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Explore the evolution of astronomy from Dante to Einstein, as seen through the eyes of trailblazing Victorian astronomer Mary Acworth Evershed In 1910, Mary Acworth Evershed (1867–1949) sat on a hill in southern India staring at the moon as she grappled with apparent mistakes in Dante’s Divine Comedy. Was Dante’s astronomy unintelligible? Or was he, for a man of his time and place, as insightful as one could be about the sky? As the twentieth century began, women who wished to become professional astronomers faced difficult cultural barriers, but Evershed joined the British Astronomical Association and, from an Indian observatory, became an experienced observer of sunspots, solar eclipses, and variable stars. From the perspective of one remarkable amateur astronomer, readers will see how ideas developed during Galileo’s time evolved or were discarded in Newtonian conceptions of the cosmos and then recast in Einstein’s theories. The result is a book about the history of science but also a poetic meditation on literature, science, and the evolution of ideas.
Explore the evolution of astronomy from Dante to Einstein, as seen through the eyes of trailblazing Victorian astronomer Mary Acworth Evershed In 1910, Mary Acworth Evershed (1867-1949) sat on a hill in southern India staring at the moon as she grappled with apparent mistakes in Dante's Divine Comedy. Was Dante's astronomy unintelligible? Or was he, for a man of his time and place, as insightful as one could be about the sky? As the twentieth century began, women who wished to become professional astronomers faced difficult cultural barriers, but Evershed joined the British Astronomical Association and, from an Indian observatory, became an experienced observer of sunspots, solar eclipses, and variable stars. From the perspective of one remarkable amateur astronomer, readers will see how ideas developed during Galileo's time evolved or were discarded in Newtonian conceptions of the cosmos and then recast in Einstein's theories. The result is a book about the history of science but also a poetic meditation on literature, science, and the evolution of ideas.
Careers in astronomy for women (as in other sciences) were a rarity in Britain and Ireland until well into the twentieth century. The book investigates the place of women in astronomy before that era, recounted in the form of biographies of about 25 women born between 1650 and 1900 who in varying capacities contributed to its progress during the eighteenth, nineteenth and early twentieth centuries. There are some famous names among them whose biographies have been written before now, there are others who have received less than their due recognition while many more occupied inconspicuous and sometimes thankless places as assistants to male family members. All deserve to be remembered as interesting individuals in an earlier opportunity-poor age. Placed in roughly chronological order, their lives constitute a sample thread in the story of female entry into the male world of science. The book is aimed at astronomers, amateur astronomers, historians of science, and promoters of women in science, but being written in non-technical language it is intended to be of interest also to educated readers generally.
For the last four hundred years, women have played a part far in excess of their numerical representation in the history of astronomical research and discovery. It was a woman who gave us our first tool for measuring the distances between stars, and another who told us for the first time what those stars were made of. It was women who first noticed the rhythmic noise of a pulsar, the temperature discrepancy that announced the existence of white dwarf stars, and the irregularities in galactic motion that informed us that the universe we see might be only a small part of the universe that exists. And yet, in spite of the magnitude of their achievements, for centuries women were treated as essentially second class citizens within the astronomical community, contained in back rooms, forbidden from communicating with their male colleagues, provided with repetitive and menial tasks, and paid starvation wages. This book tells the tale of how, in spite of all those impediments, women managed, by sheer determination and genius, to unlock the secrets of the night sky. It is the story of some of science's most hallowed names - Maria Mitchell, Caroline Herschel, Vera Rubin, Nancy Grace Roman, and Jocelyn Bell-Burnell - and also the story of scientists whose accomplishments were great, but whose names have faded through lack of use - Queen Seondeok of Korea, who built an observatory in the 7th century that still stands today, Wang Zhenyi, who brought heliocentrism to China, Margaret Huggins, who perfected the techniques that allowed us to photograph stellar spectra and thereby completely changed the direction of modern astronomy, and Hisako Koyama, whose multi-decade study of the sun's surface is as impressive a feat of steadfast scientific dedication as it is a rigorous and valuable treasure trove of solar data. A History of Women in Astronomy and Space Exploration is not only a book, however, of those who study space, but of those who have ventured into it, from the fabled Mercury 13, whose attempt to join the American space program was ultimately foiled by betrayal from within, to mythical figures like Kathryn Sullivan and Sally Ride, who were not only pioneering space explorers, but scientific researchers and engineers in their own rights, aided in their work by scientists like Mamta Patel Nagaraja, who studied the effects of space upon the human body, and computer programmers like Marianne Dyson, whose simulations prepared astronauts for every possible catastrophe that can occur in space. Told through over 130 stories spanning four thousand years of humanity's attempt to understand its place in the cosmos, A History of Women in Astronomy and Space Exploration brings us at last the full tale of women's evolution from instrument makers and calculators to the theorists, administrators, and explorers who have, while receiving astonishingly little in return, given us, quite literally, the universe.
