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The Paintings of Karel du Jardin (1626 Amsterdam-Venice 1678) is the first monograph devoted to this talented and versatile artist. It comprises six chapters outlining Du Jardin's life, his reception, his patrons, portraits, history paintings and landscapes, followed by a conclusion, a list of documents, and a catalogue raisonné of his approximately 158 autographs paintings, as well as doubtful and rejected works. Celebrated in his own lifetime by poets and playwrights, and known primarily for his luminous Italianate landscape paintings, he also produced a modest number of elegant and aristocratising portraits of Amsterdam's patrician and merchant elites, along with stunning and recondite history paintings. Never fully studied before, these works have been carefully researched, with much new or additional provenance, and are discussed in terms of their content and meaning; at times unusual and innovative. They are set within the context of artistic developments both in the Netherlands and abroad, as well as Du Jardin's own life, now fully reconstructed with a wealth of new archival material, and that of his circle of well-to-do, educated patrons and buyers, who turned out to share certain notions of civility and honnêteté.
This richly illustrated book provides an overview of all known Dutch and Flemish artists up to the nineteenth century who painted or drew flower pieces, or else made prints of them. Unlike many mainstream art historical studies, the book takes a truly comprehensive approach, including cases where only a single example is known or even if nothing of the artist’s other work appears to have survived. Containing highly instructive lists identifying the names of flowers, as well as insects and other animals, the book also discusses the earliest depictions of flower still life and the distinctive characteristics behind the development of floral arrangements in different periods, including the variation of the flowers, the variety of techniques used by artists, as well as an exploration of the symbolism behind the numerous plant and animal species this form of art portrays. Composed in Dutch, the text was translated into English by Judith Deitch and edited by Philip Kelleway. Publication of this book was made possible thanks to generous support of: • Dr. med. Bettina Leysen • Rose-Marie and Eijk van Otterloo and the Center for Netherlandish Art at the Museum of Fine Arts, Boston With additional support of the M.A.O.C. Gravin van Bylandt Stichting. See inside the book.
Includes entries for maps and atlases.