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The classic time travel novel from the legendary writer behind Rebecca and "The Birds." "The House on the Strand is prime du Maurier." --New York Times Dick Young is lent a house in Cornwall by his friend Professor Magnus Lane. During his stay he agrees to serve as a guinea pig for a new drug that Magnus has discovered in his scientific research. When Dick samples Magnus's potion, he finds himself doing the impossible: traveling through time while staying in place, thrown all the way back into Medieval Cornwall. The concoction wear off after several hours, but its effects are intoxicating and Dick cannot resist his newfound powers. As his journeys increase, Dick begins to resent the days he must spend in the modern world, longing ever more fervently to get back into his world of centuries before, and the home of the beautiful Lady Isolda...
Daphne is a marvelous story of literary fascination and possession; of stolen manuscripts and forged signatures; of love lost, and love found; of the way into imaginary worlds, and the way out again. The book is written in three entwined parts, which follow Daphne du Maurier herself, the beautiful, tomboyish, passionate author of the enormously popular Gothic novel Rebecca; John Alexander Symington, eminent editor and curator of the Brontës' manuscripts, who by 1957 had been dismissed from the Brontë Parsonage Museum in disgrace after being accused of stealing and forging Brontë manuscripts and who became Daphne's correspondent; and a nameless modern researcher on the trail of Daphne, Rebecca, Alexander Symington, and the Brontës.
From the author of Rebecca and The Birds: a classic thriller of shipwreck and murder, "rich in suspense and surprise" (New York Times Book Review). On a bitter November evening, young Mary Yellan journeys across the rainswept moors to Jamaica Inn in honor of her mother's dying request. When she arrives, the warning of the coachman begins to echo in her memory, for her aunt Patience cowers before hulking Uncle Joss Merlyn. Terrified of the inn's brooding power, Mary gradually finds herself ensnared in the dark schemes being enacted behind its crumbling walls -- and tempted to love a man she dares not trust. The inspiration for the 1939 Alfred Hitchcock film.
The Du Mauriers -- three beautiful, successful and rebellious sisters. Much has been written about Daphne but here the hidden lives of the sisters are revealed in a riveting group biography.
The definitive biography of Daphne Du Maurier, one of history's greatest psychological thriller novelists Rebecca, published in 1938, brought its author instant international acclaim, capturing the popular imagination with its haunting atmosphere of suspense and mystery. Du Maurier was immediately established as the queen of the psychological thriller. But the more fame this and her other books encouraged, the more reclusive Daphne du Maurier became. Margaret Forster's award-winning biography could hardly be more worthy of its subject. Drawing on private letters and papers, and with the unflinching co-operation of Daphne du Maurier's family, Margaret Forster explores the secret drama of her life - the stifling relationship with her father, actor-manager Gerald du Maurier; her troubled marriage to war hero and royal aide, 'Boy' Browning; her wartime love affair; her passion for Cornwall and her deep friendships with the last of her father's actress loves, Gertrude Lawrence, and with an aristocratic American woman. Most significant of all, Margaret Forster ingeniously strips away the relaxed and charming facade to lay bare the true workings of a complex and emotional character whose passionate and often violent stories mirrored her own fantasy life more than anyone could ever have imagined.
Daphne du Maurier's classic novel of lust, suspicion, and obsession that inspired major motion picture starring Rachel Weisz and Sam Claflin. Orphaned at an early age, Philip Ashley is raised by his benevolent older cousin, Ambrose. Resolutely single, Ambrose delights in Philip as his heir, and Philip grows to love Ambrose's grand estate as much as he does. But the cozy world the two construct is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries a mysterious distant cousin named Rachel -- and there he dies suddenly. Jealous of his marriage, racked by suspicion at the hints in Ambrose's letters, and grief-stricken by his death, Philip prepares to meet his cousin's widow with hatred in his heart. But when she arrives at the estate, Rachel seems to be a different woman from the one described in Ambrose's letters. Beautiful, sophisticated, and magnetic, Philip cannot help but feel drawn to Rachel. And yet, questions still linger: might she have had a hand in Ambrose's death? And how, exactly, did Ambrose die? As Philip pursues the answers to these questions, he realizes that his own fate could hang in the balance.
A married couple on holiday in Venice are caught up in a sinister series of events. A lonely schoolmaster is impelled to investigate a mysterious American couple. A young woman loses her cool when she confronts her father's old friend on a lonely island. A party of British pilgrims meet strange phenomena and possible disaster in the Holy Land. A scientist abandons his scruples while trying to tap the energy of the dying mind. Collecting five stories of mystery and slow, creeping horror, Daphne Du Maurier's Don't Look Now and Other Stories showcases her unique blend of sympathy and spinetingling suspense. "Daphne du Maurier is in a class by herself."-New York Times
“Du Maurier is in a class by herself.” —New York Times Perhaps best known for her immortal gothic masterwork Rebecca—the basis for the Academy Award-winning motion picture directed by Alfred Hitchcock—Daphne de Maurier began her illustrious writing career penning short stories. In The Doll, thirteen of du Maurier’s early shorter fictional works have been collected—each story written before the author’s twenty-third birthday and some in print for the first time since the 1930s. Compelling tales of human foibles and tragic romance, the stories in The Doll represent the emergence of a remarkable literary talent who later went on to create Jamaica Inn, The Birds, and other classic works. This breathtaking collection of short fiction belongs on the bookshelf of every Daphne du Maurier fan.
When people play the game: Name three or four persons whom you would choose to have with you on a desert island - they never choose the Delaneys. They don't even choose us one by one as individuals. We have earned, not always fairly we consider, the reputation of being difficult guests . . . Maria, Niall, and Celia have grown up in the shadow of their famous parents - their father, a flamboyant singer and their mother, a talented dancer. Now pursuing their own creative dreams, all three siblings feel an undeniable bond, but it is Maria and Niall who share the secret of their parents' pasts. Alternately comic and poignant, The Parasites is based on the artistic milieu its author knew best, and draws the reader effortlessly into that magical world.
Daphne du Maurier (1907-89) is the author of Rebecca, Jamaica Inn, Frenchman's Creek, Don't Look Now and The Birds among many others which continue to thrill and fascinate readers worldwide. The daughter of Sir Gerald du Maurier, the leading actor manager of his day, she grew up in a wildly imaginative 'Peter Pan' world peopled by London's leading writers and actors, before arriving in Cornwall at the age of 19. The place and its people inspired her to write her first novel The Loving Spirit, a work which so affected a young major in the Grenadier Guards, later Lieutenant-General Sir Frederick Browning, that he travelled to Fowey in his boat Ygdrasil to meet - and eventually to marry - the author. This bewitching evocation of place was to remain a feature of Daphne du Maurier's writing, and the source of much of her enduring popularity. Hilary Macaskill explores the homes and landscapes of Daphne du Maurier's life, and how these relate to her work in sometimes unexpected ways. Generously illustrated with little-seen material from the family archive as well as new colour photographs, this is a book which will enrich and transport anyone who has ever lost themselves between the covers of a Daphne du Maurier novel.