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A former stripper turned suburban housewife is exposed as a brutal killer in this shocking true crime tale of a loving husband beheaded in Phoenix. Phoenix, Arizona, 2004. Marjorie Orbin filed a missing person’s report on her husband, Jay. She claimed that the successful art dealer had left town on business after celebrating their son’s birthday more than a month before. But no one believed that Jay would abandon the family he loved. Authorities suspected foul play . . . As the search for Jay made local headlines, Marjorie’s story starting coming apart. Why did she wait so long before going to police? If Jay was away on business, why were there charges made to his credit card in Phoenix? Then, the unthinkable happened. Jay’s headless, limbless torso was discovered on the outskirts of the Phoenix desert—and all evidence pointed to Marjorie as the killer. The investigation revealed surprising details about her life—six previous marriages, an ongoing affair with a man from her gym, and alleged ties to the New York mafia.
“An unforgettable escapade of ultimate danger and discovery…” - Readers' Favorite Fans of Jon Krakauer will devour this gripping tale of adventure, survival, and a search for life’s deeper meaning. Two men, three years, seven countries, 3000 miles… The Central American Sea Kayak Expedition 2000 is an inspiring journey of exploration, endurance, and self-discovery that takes Jean-Philippe Soulé and his traveling partner Luke Shullenberger from Baja California all the way to Panama. During this unfathomably grueling expedition, they face every manner of threat, from sharks, crocodiles, and bandits to stormy seas, malaria, and their own mortality—all in search of a deeper connection to Mother Nature and the indigenous people who revere her most. This riveting memoir of physical and emotional endurance will leave you breathless as you experience their victories, misfortunes and sacrifices. An evocative, gripping narrative coupled with award-winning photographs that is a must-read for those who love travel, outdoor adventure, and cultural exploration—and for the dreamers who've been told they can't, but stubbornly refuse to listen.
"It is potentially the most divisive issue in health care: physician-assisted suicide. When is it permissible to put an end to a life? Across the United States, doctors, patients, families, and the courts are struggling with this wrenching question. While it may not provide an answer, this remarkable book sheds new light on the problem - and offers insights to those wrestling with this dilemma." "Bert Keizer is a Dutch physician with a degree in philosophy, a probing mind resistant to cant, and a manner both sardonic and compassionate. This book is a memoir of his years at a Dutch nursing home for the terminally ill - a place that requires all his resources of humanity and will, and where gallows humor is a necessity. As euthanasia is legal in Holland, Keizer is not infrequently called upon to assist in a patient's suicide. His often surprising reflections on his role are punctuated by the moving stories of his patients' lives, his own thoughts on the absurdities and paradoxes of his profession, and the blend of cynicism and complacent conventional wisdom he hears from his colleagues."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
London, 1893: Private enquiry agents Cyrus Barker and Thomas Llewelyn are called in to protect Tsesarevich Nicholas from nefarious forces as he travels to England for a royal wedding—inDance with Death, the next mystery in Will Thomas’s beloved series. In June of 1893, the future Nicholas II travels to London for a royal wedding, bringing with him his private security force and his ballerina mistress, Mathilde Kchessinska. Rumored to be the target of a professional assassin known only as La Sylphide, and the subject of conspiracies against his life by his own family who covet his future throne, Nicholas is protected by not only private security, but the professional forces of both England and Russia. All of these measures prove inadequate when Prince George of England is attacked by an armed anarchist who mistakes him for Nicholas. As a result, Barker and Llewelyn are brought in to help track down the assassin and others who might conspire against the life of the tsesarevich . The investigations lead them down several paths, including Llewelyn's old nemesis, the assassin Sofia Ilyanova. With Barker and Llewelyn both surviving separate attempts on their lives, the race is on to find both the culprit and the assassin they hired. Taking them through high society (including a masked ball at Kensington Palace) and low, chasing down motives both personal and political, Barker and Llewelyn must solve the case of their life before the crime of the century is committed.
‘Be quiet and be calm, my countrymen, for what is taking place is exactly what you came to do ... Brothers, we are drilling the death drill.’ – Reverend Isaac Wauchope Dyobha Paris, 1958. A skirmish in a world-famous restaurant leaves two men dead and the restaurant staff baffled. Why did the head waiter, a man who’s been living in France for many years, lunge at his patrons with a knife? As the man awaits trial, a journalist hounds his long-time friend, hoping to expose the true story behind this unprecedented act of violence. Gradually, the extraordinary story of Pitso Motaung, a young South African who volunteered to serve with the Allies in the First World War, emerges. Through a tragic twist of fate, Pitso found himself on board the ss Mendi, a ship that sank off the Isle of Wight in February 1917. More than six hundred of his countrymen, mostly black soldiers, lost their lives in a catastrophe that official history largely forgot. One particularly cruel moment from that day will remain etched in Pitso’s mind, resurfacing decades later to devastating effect. Dancing the Death Drill recounts the life of Pitso Motaung. It is a personal and political tale that spans continents and generations, moving from the battlefields of the Boer War to the front lines in France and beyond. With a captivating blend of pathos and humour, Fred Khumalo brings to life a historical event, honouring both those who perished in the disaster and those who survived.
