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This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
This book is a major re-appraisal of the Commedia as originally envisaged by Dante: as a work of ethics. Privileging the ethical, Corbett increases our appreciation of Dante's eschatological innovations and literary genius. Drawing upon a wider range of moral contexts than in previous studies, this book presents an overarching account of the complex ordering and political programme of Dante's afterlife. Balancing close readings with a lucid overview of Dante's Commedia as an ethical and political manifesto, Corbett cogently approaches the poem through its moral structure. The book provides detailed interpretations of three particularly significant sins - pride, sloth, and avarice - and the three terraces of Purgatory devoted to them. While scholars register Dante's explicit confession of pride, the volume uncovers Dante's implicit confession of sloth and prodigality (the opposing subvice of avarice) through Statius, his moral cypher.
This book offers the reader an understanding of Dante's vast cosmology within the poem's moral, spiritual and dramatic contexts; it is an especially valuable resource for those interested in the intersection of cosmology or astrology and spirituality.
Dante's Comedy is a puzzling poem because the author wanted to lead his readers to understanding by engaging their curiosity. While many obscure matters are clarified in the course of the poem itself, others have remained enigmas that have fascinated Dantists for centuries. Over the last thirty-five years, Richard Kay has proposed original solutions to many of these puzzles; these are collected in the present volume. Historical context frames Kay's readings, which relate the poem to such standard sources as the Bible, Aristotle, Aquinas, and the Latin classics, but he also goes beyond these Scholastic sources to exploit Dante's use of less familiar aspects of Latin clerical culture, including physiognomy, Vitruvian proportions, and optics, and most especially astrology. Kay explores new ways to read the Comedy. For instance, he argues that Dante has embedded references to his authorities in a continuous series of acrostics formed by the initial letters of each tercet. Again, he shows how Dante returns to the theme of each infernal canto and develops it in the parallel cantos of Purgatorio and Paradiso. Particularly worthy of note are four essays on the poem's finale in the Empyrean.
Astronomy is one of the most prominent and perplexing features of Dante's Divine Comedy. In the final rhyme of the poem's three parts, and in scores of descriptions and analogies, the stars are an intermediate goal and a constant point of reference for the spiritual journey the poem narrates. This book makes a sustained analysis of Dante's use of astronomy, not only in terms of the precepts of medieval science but also in relation to specific moral, philosophical, and poetic problems laid out in each chapter.For Dante, Alison Cornish says, the stars offer optical representations of invisible realities, from divine providence to the workings of the human soul. Dante's often puzzling celestial figures call attention to the physical world as a scene of reading in which visible phenomena are subject to more than one explanation, Cornish contends. The poetry of Dante's astronomy, as well as its difficulty, rests on this imperative of interpretation. Reading the stars, like reading literature, is an ethical undertaking fraught with risk, not just an exercise in technical understanding. Cornish's book is the first guide to the astronomy of Dante's masterpiece to encompass both ways of reading his work.
Available for the first time in paperback, this essential resource presents a systematic introduction to Dante's life and works, his cultural context and intellectual legacy. The only such work available in English, this Encyclopedia: brings together contemporary theories on Dante, summarizing them in clear and vivid prose provides in-depth discussions of the Divine Comedy, looking at title and form, moral structure, allegory and realism, manuscript tradition, and also taking account of the various editions of the work over the centuries contains numerous entries on Dante's other important writings and on the major subjects covered within them addresses connections between Dante and philosophy, theology, poetics, art, psychology, science, and music as well as critical perspective across the ages, from Dante's first critics to the present.
Astell examines the conventions of medieval learning familiar to Chaucer and discovers in two related topical outlines, those of the seven planets and of the divisions of philosophy, an important key.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Reading Dante: The Pursuit of Meaning examines the problem of thematic coherence in Dante's Divina Commedia. Unlike many Dante scholars who maintain that the poem's unity is the account of a journey through the afterworld, Jesper Hede argues that a systematic parallel reading of the poem's three parts (Hell, Purgatory, and Paradise) reveals that it is the vision of divine order that provides the poem with its thematic unity.
Named "Christian" to avoid hassles (some things never change), this is the most famous, the most celebrated astrology book in the English language. It has been prized by students ever since its first publication in 1647. The Horary Astrology in these pages, in the hands of a master, is no mere parlour game. It is demanding and precise, combining science and art. Properly used, it will give answer to any well-defined question. William Lilly, famous throughout England for his almanacs & forecasts (he predicted London's Great Fire of 1666), lived during the English Civil War & was a minor historical figure in it. Into his studio came the rich and poor, nobles and commoners, with problems great and small. This new edition restores Lilly's original page layouts, with marginalia. Modern spelling throughout, this edition includes Lilly's bibliography, his original index & a new glossary. Also includes his original woodblock charts, and their modern versions. This is Lilly's great work as he himself knew it. In this volume: Book 1, An Introduction to Astrology, containing the use of an ephemeris; the erecting of a scheme of heaven; nature of the twelve signs of the Zodiac, of the planets; with a most easy introduction to the whole art of astrology. Book 2, The Resolution of All Manner of Questions, by a most methodical way, instructs the student how to judge or resolve all manner of questions contingent unto man, viz, of health, sickness, riches, marriage, preferment, journeys, etc. Some 35 questions inserted and judged.