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He's a bad bad boy... Once a bad boy always a bad boy, Donal Chamberlin's carefree ways come crashing down around him when he meets the ravishingly beautiful Daryl MacTavish, the innocent little sister of one of his best friends. He is determined to win her heart as he sets his sights on marriage and an heir. His past gets in the way of his quest when a woman he once loved threatens Daryl's life. ...but she's dancing with him. Daryl has seen the control her sister's husbands hold over them. She yearns for a life where she makes decisions for herself. No man will have power over her. But no man kisses her the way Donal does. No man can make her forget all her goals leaving her helpless to give up her dreams. Yet Donal is determined to dance through all the barriers she thrust in front of him, pursuing her until she says yes.
The Ages of Chaos includes Stormqueen! and Hawkmistress!, two acclaimed novels by Marion Zimmer Bradley and part of the expansive, genre-bending Darkover series. Set during the lawless Ages of Chaos, when the ruling families of the Seven Domains of Darkover ruthlessly inbred their psychic offspring to gain powerful and fearsome talents, two young women are born with "wild" psychic gifts. These stories—Stormqueen! and Hawkmistress!, one tragic and one triumphant—combine to give the reader a vivid and poignant picture of a devastating time period in the history of this fantastic world. Stormqueen! During the lawless Ages of Chaos, when the ruling families of Darkover ruthlessly inbred their laran-gifted offspring to gain powerful talents, a baby was born to the lord of Aldaran. This child, born on a dark and thunder-filled night­­­­, was possessed of a terrifying and uncontrolled talent: Dorilys, heiress to her father’s domain, could unwittingly call forth lightning, even while still a fretful child. Fearful for his daughter’s life and the safety of his domain, Lord Aldaran sent to a tower for help. But even the powers of a trained monitor and a Hastur lord might not be enough to save this painfully afflicted and deadly young woman. Hawkmistress! Romilly was an independent tomboy from a noble family, contrary to the social demands of Darkovan women. That was bad enough, but when Romilly’s father arranged her marriage to a nobleman she found repulsive, she rebelled. Disguising herself as a boy, she fled into the deep forests. Living off the land was not nearly as difficult for Romilly as for most people, for she possessed a rare and highly-treasured gift—telepathic communication with hawk and horse. But Romilly soon discovered her newfound freedom was far from complete. Pulled into the maelstrom of a civil war, could Romilly find her true role in life without sacrificing her ideals?
This study surveys music and dance from a global perspective, viewing them as a composite whole found in every culture. To some, music means sound and body movement. To others, dance means body movement and sound. The author examines the complementary connection between sound and movement as an element of the human experience as old as humanity itself. Music and dance from Africa, the Americas, Asia, Europe, the Middle East and the South Pacific are discussed.
AN POST IRISH BOOK AWARD NOVEL OF THE YEAR Longlisted for the Dublin Literary Awards “Mr. Ryan writes conspicuously beautiful prose… The fleeting happiness and abiding melancholy of the asymmetry, heightened by the intimately rendered surroundings, brings out Mr. Ryan’s most sensuous and emotive writing.” –The Wall Street Journal From the Booker nominated author of From a Low and Quiet Sea, Donal Ryan's new novel follows the Gladney family across three generations seeking the true meaning of what it is to find home and love. In 1973, twenty-year-old Moll Gladney takes a morning bus from her rural home in Ireland and disappears. Bewildered and distraught, Paddy and Kit must confront an unbearable prospect: that they will never see their daughter again. Five years later, Moll returns from London. What - and who - she brings with her will change the course of her family's life forever. Beautiful and devastating, this exploration of loss, alienation and the redemptive power of love reaffirms Donal Ryan as one of the most talented and empathetic writers at work today.
With her extraordinary silver-mauve eyes, Maisie McRae struggles with the return of her lost love. She finds solace living with her half-sister and existing on dreams. After three long years the man she once dreamt of marrying asks her to make the same foolish mistake again. Holding herself aloof from the arrogant man, Maisie refuses to let his sweettalking words seduce her into his arms. Smitten from the first instant Hawk Fraser sees Maisie, he is determined to find a means to entice her into becoming part of his life. A missing letter keeps the unlucky couple from realizing their dreams. Defeated by her rejection, Hawk searches for a way to ignore the woman. Unable to forget the way she feels in his arms, Hawk returns from the colonies, ready to try again. Despite the chance of a second rejection, he forges ahead. Boldly, he seeks her out and makes her his own.
