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We become ourselves through life's encounters: this is the premise of Dancing with Whales, a memoir in fifty-five episodes. The title essay tells how, at age 16, Betsy Burr met a pod of California gray whales surging onto a lonely beach, and danced among them. Over time she learned that rich encounters are everywhere, if we're open to possibilities. Come adventuring with her and see!
Taking readers on a journey across the spectrum of life to discover the answers to the larger questions of life on Earth, an eminent field biologist addresses a wide range of subjects--from the purpose of the brain to the possibilities of peaceful cohabitation among the world's creatures. 9 charts.
Annabelle is a rag doll who has been the cherished companion of countless girls and women. She doesn't know who made her or even exactly what she is. But she does know the stories of those who have owned her.
What do whales truly look like? To answer this question, Larry Foster devoted decades of research and study to show whale lovers everywhere the true body shapes of whales, dolphins, and porpoises?Cetacea. His goal: to debunk the centuries-old myths that incorrectly presented whales as grotesque, blimp-like, and dangerous animals, and to accurately depict whales as the graceful, sleek, and streamlined marine mammals they really are. The Art of Discovering Whales is a detailed look into Larry's fifty-plus-year career as the only scientific artist to produce anatomically correct portrayals of 75+ species of whales with over 300 color images of his prolific whale artwork in every medium imaginable: drawings, paintings, stained-glass and life-size sculptures and more. Anyone who appreciates and is inspired by these truly majestic animals will be in wonder how no one individual has done so much in the field to correct any misinterpretations of the appearance of any group of animals as Larry Foster. Readers will delight in Larry's unique whale discoveries firsthand, and gain appreciation for his pioneering contributions in the quest to teach, discover, and celebrate whales.
"A voice for which one should feel not only affection but admiration." --The New York Times The Whale Caller, Zakes Mda's fifth novel, is his most enchanting and accessible book yet-a romantic comedy of sorts in which the changing face of post-apartheid South Africa is revealed through prodigious, lyrical storytelling. As the novel opens, the seaside village of Hermanus, on the country's west coast, is overrun with whale watchers-foreign tourists wearing floral shirts and toting expensive binoculars, determined to see whales in their natural habitat. But when the tourists have gone home, the Whale Caller lingers at the shoreline, wooing a whale he calls Sharisha with cries from a kelp horn. When Sharisha fails to appear for weeks on end, the Whale Caller frets like a jealous lover-oblivious to the fact that the town drunk, Saluni, a woman who wears a silk dress and red stiletto heels, is infatuated with him. After much ado-which Mda relates with great relish-the two misfits fall in love. But each of them is ill equipped for romance, and their on-again, off-again relationship suggests something of the fitful nature of change in post-apartheid South Africa, where just living from one day to the next can be challenge enough. Mda has spoken of the end of apartheid as a lifting of the South African novelist's burden to write on political subjects. With The Whale Caller, he has written a tender, charming novel-the work of a virtuoso among international writers.
Bluetune is a whale born on a cold winter night in the deepest trench of the North Pacific Ocean, and his life begins with a profound challenge from the very first day. This challenge, right from the moment of his birth, deprives him of the opportunity for an ordinary life and compels him to adapt to his unique circumstances. He spends his early years with his mother, who is his sole caretaker. She ingeniously strives to adjust their circumstances as much as possible while imparting life skills and responsibilities to her child. However, in his teenage years, Bluetune’s life is confronted with deep challenges. These challenges, one after another, push him into the abyss of despair and a sense of defeat. Nevertheless, he learns to gather his inner strength and boldly confront these adversities, methodically unraveling their knots. He learns that nothing is without purpose, and no problem is without a solution. Bluetune’s life story serves as a representation of the journey undertaken by all those who transform the challenges of their lives into victories.
While observing whales in the Atlantic Ocean, a boy falls overboard.
As a mythical creature, the whale has been responsible for many transformations in the world. It is an enchanting being that humans have long felt a connection to. In the contemporary environmental imagination, whales are charismatic megafauna feeding our environmentalism and aspirations for a better and more sustainable future. Using multispecies ethnography, Whale Snow explores how everyday the relatedness of the Iñupiat of Arctic Alaska and the bowhead whale forms and transforms “the human” through their encounters with modernity. Whale Snow shows how the people live in the world that intersects with other beings, how these connections came into being, and, most importantly, how such intimate and intense relations help humans survive the social challenges incurred by climate change. In this time of ecological transition, exploring multispecies relatedness is crucial as it keeps social capacities to adapt relational, elastic, and resilient. In the Arctic, climate, culture, and human resilience are connected through bowhead whaling. In Whale Snow we see how climate change disrupts this ancient practice and, in the process, affects a vital expression of Indigenous sovereignty. Ultimately, though, this book offers a story of hope grounded in multispecies resilience.
In recent years, the work of Zakes Mda—novelist, painter, composer, theater director and filmmaker—has attracted worldwide critical attention. Gail Fincham’s book examines the five novels Mda has written since South Africa’s transition to democracy: Ways of Dying (1995), The Heart of Redness (2000), The Madonna of Excelsior (2002), The Whale Caller (2005), and Cion (2007). Dance of Life explores how refigured identity is rooted in Mda’s strongly painterly imagination that creates changed spaces in memory and culture. Through a combination of magic realism, African orature, and intertextuality with the Western canon, Mda rejects dualistic thinking of the past and the present, the human and the nonhuman, the living and the dead, the rural and the urban. He imbues his fictional characters with the power to orchestrate a reconfigured subjectivity that is simultaneously political, social, and aesthetic.