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Hermann Langbein was allowed to know and see extraordinary things forbidden to other Auschwitz inmates. Interned at Auschwitz in 1942 and classified as a non-Jewish political prisoner, he was assigned as clerk to the chief SS physician of the extermination camp complex, which gave him access to documents, conversations, and actions that would have remained unknown to history were it not for his witness and his subsequent research. Also a member of the Auschwitz resistance, Langbein sometimes found himself in a position to influence events, though at his peril. People in Auschwitz is very different from other works on the most infamous of Nazi annihilation centers. Langbein's account is a scrupulously scholarly achievement intertwining his own experiences with quotations from other inmates, SS guards and administrators, civilian industry and military personnel, and official documents. Whether his recounting deals with captors or inmates, Langbein analyzes the events and their context objectively, in an unemotional style, rendering a narrative that is unique in the history of the Holocaust. This monumental book helps us comprehend what has so tenaciously challenged understanding.
In Pragmatism, Democracy, and the Necessity of Rhetoric, Robert Danisch examines the search by America's first generation of pragmatists for a unique set of rhetorics that would serve the needs of a developing democracy. Digging deep into pragmatism's historical development, Danisch sheds light on its association with an alternative but significant and often overlooked tradition. He draws parallels between the rhetorics of such American pragmatists as John Dewey and Jane Addams and those of the ancient Greek tradition. Danisch contends that, while building upon a classical foundation, pragmatism sought to determine rhetorical responses to contemporary irresolutions. rhetoric, including pragmatism's rejection of philosophy with its traditional assumptions and practices. Grounding his argument on an
The history of the shadowy Werewolf guerrilla bands formed at end of the Second World War as the last desperate defence of Nazis. Founded by Heinrich Himmler in 1944 when it became clear Germany would be invaded, the Werewolf guerrilla movement was given the task of slowing down the Allied advance to allow time for the success of negotiations or wonder weapons. Staying behind in territory occupied by the Allies, its mission was to carry out acts of sabotage, arson and assassination, both of enemy troops and of defeatist Germans. Perry Biddiscombe has researched the movement exhaustively, and details Werewolf operations against the British, Russians and fellow Germans, on the Eastern and Western Fronts and in the post-war chaos of Berlin. Giving the lie to the established story of a cowed German population meekly submitting to defeat, this is a fascinating insight into what has been described as the death scream of the Nazi regime.
This book argues that Oliver Wendell Holmes Jr., helps us see the law through an Emersonian lens by the way in which he wrote his judicial dissents. Holmes’s literary style mimics and enacts two characteristics of Ralph Waldo Emerson’s thought: “superfluity” and the “poetics of transition,” concepts ascribed to Emerson and developed by literary critic Richard Poirier. Using this aesthetic style borrowed from Emerson and carried out by later pragmatists, Holmes not only made it more likely that his dissents would remain alive for future judges or justices (because how they were written was itself memorable, whatever the value of their content), but also shaped our understanding of dissents and, in this, our understanding of law. By opening constitutional precedent to potential change, Holmes’s dissents made room for future thought, moving our understanding of legal concepts in a more pragmatic direction and away from formalistic understandings of law. Included in this new understanding is the idea that the “canon” of judicial cases involves oppositional positions that must be sustained if the law is to serve pragmatic purposes. This process of precedent-making in a common-law system resembles the construction of the literary canon as it is conceived by Harold Bloom and Richard Posner.