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A vibrant survey of visual culture in Golden Age Denmark (1801-1864).
The historical circumstances of the Danish Golden Age are well known: the Napoleonic Wars, the bombardment of Copenhagen, the state bankruptcy in 1814 with the ensuing financial crisis, the Revolution of 1848, and the establishment of a parliamentary democracy in 1849. There were peasant reforms, religious upheavals, and changes in class and social structures. These events constituted the milieu in which the Golden Age was born and developed. The guiding idea of the present volume is that these different crises served not just as a backdrop or as obstacles but rather as catalysts for the flowering of culture in the Golden Age. Despite their many debates and polemics among themselves, the leading figures of Golden Age Denmark were generally in agreement about the fact that their age was in a state of crisis. The dramatic events spilled over into the various cultural spheres and shaped them in different ways. The articles in this volume trace the different crises as they appear in literature, criticism, religion, philosophy, politics and the social sciences. The contributing authors draw compelling parallels between the perceived crisis of the Golden Age and the acute issues of our own day. The articles collected here thus together show the continuing relevance of the Golden Age for readers of the 21st century.00Nathaniel Kramer is Associate Professor of Comparative Arts and Letters and Director of Scandinavian Studies at Brigham Young University Jon Stewart Ph.d., Dr. habil. theol. & phil. is Research Fellow at the Institute of Philosophy at Slovak Academy of Sciences in Bratislava. He is chief editor of the series Danish Golden Age Studies and Texts from Golden Age Denmark.
"... the most important contribution to Kierkegaard studies to be published in English in recent years.... Not only is it a fascinating, surprising, and perceptive study of Kierkegaard within his time and world, Kirmmse has produced a research resource, a reference work, that is simply without parallel or equal." --Michael Plekon "It is a rare work of philosophy that not only clarifies its subject but also places it within an intellectual and historical context. In his study of 19th-century Danish philosopher Kierkegaard, Kirmmse accomplishes both, setting a standard... " --Library Journal "... an outstanding contribution to Kierkegaard research... The book is intellectual history of the highest calibre." --So slash]ren Kierkegaard Newsletter "This excellent book is recommended for all collections on Kierkegaard... For all readers." --Choice "This richly researched and readable book supplies an important contribution to the widespread reappropriation of Kierkegaard's thought currently taking place." --Theology Today "This book is a tour de force in intellectual history." --Review of Metaphysics "Kirmmse's book is a major work of scholarship that confers on Kierkegaard's social and intellectual universe a depth and a richness of detail that will permanently alter the familiar stereotypes about Kierkegaard's isolation from his fellow Danes and his supposedly fanatical campaign against philistine Denmark and its corrupt state church." --American Historical Review Against the background of Denmark's evolution from a mercantile economy to a broad-based agricultural economy, Kirmmse reinterprets Kierkegaard's thought as a reaction to the tensions within his society.
Between 1790 and 1910, Danish painters developed a national school of art that matched the artistic centres of France, Germany and Britain. The range of outstanding works created by Nicolai Abildgaard, Jens Juel, Christoffer Wilhelm Eckersberg, Christen Købke, P. S. Krøyer and Vilhelm Hammershøi reflect and refract the great stylistic tendencies of European art of the 19th century, including Classicism, Romanticism, Impressionism and Symbolism. Illustrated with over two hundred key works of art drawn from the leading Danish collections, this is the only book available in English that surveys Danish painting across the 19th century. Written by a major scholar in the field, and featuring all the icons of the Danish Golden Age, this is an essential addition to all art libraries.
"This broad, interdisciplinary work explores the little recognized contributions of women to the cultural life of the Danish Golden Age. Featuring chapters on the novelist Thomasine Gyllembourg, the actress Johanne Luise Heiberg and the feminist writer Mathilde Fibiger, this text spans three generations of women from the early to the late Golden Age and indeed beyond. Further it treats the notions about what was considered the proper role of women in Danish society at the time, including the views of male authors such as Søren Kierkegaard and Hans Lassen Martensen. This work provides a fascinating panorama of personalities, literary texts, theater performances, art works and social-political debates, which collectively give the reader a rich appreciation of the importance of women for the age."--Publisher's website.
Since the Kierkegaard Studies Monograph Series (KSMS) was first published in 1997, it has served as the authoritative book series in the field. Starting from 2011 the Kierkegaard Studies Monograph Series will intensify the peer-review process with a new editorial and advisory board. KSMS is published on behalf of the S ren Kierkegaard Research Centre at the University of Copenhagen. KSMS publishes outstanding monographs in all fields of Kierkegaard research. This includes Ph.D. dissertations, Habilitation theses, conference proceedings and single author works by senior scholars. The goal of KSMS is to advance Kierkegaard studies by encouraging top-level scholarship in the field. The editorial and advisory boards are deeply committed to creating a genuinely international forum for publication which integrates the many different traditions of Kierkegaard studies and brings them into a constructive and fruitful dialogue. To this end the series publishes monographs in English and German. Potential authors should consult the Submission guidelines. All submissions will be blindly refereed by established scholars in the field. Only high-quality manuscripts will be accepted for publication. Potential authors should be prepared to make changes to their texts based on the comments received by the referees.
Vilhelm Hammershoi was a leading Danish painter of his generation. In this illustrated book - winner of the Amelienborg Prize in its Danish version - the author examines the life and work of Hammershoi.
Not only was Johan Ludvig Heiberg the most famous theater critic of the Danish Golden Age, but he also wrote the most important aesthetic essays about theater. Some of his dramatic works belong to most successful plays ever performed at the Royal Theater. Moreover, Heiberg was married to one of the greatest Danish actresses of the nineteenth century. Both his wife Johanne Luise Heiberg and his mother Thomasine Gyllembourg wrote dramatic works that were performed on the stage of the Royal Theater. At the end of his career Heiberg finally became director of the Royal Theater from 1849 to 1856. Seen from today's point of view Heiberg dominated theater life in the mid-nineteenth century Denmark in an absolutely unique and astonishing way. But it is not only because of his remarkable position in the small literary field of Golden Age Denmark that his dramatic works and his theory of theater are worthy of study. As the articles in this volume show, Heiberg's lifelong occupation with theater was closely tied to his far-reaching philosophical and political interests.
Den fattige, musikbegavede skrædderdreng Christian fra Svendborg går til grunde, fordi hans talent ikke får de rette udfoldelsesmuligheder
One of the most important and influential painters of the 19th century, Eckersberg (1783 - 1853) was a prominent figure in the so-called Golden Age of Danish Art. A painter of great diversity, his art spans many genres, from Romanticism and Neoclassicism to Naturalism and Realism. Eckersberg was also a pioneer of the art of plein air painting. This book offers an in-depth examination of Eckersberg's works, identifying their dualistic nature, as the painter strove for a true representation of reality while aiming to impose structure and order to the world around him. Generously illustrated, the book features works from every period of the painter's career while authoritative essays address Eckersberg's approach to nature and the human body, the storytelling aspect of his work and his paintings' reception by audiences throughout Europe and America.0Exhibition: Statens Museum for Kunst, Copenhagen, Denmark (8.10.2015-24.1.2016) / Hamburger Kunsthalle, Germany (11.2.-15.5.2016).