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Daniel Kramer's classic Bob Dylan portfolio captures the artist's transformative "big bang" year of 1964-65. Through vast concert halls, intimate recording sessions, and the infamous transition to electric guitar, nearly 200 images offer one of the most mesmerizing photographic series on any recording artist and a stunning document of Dylan and...
Daniel Kramer's classic Bob Dylan portfolio captures the artist's transformative "big bang" year of 1964-65. Through vast concert halls, intimate recording sessions, and the infamous transition to electric guitar, nearly 200 images offer one of the most mesmerizing photographic series on any recording artist and a stunning document of Dylan and...
* Filmmaker and renowned photographer Jerry Schatzberg's essential iconic photographs of Bob Dylan, including studio portraits, on-stage performances, recording studio outtakes and more (many published for the first time)* The photographer of the cover and liner images of Dylan's acclaimed 1966 album 'Blonde On Blonde'* Widely recognized as the foremost body of images of Bob Dylan, Nobel laureate, from a pinnacle point in his career* Schatzberg's essential images not only stand the test of time, but also have become visually synonymous with one of the most important artists of the twentieth century. Dylan by Schatzberg is a comprehensive record of those moments, in photos and memories presented for the first time as a single subject monograph* Includes reprints of seminal interviews, including "A Night with Bob Dylan" by Al Aronowitz, originally published in the New York Herald Tribune in 1965* Original text/interview with Jerry Schatzberg & Jonathan LethemIn 1965, photographer Jerry Schatzberg, already well-established in the field due to his fashion and portrait photography for various publications, such as Vogue, Esquire and Life, listened to Bob Dylan for the first time. He had been hearing about the singer for close to three years; two friends were especially dogged and would ask him every time they spoke if he had heard the music yet. Finally, feeling obligated to them for their persistency, he listened and understood immediately why Dylan was inspiring such passionate excitement. Shortly thereafter, Schatzberg was photographing a job in his studio and had some fortuitous company. Famed music journalist Al Aronowitz and disc jockey Scott Ross were discussing Dylan and a recent performance they had seen of his. Half listening to their conversation, he volunteered that he'd like to photograph the singer if given the chance. Dylan's new wife (one of the friends mentioned above) called the following day and gave him an open invitation to the studio where he was currently recording 'Highway 61 Revisited'. Excited and curious, Schatzberg set off the very next day for the studio, exactly six days after the seminal Newport Folk Festival set where Dylan went electric and was collectively booed. Schatzberg received a warm welcome from the singer, who immediately sat him down to listen to what he had been recording that day. Dylan gave him free rein of the studio once he started shooting and the images that emerged from that day make obvious the comfortable and relaxed atmosphere that was already brewing between photographer and subject. Considering Dylan's almost-universal dislike of journalists (and by extension photographers), this was a completely unprecedented situation, one that Schatzberg took seriously. That almost-instant trust and rapport quickly grew into a friendship and they are part of the reason Schatzberg's sittings with Dylan work so successfully and are so important. Dylan is relaxed, he's funny, he takes the props that the photographer gives him and has fun with them - he's obviously not taking himself too seriously. Working and socializing together, Schatzberg would eventually do nine more photo shoots with Dylan from 1965-6, arguably the singer's most creative period, and capture the (now) Nobel laureate during one of the most pivotal moments in music history. Part of their uniqueness is their basic broad range of intimate and public locations: music and photography studios, live performances and street portraits. But more than that, each session (including the one for possibly his greatest album, 'Blonde on Blonde') says something different about Dylan, the man and the musician, and manages to perfectly capture the many facets of one of the most unique, complex and mysterious individuals of all time.
An updated edition of the most comprehensive account of Bob Dylan's Nobel Prize-winning work yet published, with the full story of every recording session, every album, and every single released during his nearly 60-year career. Bob Dylan: All the Songs focuses on Dylan's creative process and his organic, unencumbered style of recording. It is the only book to tell the stories, many unfamiliar even to his most fervent fans, behind the more than 500 songs he has released over the span of his career. Organized chronologically by album, Margotin and Guesdon detail the origins of his melodies and lyrics, his process in the recording studio, the instruments he used, and the contribution of a myriad of musicians and producers to his canon.