In the Old Country, they called them the Gentry: ancient spirits of the land, magical, amoral, and dangerous. When the Irish emigrated to North America, some of the Gentry followed...only to find that the New World already had spirits of its own, called manitou and other such names by the Native tribes. Now generations have passed, and the Irish have made homes in the new land, but the Gentry still wander homeless on the city streets. Gathering in the city shadows, they bide their time and dream of power. As their dreams grow harder, darker, fiercer, so do the Gentry themselves--appearing, to those with the sight to see them, as hard and dangerous men, invariably dressed in black. Bettina can see the Gentry, and knows them for what they are. Part Indian, part Mexican, she was raised by her grandmother to understand the spirit world. Now she lives in Kellygnow, a massive old house run as an arts colony on the outskirts of Newford, a world away from the Southwestern desert of her youth. Outsider her nighttime window, she often spies the dark men, squatting in the snow, smoking, brooding, waiting. She calls them los lobos, the wolves, and stays clear of them--until the night one follows her to the woods, and takes her hand.... Ellie, an independent young sculptor, is another with magic in her blood, but she refuses to believe it, even though she, too, sees the dark men. A strange old woman has summoned Ellie to Kellygnow to create a mask for her based on an ancient Celtic artifact. It is the mask of the mythic Summer King--another thing Ellie does not believe in. Yet lack of belief won't dim the power of the mast, or its dreadful intent. Donal, Ellie's former lover, comes from an Irish family and knows the truth at the heart of the old myths. He thinks he can use the mask and the "hard men" for his own purposes. And Donal's sister, Miki, a punk accordion player, stands on the other side of the Gentry's battle with the Native spirits of the land. She knows that more than her brother's soul is at stake. All of Newford is threatened, human and mythic beings alike. Once again Charles de Lint weaves the mythic traditions of many cultures into a seamless cloth, bringing folklore, music, and unforgettable characters to life on modern city streets. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
"The Head of the House of Coombe" by Frances Hodgson Burnett follows the relationships between a group of pre–World War One English nobles and commoners. Lord Coombe is considered to be the best-dressed man in London. He is also a man whose public reputation, despite his formidable intellect and observant eye, is one of unmitigated wickedness. During one of his social forays, he meets a selfish young woman named 'Feather' with the face of an angel. Fascinated by her, he slowly drifts into her circle. When her husband dies unexpectedly, leaving her alone and desolate in London, he ends up taking her under his wing. Feather also has a daughter named Robin, of whom she takes little notice.
"The Head of the House of Coombe" – Lord Coombe is considered to be the best-dressed man in London. During one of his social forays, he meets a selfish young woman named 'Feather' with the face of an angel and he slowly drifts into her circle. Feather has a daughter named Robin, of whom she takes little notice. Robin hates Coombe because he separates her from her only friend, a little boy named Donal. Lord Coombe, however, grows fond of Robin and secures her a bright future, but only one person knows the secret of Coombe's determination to watch over her. "Robin" is a sequel to The Head of the House of Coombe. It is the eve of the Great War and British soldiers are leaving to fight the Kaiser. Robin and Donal are destined to find each other again after being parted after their first meeting as children about 15 years earlier. Their love blossoms, but now they have to part again, as Donal is the prime cannon fodder and leaves off to war. After some time, the word comes that Donal is missing and presumed dead, leaving Robin shattered, with a child on the way.
Scottish Dance Beyond 1805 presents a history of Scottish music and dance over the last 200 years, with a focus on sources originating in Aberdeenshire, when steps could be adapted in any way the dancer pleased. The book explains the major changes in the way that dance was taught and performed by chronicling the shift from individual dancing masters to professional, licensed members of regulatory societies. This ethnographical study assesses how dances such as the Highland Fling have been altered and how standardisation has affected contemporary Highland dance and music, by examining the experience of dancers and pipers. It considers reactions to regulation and standardisation through the introduction to Scotland of percussive step dance and caller-facilitated ceilidh dancing. Today’s Highland dancing is a standardised and international form of dance. This book tells the story of what changed over the last 200 years and why. It unfolds through a series of colourful characters, through the dances they taught and the music they danced to and through the story of one dance in particular, the Highland Fling. It considers how Scottish dance reflected changes in Scottish society and culture. The book will be of interest to scholars and postgraduates in the fields of Dance History, Ethnomusicology, Ethnochoreology, Ethnology and Folklore, Cultural History, Scottish Studies and Scottish Traditional Music as well as to teachers, judges and practitioners of Highland dancing and to those interested in the history of Scottish dance, music and culture.
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