Challenging conventional understandings of time and memory, Christopher T. Nelson examines how contemporary Okinawans have contested, appropriated, and transformed the burdens and possibilities of the past. Nelson explores the work of a circle of Okinawan storytellers, ethnographers, musicians, and dancers deeply engaged with the legacies of a brutal Japanese colonial era, the almost unimaginable devastation of the Pacific War, and a long American military occupation that still casts its shadow over the islands. The ethnographic research that Nelson conducted in Okinawa in the late 1990s—and his broader effort to understand Okinawans’ critical and creative struggles—was inspired by his first visit to the islands in 1985 as a lieutenant in the U.S. Marine Corps. Nelson analyzes the practices of specific performers, showing how memories are recalled, bodies remade, and actions rethought as Okinawans work through fragments of the past in order to reconstruct the fabric of everyday life. Artists such as the popular Okinawan actor and storyteller Fujiki Hayato weave together genres including Japanese stand-up comedy, Okinawan celebratory rituals, and ethnographic studies of war memory, encouraging their audiences to imagine other ways to live in the modern world. Nelson looks at the efforts of performers and activists to wrest the Okinawan past from romantic representations of idyllic rural life in the Japanese media and reactionary appropriations of traditional values by conservative politicians. In his consideration of eisā, the traditional dance for the dead, Nelson finds a practice that reaches beyond the expected boundaries of mourning and commemoration, as the living and the dead come together to create a moment in which a new world might be built from the ruins of the old.
One of the most widely used ethnographies published in the last twenty years, this Margaret Mead Award winner has been used as required reading at more than 600 colleges and universities. This personal account by a biocultural anthropologist illuminates not-soon-forgotten messages involving the sobering aspects of fieldwork among malnourished children in West Africa. With nutritional anthropology at its core, Dancing Skeletons presents informal, engaging, and oftentimes dramatic stories that relate the author’s experiences conducting research on infant feeding and health in Mali. Through fascinating vignettes and honest, vivid descriptions, Dettwyler explores such diverse topics as ethnocentrism, culture shock, population control, breastfeeding, child care, the meaning of disability and child death in different cultures, female circumcision, women’s roles in patrilineal societies, the dangers of fieldwork, and facing emotionally draining realities. Readers will laugh and cry as they meet the author’s friends and informants, follow her through a series of encounters with both peri-urban and rural Bambara culture, and struggle with her as she attempts to reconcile her very different roles as objective ethnographer, subjective friend, and mother in the field. The 20th Anniversary Edition includes a 13-page “Q&A with the Author” in which Dettwyler responds to typical questions she has received individually from students who have been assigned Dancing Skeletons as well as audience questions at lectures on various campuses. The new 23-page “Update on Mali, 2013” chapter is a factual update about economic and health conditions in Mali as well as a brief summary of the recent political unrest.
Seeking to merge the information of theologians and anthropologists, this book looks at the variety of ways in which cultures around the world deal with death and give it meaning. In some cultures, most famously Ancient Egypt, families would virtually financially ruin themselves in order to deal with the death of just one person. Other cultures such as the nomadic peoples of southern Africa, simply pull down the roof of their dwelling onto the body and move on, while the wrapped bodies in Torajan (Indonesian) houses are used as shelves. The reader is guided through such diverse areas as myths about death, belief about ways to mourn, joking at funerals, post-mortem videos, cannibalism, headhunting and royal mortuary ritual.
This acclaimed graphic memoir that Kirkus calls “cathartic and uplifting” is the tale of losing a parent and what it feels like to grieve and to move forward. “I can’t recommend this kind, funny, and poignant memoir enough. It’s an intimate, life-affirming story of resilience that feels like a good friend.” —Mari Andrew, author of Am I There Yet? Tyler Feder had just white-knuckled her way through her first year of college when her super cool mom was diagnosed with late-stage cancer. Now, with a decade of grief and nervous laughter under her belt, Tyler shares the story of that gut-wrenching, heart-pounding, extremely awkward time in her life—from her mom’s first oncology appointment to her funeral through the beginning of facing reality as a motherless daughter. She shares the sting of loss that never goes away, the uncomfortable post-death firsts, and the deep-down, hard-to-talk-about feelings of the grieving process. Dancing at the Pity Party is a frank and refreshingly funny look at what it’s like to grieve—for anyone struggling with loss who just wants someone to get it.