Two questions guide this seven-year project: First, how can we approach the phenomenon, representation, and interpretation of total solar eclipses? Second, how can we heal the historical divide separating the natural sciences from the humanities, arts, history, and theology? The result of this interdisciplinary investigation into eclipses is an exciting look behind the scenes - into labs, archives, and museums, as well as around fieldwork in astronomy, meteorology, animal behaviour, and ecophysiology. Carefully prepared for readers from all backgrounds, these voices invite us to imagine a liberated mode of discovery, perception, creativity, and knowledge-production across the traditional academic divisions. A uniquely prismatic representation of total solar eclipses emerges, itself rising to a model of communal thinking, together, across disciplinary borders. This book is Tom McLeish's final project and scholarly testament. Dedicated to him and to astrophysicist Jay M. Pasachoff (contributing author of a chapter about the solar corona, also Pasachoff's final piece of writing), the volume is a friendly companion to the chase of knowledge, encouraging its readers to embark upon their own interdisciplinary journey of discovery.
Astronomy is one of the most prominent and perplexing features of Dante's Divine Comedy. In the final rhyme of the poem's three parts, and in scores of descriptions and analogies, the stars are an intermediate goal and a constant point of reference for the spiritual journey the poem narrates. This book makes a sustained analysis of Dante's use of astronomy, not only in terms of the precepts of medieval science but also in relation to specific moral, philosophical, and poetic problems laid out in each chapter.For Dante, Alison Cornish says, the stars offer optical representations of invisible realities, from divine providence to the workings of the human soul. Dante's often puzzling celestial figures call attention to the physical world as a scene of reading in which visible phenomena are subject to more than one explanation, Cornish contends. The poetry of Dante's astronomy, as well as its difficulty, rests on this imperative of interpretation. Reading the stars, like reading literature, is an ethical undertaking fraught with risk, not just an exercise in technical understanding. Cornish's book is the first guide to the astronomy of Dante's masterpiece to encompass both ways of reading his work.
Published in 1998, Ladies in the Laboratory provided a systematic survey and comparison of the work of 19th-century American and British women in scientific research. A companion volume, published in 2004, focused on women scientists from Western Europe. In this third volume, author Mary R.S. Creese expands her scope to include the contributions of 19th- and early 20th-century women of South Africa, Australia, New Zealand, and Canada. The women whose lives and work are discussed here range from natural history collectors and scientific illustrators of the early and mid years of the 19th century to the first generation of graduates of the new colonial colleges and universities. Rarely acknowledged in publications of the British and European specialists, the contributions of these women nonetheless formed a significant part of the natural history information about extensive, previously unknown regions and their products. Rather than a biographical dictionary or a collection of self-contained essays on individuals from many time periods, Ladies in the Laboratory III is a connected narrative tied into the wider framework of 19th-century science and education. A well-organized blend of individual life stories and quantitative information, this volume is for everyone interested in the story of women's participation in 19th century science. The stories of these women make for fascinating reading and serve as a valuable source for the student of women's and colonial history.
700 years after Dante Alighieri's death, this book intertwines the voice of the great poet with that of an exceptional contemporary, Marco Polo, who was equally curious about the geography of both earthly and celestial worlds. If Polo was the “ordinary genius” of the XIII century, the designation of “sorcerer genius” must go to Alighieri, the man with encyclopedic wisdom, at ease with his era’s philosophy, theology, and science. The sorcerer genius—well versed in this world—must create their own, which he did with The Divine Comedy. On the other hand, The Travels of Marco Polo, the greatest classic in travel literature, offers wonder and provides delight. This book combines the unforgettable characters of both books, the darkness of the infernal landscapes with the immensity of the Asian deserts, the richness of the Mongol empire with the glamor of medieval philosophy, the aspirations and dreams of two great explorers with knowledge of the science of their time, as well as the ever-eternal cosmology. This is an accessible and entertaining book for high school students, scholars of scientific history and the history of ideas, and curious readers who want to know more about Dante and Marco Polo and their unquenchable thirst for knowledge. This book is a translation of an original Italian edition. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). A subsequent human revision was done primarily in terms of content, so that the book will read stylistically differently from a conventional translation.