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Autumn 1940: The front line is Britain itself. Cities are blitzed night after night. Even after the bombers have turned home, a deadly menace remains: thousands of UXBs. Buried underground, clocks ticking. Unexploded bombs blocked supply routes, emptied hospitals and turned families into refugees. Dealing with this threat soon became Churchill's priority.It was a battle of wits, German ingenuity against British resourcefulness. This desperate struggle against the ticking clock is told through the experiences of four key figures; Robert Davies, who saved St Paul's Cathedral; Stuart Archer, protector of the vital Welsh oil refineries; the extraordinary Earl of Suffolk, who inspired The English Patient and made possible the atom bomb; and John Hudson, the modest horticulturalist who mastered the V-1.
As the Regia Aeronautica and the Luftwaffe unleashed their full might against the island of Malta, the civilian population was in the eye of the storm. Faced with the terror of the unexploded bomb, the Maltese people looked for help to the Royal Engineers Bomb Disposal Section, who dealt with all unexploded bombs, outside of airfields and the RN dockyard, across an area the size of Greater London. Based on official wartime records and personal memoirs, the extraordinary tale unfolds of the challenges they faced -- as the enemy employed every possible weapon in a relentless bombing campaign: 3,000 raids in two years.Through violent winter storms and blazing summer heat, despite interrupted sleep and meagre rations, they battled to reach, excavate and render safe thousands of unexploded bombs. Day after day, and in 1942 hour after hour -- through constant air raids -- they approached live bomb after live bomb, mindful that it could explode at any moment. In the words of one of their number they were 'just doing a job'.
For this book, Chris Ransted has researched some of the lesser known events and personalities relating to the early years of Explosive Ordnance Disposal in the UK. Daring acts of cold blooded bravery, and ingenuity in the face of life threatening technical challenges, are recounted throughout the book.Included are numerous previously unpublished accounts and photographs that describe the disarming of German bombs, parachute mines, and even allied bombs found at aircraft crash sites. In addition, the book contains the most comprehensive account ever published of the Home Guards role with the Auxiliary Bomb Disposal Units, and details of conscientious objectors involvement with unexploded bombs.This is not only a valuable research tool for serious researchers already well read on the subject, but also a fascinating read for those with no previous knowledge of wartime bomb disposal at all, and of course a must read for anyone interested in the subject.
Is Atheism Dead? is an entertaining, impressively wide-ranging, and decidedly provocative answer to that famous 1966 TIME cover that itself provocatively asked “Is God Dead?” In a voice that is by turns witty, muscular, and poetic, Metaxas intentionally echoes C.S. Lewis and G.K. Chesterton in cheerfully and logically making his astonishing case, along the way presenting breathtaking—and often withering—new evidence and arguments against the idea of a Creatorless universe. Taken all together, he shows atheism not merely to be implausible and intellectually sloppy, but now demonstrably ridiculous. Perhaps the only unanswered question on the subject is why we couldn’t see this sooner, and how embarrassed we should be about it.
Karen Coates and Jerry Redfern spent more than seven years traveling in Laos, talking to farmers, scrap-metal hunters, people who make and use tools from UXO, people who hunt for death beneath the earth and render it harmless. With their words and photographs, they reveal the beauty of Laos, the strength of Laotians, and the commitment of bomb-disposal teams. People take precedence in this account, which is deeply personal without ever becoming a polemic.
Can a stolen violin lead secret agent and spy Maggie Hope to a serial killer terrorizing London? Find out as the acclaimed World War II mystery series from New York Times bestselling author Susan Elia MacNeal continues. “A wartime mystery to sink your teeth into.”—Kate Quinn, New York Times bestselling author of The Huntress Maggie Hope started out as Winston Churchill’s secretary, but now she’s a secret agent—and the only one who can figure out how the missing violin ties into a series of horrifying murders. London, December 1943. As the Russian army repels German forces from Stalingrad, Maggie Hope takes a much-needed break from spying to defuse bombs in London. But Maggie herself is an explosion waiting to happen. Traumatized by her past, she finds herself living dangerously—taking huge risks, smoking, drinking, and speeding through the city streets on a motorbike. The last thing she wants is to get entangled in another crime. But when she’s called upon to look into the theft of a Stradivarius, one of the finest violins ever made, Maggie can’t resist. Meanwhile, there’s a serial killer on the loose in London, targeting conscientious objectors. Little does Maggie know that investigating this dangerous predator will pit her against a new evil—and old enemies. Only Maggie can uncover the connection between the robbery, the murders, and a link to her own past.
Americans have been watching and enjoying British television programming since the mid-1950s, but the information on the personalities involved is difficult, if not impossible, to find in the United States. This guide provides biographical essays, complete with bibliographies, on 100 of the best known and loved actors and actresses from Richard Greene (Robin Hood) and William Russell (Sir Lancelot) in the 1950s through stars of Masterpiece Theatre, including Robin Ellis and Jean Marsh, to the new generation of British comedy performers such as Alexei Sayle and Jennifer Saunders. Not only are serious dramatic actors and actresses, such as Joan Hickson and Roy Marsden, to be found here, but also the great comedy stars, including Benny Hill and John Inman. Among the many shows discussed in the text are Absolutely Fabulous; You Being Served?; Dad's Army; Doctor Who; ; Fawlty Towers; The Good Life; The Jewel in the Crown; Poldark; Rumpole of the Bailey; Upstairs, Downstairs; and Yes, Minister. The guide offers not only factual information but also samplings of contemporary critical commentary and in-depth interviews with Terence Alexander, Richard Briers, Benny Hill, Wendy Richard, Prunella Scales, and Moray Watson. This is a reference source that also serves as fascinating entree into the wonderful world of British television, one that is as fun to browse as it is to use for factual documentation.
If writing about music is like dancing about architecture, you'd do best to hone your chops and avoid clich�s (like the one that begins this sentence) by learning from the prime movers. How to Write About Music offers a selection of the best writers on what is perhaps our most universally beloved art form. Selections from the critically-acclaimed 33 1/3 series appear alongside new interviews and insights from authors like Lester Bangs, Chuck Klosterman, Owen Pallet, Ann Powers and Alex Ross. How to Write About Music includes primary sources of inspiration from a variety of go-to genres such as the album review, the personal essay, the blog post and the interview along with tips, writing prompts and advice from the writers themselves. Music critics of the past and the present offer inspiration through their work on artists like Black Sabbath, Daft Punk, J Dilla, Joy Division, Kanye West, Neutral Milk Hotel, Radiohead, Pussy Riot and countless others. How to Write About Music is an invaluable text for all those who have ever dreamed of getting their music writing published and a pleasure for everyone who loves to read about music.
John Darnielle describesMaster of Reality in the voice of a fifteen-year-old boy being held in an adolescent psychiatric center in southern California in 1985. The narrator explains Black Sabbath like an emissary from an alien race describing his culture to his captors: passionately, patiently, and lovingly.