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During his lifetime, Dante was condemned as corrupt and banned from Florence on pain of death. But in 1329, eight years after his death, he was again viciously condemned—this time as a heretic and false prophet—by Friar Guido Vernani. From Vernani’s inquisitorial viewpoint, the author of the Commedia “seduced” his readers by offering them “a vessel of demonic poison” mixed with poetic fantasies designed to destroy the “healthful truth” of Catholicism. Thanks to such pious vituperations, a sulphurous fume of unorthodoxy has persistently clung to the mantle of Dante’s poetic fame. The primary critical purpose of Dante & the Unorthodox is to examine the aesthetic impulses behind the theological and political reasons for Dante’s allegory of mid-life divergence from the papally prescribed “way of salvation.” Marking the septicentennial of his exile, the book’s eighteen critical essays, three excerpts from an allegorical drama, and a portfolio of fourteen contemporary artworks address the issue of the poet’s conflicted relation to orthodoxy. By bringing the unorthodox out of the realm of “secret things,” by uncensoring them at every turn, Dante dared to oppose the censorious regime of Latin Christianity with a transgressive zeal more threatening to papal authority than the demonic hostility feared by Friar Vernani.
This book explores the genesis of the Red Book (or Liber Novus), through the lens of Jung’s lifelong confrontation with Dante and, in doing so, provides the first-ever thorough comparative analysis of the intertextual and symbolical correspondences between Liber Novus and the Commedia. Starting from Jung’s multifaceted fascination with Dante and his pivotal role in the former’s visionary material at historical, hermeneutical, and psychological levels, the book challengingly envisions Liber Novus as Jung’s Divine Comedy. This work finds a new way of approaching Jung’s understanding of concepts such as "visionary works" and "visionary mind" and considers how this approach can enhance our vision of depth psychology. Through various thematics such as the metanoia and the symbolism of animals, as well as the transformative role of the feminine and the erotic and spiritual imagery of the soul, this work revolves around the Jung-Dante correlation. Offering an original perspective within the field of Jungian and Dante scholarship, this book will be of great interest to academics and postgraduate students studying in the areas of Jung, Dante, analytical psychology, depth psychology, hermeneutics and Western esoteric currents and practices. The book will also appeal to Jungian analysts and psychoanalysts more broadly.
This stimulating collection of essays, mostly concerned with subjects taken from Slavic literatures, is at once scholarly and reflective. The volume opens with a true story, "Brognart," which is a confession of the author's remorse based on conflict with French intellectuals. "Science Fiction and the Coming of the Antichrist" concerns Vladimir Solovyov. "Krasinski's Retreat" is another return to the author's student readings, which attempts to determine how a Polish romantic poet could write in 1833 a drama on the approaching world revolution. "Joseph Conrad's Father" sketches the biography of a poet and revolutionary and also throws some light upon the fate of the hero of the last chapter.