For those who love or have collected early Bob Dylan bootleg albums, an archive of never before published photographs of the young Dylan, when he first moved to New York City in the early 1960s. It was in late 1961, photographer Ted Russell recalls, that he first heard about an "up-and-coming young fellow who was coming out with his first album." A freelance photographer on the lookout for good subjects, Russell was intrigued by a rave review from The New York Times of the raw-voiced folk singer. Russell’s subject was a twenty-year-old Bob Dylan, a young folk singer whom nobody knew, and Russell photographed Dylan in 1961. Bob Dylan is a window into the singer/songwriter who would go on to become one of America’s greatest musical treasures: the book contains photos of Dylan in his tiny Greenwich Village apartment, writing and practicing; snuggling with girlfriend Suze Rotolo; and performing at celebrated folk club Gerde’s. Bob Dylan is an important chronicle of the days just prior to Bob Dylan’s celebrity and the perfect tribute both for Dylan and rock history fans.
This book features 27 integrated essays that offer access to the art, life, and legacy of one of the world's most influential artists.
A vivid, first-hand account of Nobel Prize-winning singer and songwriter Bob Dylan as an artist, friend, and celebrity, illustrated with never-before-seen photographs, and told by an engaging raconteur who cut his own swathe through the turbulent counterculture. August 2014 marks 50 years since Bob Dylan released his fourth album, Another Side of Bob Dylan. Recorded in one night, in the middle of a turbulent year in his life, the music marked a departure from Dylan's socially-conscious folk songs and began his evolution toward other directions. During the years they spent together, few people outside of Dylan's immediate family were closer than Victor Maymudes, who was Dylan's tour manager, personal friend, and travelling companion from the early days in 1960s Greenwich Village through the late 90's. Another Side of Bob Dylan recounts landmark events including Dylan's infamous motorcycle crash; meeting the Beatles on their first US tour; his marriage to Sara Lownds, his romances with Suze Rotolo, Joan Baez, and others; fellow travelers Ramblin' Jack Elliott, Wavy Gravy, Dennis Hopper, The Band, The Traveling Wilburys, and more; memorable concerts, and insights on Dylan's songwriting process. On January 26th, 2001, after recording more than 24 hours of taped memories in preparation for writing this book, Victor Maymudes suffered an aneurysm and died. His son Jacob has written the book, using the tapes to shape the story. A Los Angeles Times Best Seller.
Though he's spent nearly 40 years in the spotlight, Bob Dylan remains one of our most enigmatic and reclusive public figures. As the 20th Century's most influential songwriter, dozens of books have been written about him, primarily biographies, lyric analysis, and reference materials. Encounters with Bob Dylan is the first to examine his life and career from his fans' perspective. Included are 50 first-person accounts of fans who have had a close encounter (usually face-to-face) with him. The contributors come from around the world, and some even have recognizable names, such as mandolinist David Grisman, journalist Nat Hentoff, Hall-of-Fame pitcher Jim "Catfish" Hunter, tapper Kurtis Blow, and noted groupie/author Pamela Des Barres. The common link is a love and appreciation for the words and music of Bob Dylan and his impact on modem culture. Collectively, their stories provide compelling, sometimes amusing, insight into Dylan and his long and complicated relationship with his legion of devoted admirers. The stories are presented chronologically, beginning in 1956 with Margaret Stark's account of her high school date with Bobby Zimmerman and their subsequent meeting at Bob's 10-year Hibbing High School reunion. Along the way, you'll hear from fans like Marc Silber, who met Bob in 1962 and arranged for his appearance at the University of Michigan Folk Festival, and Timothy Chisholm, who was invited to meet Bob after a show because of his enthusiastic front-row response to Dylan's performance. Due to the constantly changing circumstances of the encounters, each story is unique in character and impact.
'One of the greatest music photographers of all time...this book is indispensable to anyone who is a fan of Morrissey, or of great photography ' Classic Pop magazine 'Unsurprisingly, given Cummin's history, the photographs are beautifully composed, from the live shots with their webbing of shredded shirts and outstretched arms to the lyrical portraits on staircases or Japanese streets' Q Magazine Taken by renowned photographer Kevin Cummins and featuring hundreds of previously unseen images, Alone and Palely Loitering chronicles Morrissey's world as he emerged from The Smiths and established himself as a solo artist. Breathtaking photographs cover chaotic live performances, intimate portrait sessions and snatched moments backstage and on tour over a ten-year period. Cummins provides insightful commentary on the art of photography and what it was like to work and travel with Morrissey. The book also includes portraits of from fans around the world with Morrissey-inspired tattoos, featuring an essay by literary academic Dr Gail Crowther exploring how this art form is used to display devotion to a unique musician.