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Apparently, this freaky phenomenon of stepping into someone else’s life—and their body!—has a name: Temp Lifer. Thanks to my dead grandmother, it’s happened again. So now I’m hungover and gazing in the mirror at ... my boyfriend’s sister. Grammy, help!
Challenging conventional understandings of time and memory, Christopher T. Nelson examines how contemporary Okinawans have contested, appropriated, and transformed the burdens and possibilities of the past. Nelson explores the work of a circle of Okinawan storytellers, ethnographers, musicians, and dancers deeply engaged with the legacies of a brutal Japanese colonial era, the almost unimaginable devastation of the Pacific War, and a long American military occupation that still casts its shadow over the islands. The ethnographic research that Nelson conducted in Okinawa in the late 1990s—and his broader effort to understand Okinawans’ critical and creative struggles—was inspired by his first visit to the islands in 1985 as a lieutenant in the U.S. Marine Corps. Nelson analyzes the practices of specific performers, showing how memories are recalled, bodies remade, and actions rethought as Okinawans work through fragments of the past in order to reconstruct the fabric of everyday life. Artists such as the popular Okinawan actor and storyteller Fujiki Hayato weave together genres including Japanese stand-up comedy, Okinawan celebratory rituals, and ethnographic studies of war memory, encouraging their audiences to imagine other ways to live in the modern world. Nelson looks at the efforts of performers and activists to wrest the Okinawan past from romantic representations of idyllic rural life in the Japanese media and reactionary appropriations of traditional values by conservative politicians. In his consideration of eisā, the traditional dance for the dead, Nelson finds a practice that reaches beyond the expected boundaries of mourning and commemoration, as the living and the dead come together to create a moment in which a new world might be built from the ruins of the old.
Photographer and Grateful Dead insider Rosie McGee tells dozens of previously-untold stories of living, traveling and working with the Dead during their first decade as a band. The book is illustrated with 200 of her rare and candid photographs, many never before seen in print. Not just for Deadheads or baby boomers-this book is for anyone seeking a woman's intimate account of the San Francisco rock music community in the Sixties, rare in a field of such books most often written by men. Included are firsthand stories of Autumn Records; The Matrix nightclub; the Acid Tests; Olompali; life in the Haight-Ashbury; the Human Be-In; the Grateful Dead (and the author's) bust at 710 Ashbury; New York, Toronto and Montreal with the Dead and Jefferson Airplane; Monterey Pop; Altamont; the Dead's Europe '72 tour; and encounters with individuals as diverse as Tom Donahue, Phil Spector, Lenny Bruce, Janis Joplin, Owsley Stanley, Timothy Leary, Jesse Colin Young, Julie Christie and many others.
When a classic television private detective releases another award-winning novel, people take notice. You loved Jameson Parker as half of the popular detective team of Simon & Simon (1981-1989), and you'll also love his latest novel that springs from his life and imagination. For Pamela and Tony, surviving in an unfamiliar world becomes more complicated than they expect. Drawn together by their need to survive, they realize the essential humanity that binds us all, and they experience a love that transcends their mutual need. Journey into the tempestuous world of two people from vastly different backgrounds as they are swept away into a whirlpool of remarkable forces beyond their control. Will their infinite capacity to endure triumph, if only for a brief and shining moment? ". . . Bold. Original. Profoundly moving . . . .," writes Dan Bronson, author of Confessions of a Hollywood Nobody. ". . . moving, harrowing, historically-accurate . . . .," says Steve Bodio, author of Querencia, A Rage for Falcons. About the author: Jameson Parker is best known for Women at West Point (1979), Anatomy of a Seduction (1979), The Gathering II (1979), The Promise of Love (1980), Callie and Son (1981), A Caribbean Mystery (1983), and his still-popular classic CBS series, Simon & Simon (1981-1989.) He is the "Sporting Life" columnist for Sporting Classics, the "Fine Guns" columnist for Texas Sporting Journal, and author of a critically acclaimed memoir, An Accidental Cowboy.
This acclaimed graphic memoir that Kirkus calls “cathartic and uplifting” is the tale of losing a parent and what it feels like to grieve and to move forward. “I can’t recommend this kind, funny, and poignant memoir enough. It’s an intimate, life-affirming story of resilience that feels like a good friend.” —Mari Andrew, author of Am I There Yet? Tyler Feder had just white-knuckled her way through her first year of college when her super cool mom was diagnosed with late-stage cancer. Now, with a decade of grief and nervous laughter under her belt, Tyler shares the story of that gut-wrenching, heart-pounding, extremely awkward time in her life—from her mom’s first oncology appointment to her funeral through the beginning of facing reality as a motherless daughter. She shares the sting of loss that never goes away, the uncomfortable post-death firsts, and the deep-down, hard-to-talk-about feelings of the grieving process. Dancing at the Pity Party is a frank and refreshingly funny look at what it’s like to grieve—for anyone struggling with loss who just wants someone to get it.
