussions regarding working women, aspects of working-class women’s culture—fashion, fiction, and dance halls—become vivid signifiers for moral impropriety, and attempts to censure these activities become overt attempts to censure female sexuality in the workplace. The Personal and the Political in American Working-Class Literature, 1850–1939 argues that these informal and often ignored “trifles” of female community provided the building blocks for female solidarity in the workplace. While most critical approaches to working-class fiction emphasize female suffering rather than agency, this book argues that working women themselves viewed aspects of consumer culture and new avenues for courtship as extensions of their rights as breadwinners. The strike itself is an intense moment of political upheaval that lends itself to more extensive personal and sexual freedoms. Through its analysis of strike novels, this book provides a fuller picture of working-class women as they simultaneously navigate new identities as “working ladies” and enter the dramatic and sometimes violent world of labor activism. This book is recommended for scholars of literary studies, women’s studies, and US history.
The Sacred Trust represents the first such volume on SBC presidents in over a generation, and the first one to feature leaders from the Conservative Resurgence.
Liberia was founded by the American Colonization Society (ACS) in the 1820s as an African refuge for free blacks and liberated American slaves. While interest in African migration waned after the Civil War, it roared back in the late nineteenth century with the rise of Jim Crow segregation and disfranchisement throughout the South. The back-to-Africa movement held great new appeal to the South's most marginalized citizens, rural African Americans. Nowhere was this interest in Liberia emigration greater than in Arkansas. More emigrants to Liberia left from Arkansas than any other state in the 1880s and 1890s. In Journey of Hope, Kenneth C. Barnes explains why so many black Arkansas sharecroppers dreamed of Africa and how their dreams of Liberia differed from the reality. This rich narrative also examines the role of poor black farmers in the creation of a black nationalist identity and the importance of the symbolism of an ancestral continent. Based on letters to the ACS and interviews of descendants of the emigrants in war-torn Liberia, this study captures the life of black sharecroppers in the late 1800s and their dreams of escaping to Africa.
First published in 2007. In early 1929, two organizers for the American Communist Party’s recently established National Textile Worker’s Union (NTWU) journeyed south by motorcycle to investigate the potential for beginning organizing work among textile workers in the Piedmont region. One of these organizers, Fred Beal, decided to try his luck in Gastonia, North Carolina, which had been described to him as key to organizing the South In a chain of events whose rapidity and magnitude took Beal by surprise, workers at the Loray mill became embroiled in a Communist-led strike that would eventually focus national and even international attention on Gastonia. This book focuses on Myra Page, Grace Lumpkin, and Olive Dargan—the three authors of Gastonia novels who penetrate most incisively into the working-class experience beneath historical and political accounts of the strike and its larger context.
Kyle Dargan's new collection of poetry reflects his many passions as a poet, his deep engagament with what it means to work in the African American literary tradition, and his lively voice, infused with hip-hop sensibility and idiom. Skillfully blending vernacular and elegant diction, his clipped and reflective phrasings create animated poems that take on a myriad of concerns. Moving through such subjects as a midnight wait in the Washington, D.C., bus station, men on exhibit at the 1904 World's Fair, the sights and sounds of an Indiana karaoke bar, and an imagined escaped slave turned to stone, Dargan's work continually shifts lenses to examine an America increasingly stifled by dogmas and inept social categories. At the core of the book is compassion for the individuals who populate it, and from that compassion grows a hunger for the old identities, in which we encase ourselves, to come undone. From "Palinode, Once Removed": The day we pursue metaphor, I will / teach them about the brain--how there is a center / to catch discrepancy between the expected / and the perceived. Stimulate the mechanism. / you are working in metaphor. / Though surprising / I am not a metaphor. This is: I am a period, / small and dark. If you read me correctly, / you are to stop. Pause. Breathe.