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From The Dead Of Night Book 2 - Daniel walked in the Land of the Dead. Now the Dead want him back. When Daniel died, he should have gone into the light, but he fought against it. He was determined to return to Jen, the girl had tried so hard to protect. In his battle to escape, Daniel encountered dark shadow spirits who grabbed him, trying to reclaim his soul. As he reentered the real world, Daniel was changed, marked by the Shadows. He quickly learned they would come for him, in the bodies of those around him who were about to die. These walking dead would stop at nothing to take him back to the light. Daniel and Jen must fight to survive, as the dark ones come forward and a battle of good and evil begins.
Daniel walked in the land of the dead, now the dead want him back! Daniel Stratton died in a tragic accident. His life should have been over but it was not. His spirit spent the next sixty years trying to communicate with the people who came to the cemetery where he was entombed. Then Jen came one night to the mausoleum seeking refuge from a life that was spinning out of control. There she found Daniel. As they worked together to free him from his forced confinement; they learn that the Light comes for all dead, and Daniel is forced to enter it. In his case there is no matter of choice. Inside he fights for his life and escapes but the enforcers of the light come for him. He saw seven of these shadow people within the light and each marked him. Daniel knows these Shadows will come for him. Each one of the seven will take the body of an 'innocent', a human who had just succumbed to death turning them to Zombie like creatures to do their bidding. Together Daniel and Jen must confront the "Shadows" and survive the light. Daniel Returns Book Two in the "From The Dead Of Night" Series.
A present contains a monstrous secret. An uninvited guest haunts a Christmas party. A shadow slips across the floor by firelight. A festive entertainment ends in darkness and screams. Who knows what haunts the night at the dark point of the year? This collection of seasonal chillers looks beneath Christmas cheer to a world of ghosts and horrors, mixing terrifying modern fiction with classic stories by masters of the macabre. From Neil Gaiman and M. R. James to Muriel Spark and E. Nesbit, there are stories here to make the hardiest soul quail - so find a comfy chair, lock the door, ignore the cold breath on your neck and get ready to welcome in the real spirits of Christmas.
Daniel walked in the land of the Dead. Now the Dead want him back. As the dark ones came for Daniel, he was forced to take refuge in the light, the last place he wanted to be. There, he was to decide his own fate. Staying in the light and ascending meant Jen would be left defenseless. If he chose being human again, the dark ones would have the power to take over the world. As Daniel made his decision, the dead began to rise. The dark ones were coming forward to block the light and create hell on earth. Death is only the beginning...
(Music Pro Guides). Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo , To Kill a Mockingbird , Patton , The Untouchables , or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music . This is the first book since Roy M. Prendergast's 1977 benchmark, Film Music: A Neglected Art , to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language , developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning . To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): "If you have any interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today."
Daniel Stratton died a tragic death. He should have crossed over into the light, but fate had other plans. When he awoke in the cemetery, he quickly came to learn death is only the beginning. Thrust into a world of the undead, he had no time to learn of the afterlife or the battle of good and evil. The dark ones were coming, whether he was ready or not. He would soon learn of the dark-lighters and a force of evil named Malachi.
A witch called Old Auntie is lurking near Dan's family's new home. He doesn't believe in her at first, but is forced to accept that she is real and take action when his little sister, Erica, is "took" to become Auntie's slave for the next fifty years.
In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.
VCU CABELL FIRST NOVELIST AWARD FINALIST CENTER FOR FICTION FIRST NOVEL PRIZE LONGLIST “A debut novel as impressive as they come. Tough, wily, dreamlike.” —Seattle Times A decade after fleeing for his life, a man is pulled back to Argentina by an undying love. In 1976, Tomás Orilla is a medical student in Buenos Aires, where he has moved in hopes of reuniting with Isabel, a childhood crush. But the reckless passion that has long drawn him is leading Isabel ever deeper into the ranks of the insurgency fighting an increasingly oppressive regime. Tomás has always been willing to follow her anywhere, to do anything to prove himself. Yet what exactly is he proving, and at what cost to them both? It will be years before a summons back arrives for Tomás, now living as Thomas Shore in New York. It isn’t a homecoming that awaits him, however, so much as an odyssey into the past, an encounter with the ghosts that lurk there, and a reckoning with the fatal gap between who he has become and who he once aspired to be. Raising profound questions about the sometimes impossible choices we make in the name of love, Hades, Argentina is a gripping, ingeniously narrated literary debut.
Daniel walked in the land of the dead. Now the dead want him back. Daniel Stratton died a tragic death. He should have crossed over into the light, but fate had other plans. When he awoke in the cemetery, he realized ... death is only the beginning.