DIVDIV /divDIVAn amateur ballroom dancer is targeted by a serial killer in this riveting mystery by veteran John Lutz/divDIV /divDIVMary Arlington only feels alive when she is dancing. The rest of her life, dominated by a violent boyfriend and a mother intent on drinking herself to death, isn’t worth being awake for, but when she dances the tango her troubles disappear. She’s gotten so good that her studio is taking her to the national competition in Ohio, where she will prove to the world and to herself that her hobby is more than a pastime. That is, if she can stay alive until the music starts to play./divDIV /divDIVAt dance competitions across the country, amateur dancers have been turning up with slit throats. Mary follows the killing spree in the newspapers, morbidly fascinated by the deaths of women so similar to her. When the killer comes for her, she will need more than rhythm to survive./divDIV /divThis ebook features an illustrated biography of John Lutz including rare photos and never-before-seen documents from the author’s personal collection. /div
An essential collection from the leading figure of Chinese poetry translation, presenting work of insight, humor, and musicality that continues to resonates across thousands of years. Red Pine is one of the world's finest translators of Chinese poetic and religious texts. His new anthology, Dancing with the Dead: The Essential Red Pine, gathers over thirty voices from the ancient Chinese past—including Buddhist poets Cold Mountain (Hanshan) and Stonehouse (Shiwu), as well as Tang-dynasty luminaries Wei Yingwu and Liu Zongyuan. Dancing with the Dead also includes translations from such religious texts as Puming’s Oxherding Pictures and Verses and Lao-Tzu’s Daodejing, as well as poems and woodblock illustrations from Su Po-Jen’s Guide to Capturing a Plum Blossom, one of the world’s first printed books of art. Throughout the book, poems are accompanied by footnotes providing historical context, and each section includes a new and illuminating introduction chronicling Red Pine’s relationship to the poet—discovery, travel, scholarship. Dancing With The Dead is more than a book, it is a journey: part travel essay, part road map, part guided meditation. It is a history translated in poem. For Red Pine, “translating the words in a Chinese poem isn’t that hard, but finding the spirit that inspired those words, the music of the heart, and asking it to inspire [his heart], that is how, and why, [he] translates.” “our luggage is full of river travel poems may we ride forth together again.” – Wei Yingwu
Dennis Lehane meets Megan Miranda in this “dark beauty of a novel” (William Kent Krueger, New York Times bestselling author) about the first female sheriff in rural Bad Axe County, Wisconsin, as she searches for a missing girl, battles local drug dealers, and seeks the truth about the death of her parents twenty years ago—all as a winter storm rages in her embattled community. Fifteen years ago, Heidi White’s parents were shot to death on their Bad Axe County farm. The police declared it a murder-suicide and closed the case. But that night, Heidi found the one clue she knew could lead to the truth—if only the investigators would listen. Now Heidi White is Heidi Kick, wife of local baseball legend Harley Kick and mother of three small children. She’s also the interim sheriff in Bad Axe. Half the county wants Heidi elected but the other half will do anything to keep her out of law enforcement. And as a deadly ice storm makes it way to Bad Axe, tensions rise and long-buried secrets climb to the surface. As freezing rain washes out roads and rivers flood their banks, Heidi finds herself on the trail of a missing teenaged girl. Clues lead her down twisted paths to backwoods stag parties, derelict dairy farms, and the local salvage yard—where the body of a different teenage girl has been carefully hidden for a decade. As the storm rages on, Heidi realizes that someone is planting clues for her to find, leading her to some unpleasant truths that point to the local baseball team and a legendary game her husband pitched years ago. With a murder to solve, a missing girl to save, and a monster to bring to justice, Heidi is on the cusp of shaking her community to its core—and finding out what really happened the night her parents died. With “striking prose, engaging characters, and a searing story of crimes rooted in the heartland,” Bad Axe County is a “darkly irresistible thriller” (Kirkus Reviews, starred review) that you won’t be able to put down.
Two boys suddenly disappear, and Lt. Joe Leaphorn sets out to locate them. Three things complicate the search: an archaeological dig, a steel hypodermic needle, and the strange laws of the Zuni Indians. A riveting mystery from the bestselling author of Talking God and Skinwalkers.
"Dancing at the Dead Sea is a powerful narrative on the critically important topic of the world's environmental hotspots. This is not a pessimistic tirade, but instead a factual commentary that will convince many, written by a gifted writer with an independent mind. I recommend this book without reservation." Richard Leakey Alanna Mitchell, winner of the Global Reuters IUCN media award for excellence in environmental reporting, embarks on an incredible worldwide cultural and environmental odyssey, zeroing in on environmental hotspots and examines how we can live, even flourish, without destroying the planet. One hundred and fifty years after the publication of The Origin of Species, Mitchell retraces the development of evolutionary theory, grappling with Richard Leakey's contention that the extinction of the human species is well under way. How and why are we human beings shortening our time on Earth? Travelling to the last living Eden, Madagascar, Mitchell is witness to the destruction of all but 10 percent of the original forest, not due to industrial activity but woodcutting by a primitive society still dependent on fire as its main energy resource. She then moves on to the badlands of Alberta, where she draws on the theory of world-famous paleontologist Philip Currie and the extinction of dinosaurs to gain insight on humanitys own impending suicide. Travel to the Azraq Oasis in Jordan, the meeting place of Africa, Asia and Europe, the mythical Galapagos Islands, seemingly unspoiled, but not immune to degradation, the far north and the Arctic desert of Banks Island, one of the first places on Earth where climate change with global impact is visible. Like the work of Wade Davis or books such as Krakatoa by Simon Winchester and Four Wings and a Prayer by Sue Halpern, Dancing at the Dead Sea intertwines scientific theory with travel adventure and history, creating a dramatic, fresh narrative voice examining not the origin, but the ultimate fate of the human species. (April 2004)