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This third volume of Tell Me, Friends collects stories and plays written by students and staff at the University of Dar es Salaam between 2006 and 2008. The stories in the collection are: "Our Man" by Saida Yahya-Othman; "The Window Seat" by Benjamin Branoff; "The Concealed Project" by Zuhura Badru; "The Total Crisis" by Simon Mlundi; and "Testimony" by Emmanuel Lema. The plays are: "The Monster" by Anna Chikoti; "Love is..." by Kimberly McLeod; "A Tanzanian Rooftop" by Benjamin Branoff; "Judges on Trial" by Frowin Paul Nyoni; "The Route to Success" by Yunus Ng'umbi; and "The Mop" by Vincensia Shule. Read and share these stories and plays, and enjoy how they depict some of the social-economic and political factors that condition and shape our societies today.
Though delighted that an orphan boy has come into his life, an old man becomes insatiably curious about the boy's mysterious powers.
The name Dar es Salaam comes from the Arabic phrase meaning house of peace. A popular but erroneous translation is ëhaven of peaceí resulting from a mix-up of the Arabic words "dar" (house) and "bandar" (harbour). Named in 1867 by the Sultan of Zanzibar, The town has for a long time benefitted from a reputation of being a place of tranquility. The tropical drowsiness is a comfort To The socialist poverty and under-equipment that causes an unending anxiety to reign over the town. Today, For the Tanzanian, The town has become Bongoland, that is, a place where survival is a matter of cunning and intelligence (bongo means ëbrainí in Kiswahili). Far from being an anecdote, this slide into toponomy records the mutations that affect the links that Tanzanians maintain with their principal city And The manner in which it represents them. This book takes into account the changes by departing from the hypothesis that they reveal a process of territorialisation. What are the processesóenvisaged as spatial investmentsówhich, by producing exclusivity, demarcations and exclusions, fragment the urban space and its social fabric? Do the practices and discussions of the urban dwellers construct limited spaces, appropriated, identified and managed by communities (in other words, territories)? Dar es Salaam is often described as a diversified, relatively homogenous and integrating place. However, Is it not more appropriate to describe it as fragmented? as territorialisation can only occur through frequenting, management and localised investment, it is therefore through certain placesófirst shelter and residential area, then the school, daladala station, The fire hydrant And The quaysóthat the town is observed. This led to broach the question in the geographical sense of urban policy carried out since German colonisation to date. At the same time, The analysis of these developments allows for an evaluation of the role of the urban crisis And The responses it brings. In sum, The aim of this approach is to measure the impact of the uniqueness of the place on the current changes. On one hand, this is linked to its long-term insertion in the Swahili civilisation, and on the other, To its colonisation by Germany and later Britain and finally, To the singularity of the post-colonial path. This latter is marked by an alternation of Ujamaa with Structural Adjustment Plans applied since 1987. How does this remarkable political culture take part in the emerging city today? This book is a translation of De Dar es Salaam ‡ Bongoland: Mutations urbaines en Tanzanie, published by Karthala, Paris in 2006.
From the bestselling author of Jurassic Park, Timeline, and Sphere comes a deeply personal memoir full of fascinating adventures as he travels everywhere from the Mayan pyramids to Kilimanjaro. Fueled by a powerful curiosity—and by a need to see, feel, and hear, firsthand and close-up—Michael Crichton's journeys have carried him into worlds diverse and compelling—swimming with mud sharks in Tahiti, tracking wild animals through the jungle of Rwanda. This is a record of those travels—an exhilarating quest across the familiar and exotic frontiers of the outer world, a determined odyssey into the unfathomable, spiritual depths of the inner world. It is an adventure of risk and rejuvenation, terror and wonder, as exciting as Michael Crichton's many masterful and widely heralded works of fiction.
From its modest beginnings in the mid-19th century, Dar es Salaam has grown to become one of sub-Saharan Africa?s most important urban centres. A major political, economic and cultural hub, the city stood at the cutting edge of trends that transformed twentieth-century East Africa. Dar es Salaam has recently attracted the attention of a diverse, multi-disciplinary, range of scholars, making it currently one of the continent?s most studied urban centres. This collection from eleven scholars from Africa, Europe, North America and Japan, draws on some of the best of this scholarship and offers a comprehensive, and accessible, survey of the city?s development. The perspectives include history, musicology, ethnomusicology, culture including popular culture, land and urban economics. The opening chapter offers a comprehensive overview of the history of the city. Subsequent chapters examine Dar es Salaam?s twentieth century experience through the prism of social change and the administrative repercussions of rapid urbanisation; and through popular culture and shifting social relations. The book will be of interest not only to the specialist in urban studies but also to the general reader with an interest in Dar es Salaam?s environmental, social and cultural history.
Originally published: Brighton, England: Book Guild, 2007.
"From its modest beginnings in the 1860s, Dar es Salaam has grown to become one of Africa's most important urban centres. A major political, economic and cultural hub, the city has also acted as a crucible of local social and cultural innovation, exerting a powerful influence on wider Tanzanian society. Reflecting important contemporary socio-economic trends of urban Africa, it has recently attracted the attention of a diverse range of scholars from several disciplines. This collection draws on the best of this scholarship." --Book Jacket.