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Features the world-famous "Ritual Fire Dance" from the theater piece El amor brujo ("Love, the sorcerer"), "Pantomime" from El amor brujo, 3 dances from El sombrero de tres picos ("The three-cornered hat"), more.
Drawing extensively on primary sources, this study in three parts provides a detailed biography, examines the most prominent aspects of Falla's character as they pertained to his relationships with other composers and his own music, and sheds light on his creative process as a composer through examination of many of his works with reference to original scores and correspondence, many of which are published here for the first time. A chronological photo section rounds out this offering of great significance for music teachers and students as well as those with an interest in Spanish culture.
The term 'music sketch' relates to the vast variety of documents that are used by composers to work out a musical technique or idea and to prepare their work for performance or publication. These documents can often provide crucial insights into authorship, biography, editorial practice and musical analysis. This introduction provides students and scholars with the knowledge and skills they need to embark on research projects involving the study of composers' working documents. Presenting examples of the compositional process over a 400-year period, it includes a selection of detailed case studies on how sketches were created and the techniques that were used, such as transcription and the sorting of loose leaves. Numerous illustrations of manuscripts and autographs, many of which have never been published before, show how these vital documents can be used to better understand compositional processes.
The Enigma of Atlantida Andres Ruiz Tarazona English and Espanol With The Enigma of Atlantida, Spanish musicologist Andres Ruiz Tarazona, has written a book that envelops the reader in the captivating mystery of Atlantis. L'Atlantida, Jacint Verdaguer's poem, relates the mythological story of the submersion of Atlantis, which created the separation of Latin America from Spain by producing the Alantic Ocean. Subsequently, with the Spanish discovery of America, the two were again unified. Spanish composer Maneul De Falla was born in Cadiz in 1876. While living in Granada, he started work on a Cantata. Based on Verdaguer's text of the poem L'Atlantida, he set about creating a large scale orchestral piece, Atlantida. He considered it his most important work, continuing with it when he moved to Argentina. He had not finished the work when he died in 1946. Ernesto Halffter completed the orchestration after the composer's death.
Written records of Alonso’s work are scarce, yet Toba Singer’s quest to spotlight his seminal role in the development of the modern ballet canon yields key material: pre-blockade tapes from Lincoln Center, Spanish-language sources from the Museum of Dance in Havana, and interviews with the ballet master himself alongside a broad range of friends, relatives, and collaborators from throughout his long career, including his ex-wife, Alicia, a famous ballerina in her own right.
Michael Christoforidis is widely recognized as a leading expert on one of Spain's most important composers, Manuel de Falla. This volume brings together both new chapters and revised versions of previously published work, some of which is made available here in English for the first time. The introductory chapter provides a biographical outline of the composer and characterisations of both Falla and his music during his lifetime. The sections that follow explore different facets of Falla’s mature works and musical identity. Part II traces the evolution of his flamenco-inspired Spanish style through contacts with Claude Debussy, Maurice Ravel and Igor Stravinsky, while Part III explores the impact of post-World War I modernities on Falla’s musical nationalism. The final part reflects on aspects of Falla’s music and the politics of Spain in the 1930s and 1940s. Situating his discussion of these aspects of Falla's music within a broader context, including currents in literature and the visual arts, Christoforidis provides a distinctive and original contribution to the study of Falla as well as to the wider fields of musical modernism, exoticism, and music and politics.
This biography offers a fresh understanding of the life and work of Spanish composer Manuel de Falla (1876-1946), recognized as the greatest composer in the Spanish cultural renaissance that extended from the latter part of the 19th century until the outbreak of the Spanish Civil War in 1936. The biography incorporates recent research on Falla, draws on untapped sources in the Falla archives, reevaluates Falla's work in terms of current issues in musicology, and considers Falla's accomplishments in their historical and cultural contexts.
If you've ever experienced stage fright, this is a “must read” dissertation on the subject of controlling one's emotions during concert performances. You will find methods in this book, circumventing this debilitating problem, enabling you to find the confidence necessary to be able to give competent and enjoyable piano recitals in public. You will also discover why this method, which was so effective during the days of the great composers and performers of the seventeenth and eighteenth century, was so adamantly recommended to colleagues and their own piano students. In fact, some of these great composers went so far as to be very critical of performers avoiding the old fashioned method of performance for the more theatrical musical presentation introduced by Franz Liszt. Whatever the case is, keep in mind that “Stage fright can be hazardous to one's ability to perform in public”. This book should give you an optional method to get the job done, so to speak, and make public performance a joy, rather than a terrifying experience you may never want to repeat during your life time. R. W. Hache