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“Of all the various acts of inequity throughout time, none was more severe than the submission forced upon the indigenous peoples of the earth by their earthly demi-god counterparts. Robbing these peoples of their God given cultural and traditional knowledge of survival, void of cultural references and alienated from their traditional survival techniques and skills, the indigenous peoples had no other choice than to accept the ways of the earthly demi-gods, which was modernity and that came with many social disadvantages, worst of all, they would become second and third class citizens in a racially divided and dystopic world. The standard procedure was the implementation of acts that were intended to impart the greatest degree of fear, the fear of death and the fear of dying; whatever methods the noble savages thought would break the barbarian savages into submission. All manner of unthinkable acts of atrocity were employed against the indigenous peoples, because the objectives of the earthly demi-gods had to be met, which was to expropriate the lands and natural resources from these savages, these ‘uncivilized’ people.” The work of Niggers Sing Redemption Songs: Reggae, The heart-beat of a people takes aim at reaffirming the psyche and glory of the Black self as of utter importance in our efforts to make our world a better place. The unconscionable disregard for the glory of the Black self and by refusing to use it, has successfully stripped away Black humanity from the Black indigenous peoples’ collective consciousness; overall leading to a ‘niggerization’ process done for the benefits of the barbaric and ignobly self-acclaimed earthly demi-gods. The Black peoples of the world must bring back the ‘Black’ love of self and all things Black, that is your redemption and then, real life will be given to you. Additionally, what was most evidently conspicuous and surprising was a revelation that had emerged from the research of this study. The study has discovered evidences, which would indicate that because of social biases, for example, racial prejudices, and out-right arrogance, coupled with miss-education and deprecated mindsets, the attitudes of many Jamaican historians, the down trodden sectors of the Jamaican society were undermined and were not given meaningful historical documentations. The academics did not document, accurately, the accounts of Afro-Jamaican culture, for instance, the Rastafarians input into the cultural history of Jamaica. Although many academics of the time were themselves Afro- Jamaican, non-sympathizers to the Rasta movement, and, in most cases, just a generation or two removed from slavery, they were non-commiserated towards their people’s history and struggles. So much so, that they did not consider the documentation of their Afro-Jamaican culture as a priority, and as such, a deficit in proper documentation of historical material exists today. This becomes quite evident in the footnotes, where due to the lack of material, there is a redundancy in reference materials Therefore, in order to add further depth to the stock of the genre of Black Liberation Literature, this work advances a redemptive process which is aimed, primarily, at every individual that has been niggerized by White supremacy and their racist systems. Therein, that each nigger would cultivate an awareness that would be congruent with his/her Black redemption, as is outlined in this literary work. Thus, that he/her would be empowered sufficiently, to rise above the White supremacist world that had ungratefully grafted him/ her and had restrained him/her to oppressive states of meaningless existences. Black people must rise above their common bound, the social degradation of niggerization, a social construct of the White racist demi-gods and to accept the fundamental merits and opportunities that a Black redemption would have provided, which is, the reconstructed Black self, with all its social advantages, because White America will not change and they will not change for the sake of niggers or will they accept niggers as Whites. Sorry, but no skin bleaching formula will change Blacks into White. The Black experience is not the undoing of the White racist demi-gods; instead, it is the doings of the reconstructed niggers towards the redemption, freedom, of Black individuals.
A great quotation can provoke thought, brighten a day, even change a life—and here are more than 6,000 great quotes from the wide world of Christianity. This brand-new compilation of quotations both ancient and modern features nearly 500 categorized topics both biblical and contemporary—from Abiding through Zeal—with cross references and subject and author indexes. Featuring quotations from the early church fathers through the 21st century’s best writers, The Complete Guide to Christian Quotations is ideal for speakers, writers, and book lovers—who can find great leads on worthy volumes.
A quick glance at the headlines reveals a world plagued by violence, hatred, unrest, disease and death–a world without hope. A look into our hearts yields similar results: loneliness, anger, sorrow, and depression are companions many of us would rather not carry. What happened to the “abundant life” Jesus promised us? William Frey suggests that root of the problem is a loss of memory. In our haste to study and know the Bible, we have failed to experience the story of the Bible, and thus we have forgotten who we are. The Dance of Hope helps readers regain the Bible story as it reveals the fullness of our identity as God’s creation, recovers a biblically founded hope for the future, and equips the Christian community to be bearers of authentic hope to the world. When believers view the Bible story through what William Frey calls a “creation lens,” they discover a promised future of glory that can fill them with hope for today. Also included is a study guide that leads readers through times of prayer, reflection, personal assessment, and Scripture study, teaching them to view the world through hopeful eyes.
