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An edgy and intimate glimpse at what one girl will do just to be the life of the party. Before, I was never the life of the party. I was the reliable one. The one no one had to worry about. The one no one had to think about. I was the one that everyone could ignore. Until that night, when everything changed and I finally became someone. Someone special. Someone memorable. Someone Carson might actually care about... But the cost of being someone is more than anyone can imagine. For every moment, there’s a price to pay. For every party. For every choice made. For every kiss. Living a life of pure ecstasy might be no different from not living at all.
In her long-awaited new collection, the Colt Peacekeeper of American political humor draws a bead on targets that range from the Libido-in-Chief to Newt Gingrich, campaign funny-money to the legislative lunacy of her native Texas--and hits a bull's-eye every time. Whether she's writing about Bill Clinton ("The Rodney Dangerfield of presidents"), Bob Dole ("Dole contributed perhaps the funniest line of the year with his immortal observation that tobacco is not addictive but that too much milk might be bad for us. The check from the dairy lobby must have been late that week"), or cultural trends ("I saw a restaurant in Seattle that specialized in latte and barbecue. Barbecue and latte. I came home immediately"), Molly takes on the issues of the day with her trademark good sense and inimitable wit.
Dancing out of Line transports readers back to the 1840s, when the craze for social and stage dancing forced Victorians into a complex relationship with the moving body in its most voluble, volatile form. By partnering cultural discourses with representations of the dance and the dancer in novels such as Jane Eyre, Bleak House, and Daniel Deronda, Molly Engelhardt makes explicit many of the ironies underlying Victorian practices that up to this time have gone unnoticed in critical circles. She analyzes the role of the illustrious dance master, who created and disseminated the manners and moves expected of fashionable society, despite his position as a social outsider of nebulous origins. She describes how the daughters of the social elite were expected to “come out” to society in the ballroom, the most potent space in the cultural imagination for licentious behavior and temptation. These incongruities generated new, progressive ideas about the body, subjectivity, sexuality, and health. Engelhardt challenges our assumptions about Victorian sensibilities and attitudes toward the sexual/social roles of men and women by bringing together historical voices from various fields to demonstrate the versatility of the dance, not only as a social practice but also as a forum for Victorians to engage in debate about the body and its pleasures and pathologies.
A 2014 Caldecott Honor Book In this innovative wordless picture book with interactive flaps, Flora and her graceful flamingo friend explore the trials and joys of friendship through an elaborate synchronized dance. With a twist, a turn, and even a flop, these unlikely friends learn at last how to dance together in perfect harmony. Full of humor and heart, this stunning performance (and splashy ending!) will have readers clapping for more! Double tap the flaps to open and close them, swipe the corners of the book to turn from page to page, and activate the soundtrack to listen to the music while you read your new ebook!
Molly Arnette is very good at keeping secrets. She lives in San Diego with a husband she adores, and they are trying to adopt a baby because they can't have a child on their own. But the process of adoption brings to light many questions about Molly's past and her family-the family she left behind in North Carolina twenty years before. The mother she says is dead but who is very much alive. The father she adored and whose death sent her running from the small community of Morrison's Ridge. Her own birth mother whose mysterious presence in her family raised so many issues that came to a head. The summer of twenty years ago changed everything for Molly and as the past weaves together with the present story, Molly discovers that she learned to lie in the very family that taught her about pretending. If she learns the truth about her beloved father's death, can she find peace in the present to claim the life she really wants? Told with Diane Chamberlain's compelling prose and gift for deft exploration of the human heart, Pretending to Dance is an exploration of family, lies, and the complexities of both.
The darling, dancing Flora is back, and this time she's found two new friends: a pair of peacocks! But amidst the fanning feathers and mirrored movements, Flora realizes that the push and pull between three friends can be a delicate dance. Will this trio find a way to get back in step? In the third book featuring Flora and her feathered friends, Molly Idle's gorgeous art combines with clever flaps to reveal that no matter the challenges, true friends will always find a way to dance, leap, and soar—together.
A young zombie gives a haunting performance in her first ballet dance recital.
This biography chronicles the extraordinary life of twentieth-century performing artist Molly Spotted Elk. Born in 1903 on the Penobscot reservation in Maine, Molly ventured into show business at an early age, performing vaudeville in New York, starring in the classic docudrama The Silent Enemy, then dancing for royalty and mingling with the literary elite in Europe. In Paris she found an audience more appreciative of authentic Native dance than in the United States. There she married a French journalist, but she was forced to leave him and flee France with her daughter during the German occupation of 1940. Using extensive diaries in conjunction with letters, interviews, and other sources, Bunny McBride reconstructs Molly’s story and sheds light on the pressure she and her peers endured in having to act out white stereotypes of the "Indian."
After a two-year absence, widow Molly Henson and her young daughter, Karli, return to Red Rock, Colorado, where they lived when Molly's husband was alive. New love is the farthest thing from Molly's mind--until she meets Steve Roper. Steve hasn't come to Red Rock looking for love. He's there on business and hoping to find answers related to his ex-wife's sudden disappearance. Meeting Molly makes him all the more eager to move on with his life. Molly soon realizes she harbors a secret about Steve's ex-wife. Confiding in Steve may end their relationship. How strong is their love, and dare she take the risk?