Alice Bass helps Christians break through creative blocks and establish an environment that nurtures creativity. Exercises for groups or individuals are included.
Phillip Yancey says that "every writer has one main theme, a spoor that he or she keeps sniffing around, tracking, following it to its source." My spoor is "grace," states Linda Teeple, author of The Nature of Grace: Ponderings On God's Abundant Grace. "I write about Grace because I want everyone to 'get' grace. There's a life-changing difference between understanding grace at the head level and experiencing grace at the heart level. God continually reminds me of his grace through nature--the nature of the great outdoors, the nature of the human heart, and the nature of relationships." Linda is a marriage and family therapist by vocation and a naturalist by avocation. She resides in Anderson, Indiana with her husband and her canine companions, Panda and Leader Dog puppy, Faith. Linda writes a weekly newspaper column entitled, "The Nature of Grace," which can be viewed at http: //www.heraldbulletin.com.
In popular thought, Christianity is often figured as being opposed to dance. Conventional scholarship traces this controversy back to the Middle Ages. Throughout the medieval era, the Latin Church denounced and prohibited dancing in religious and secular realms, often aligning it with demonic intervention, lust, pride, and sacrilege. Historical sources, however, suggest that medieval dance was a complex and ambivalent phenomenon. During the High and Late Middle Ages, Western theologians, liturgists, and mystics not only tolerated dance; they transformed it into a dynamic component of religious thought and practice. This book investigates how dance became a legitimate form of devotion in Christian culture. Sacred dance functioned to gloss scripture, frame spiritual experience, and imagine the afterlife. Invoking numerous manuscript and visual sources (biblical commentaries, sermons, saints' lives, ecclesiastical statutes, mystical treatises, vernacular literature, and iconography), this book highlights how medieval dance helped shape religious identity and social stratification. Moreover, this book shows the political dimension of dance, which worked in the service of Christendom, conversion, and social cohesion. In Ringleaders of Redemption, Kathryn Dickason reveals a long tradition of sacred dance in Christianity, one that the professionalization and secularization of Renaissance dance obscured, and one that the Reformation silenced and suppressed.
Jump on in. Even with fear and trembling. “I think I have been learning about faith as long as I have lived in fear. Maybe longer. Whenever I am afraid, it is because I am also believing in something unseen, and like faith, it too requires an agile imagination. Both seem to have a way of growing bigger depending on how much attention we give them although one seems fed by truth and goodness while the other is fanned by worry and dreaded ‘what ifs.’” “Sort of like jumping into the sea though your stomach is as jittery as the boat and you call on God out of sheer absolute desperation though you feel anything but spiritual. You feel fear, in fact. Everywhere. But somehow once your skin is submerged in water, that same fear melts into a fear of God and it grips you, holds you close, keeps you safe. Makes you new. And your fear of water, or of men, or of loneliness, or of different people, or of being disabled or forgotten, dissolves like ice cubes on a summer day. You hardly notice the change but you drink it up and thirst for more.” “This too, like faith, is a gift. Coming from the One who knew before you did that to soothe your soul was his job, not yours. Yours was to jump.” —from the book Jo Kadlecek’s masterful storytelling and image-rich life navigates us through fearful episodes and moments of joy. You will grapple honestly with questions of truth, faith, and spiritual freedom. Kadlecek’s God understands and calms fear—a God at work in the inner-city or poolside. Join Kadlecek in finding encouragement and hope as together you comb the shoreline of fear.
Self-identifying as “evangelical” is risky business these days. What is Evangelicalism? Is it a historical artifact? A political philosophy? A set of doctrines? A litmus test for genuine faith? Perhaps more important, what will come to mind when future generations hear something described as “evangelical”? The authors of Routes and Radishes approach this issue from various points of influence within evangelical organizations, denominations, and institutions. They believe that the historical distinctive of Evangelicalism is too powerful and too positive to be abandoned. Yet they all desire that the Evangelicalism of the future break away from common pitfalls in the task of loving people toward a vital relationship with God through Jesus Christ. Each author brings a different but vital perspective to the conversation this book represents. They chart a path that, while not monolithic, takes seriously the past and potential of the evangelical movement. Furthermore, they invite you to digest, participate, question, and make the future of Evangelicalism a meaningful part of your walk of faith.
The Dance of Fate: A Tale of Angling and Redemption" is a book that blends the world of angling with elements of redemption. This book combines two uncommon themes, creating a unique experience for readers. The story follows a angler who grapples with personal conflicts and embarks on a journey of redemption through their beloved hobby.
Joy Sawyer uses the metaphor of poetry to show us how to draw near to God, freeing us to dance to the heartbeat of God's grace and redemption.