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Here are the short story collaborations of legendary editor and multiple Nebula Award winning author Gardner Dozois with some of the greatest writers of modern science fiction. Each story is followed by an essay by the collaborator discussing Dozois and his influence on science fiction and beyond. Includes collaborative stories and appreciations by: Michael Bishop Pat Cadigan Michael Swanwick Jack Dann Jack C. Haldeman, II Susan Casper At the publisher's request, this title is sold without DRM (Digital Rights Management).
From Lynn Kurland, the New York Times bestselling author of the Nine Kingdom series. Scotland, 1311. James MacLeod was the most respected—and feared—laird in all of Scotland. He loved his men like brothers and his land with a passion. And he allowed no women to cross the threshold of his keep... New York City, 1996. With an indifferent fiance and a stalled writing career, Elizabeth Smith found passion and adventure only in the unpublished romance novels that she wrote. Until a Scottish hero began calling to her... Elizabeth longed for the man of her dreams. But she knew she was overworked when she began hearing his voice—when she was awake. To clear her mind, she took a walk in Gramercy Park. She dozed off on a bench—and woke up in a lush forest in forteenth-century Scotland. A forest surrounding the castle of James MacLeod, an arrogant and handsome lord with a very familiar voice. Elizabeth would turn his ordered world upside down and go where no woman had ever gone before: straight into his heart...
From Chaucer to Fitzgerald, writers have used dancing as a vital, if subtle, element in plot and character development. The ballroom, an important element of society in real life, was a backdrop to grand passions or pivotal encounters--ideal ground for commentary on the social milieu. This work presents 88 literary selections (from etiquette manuals, diaries, poems, plays, essays and novels) that together form a survey of social dance in England and America over a span of 500 years. They illustrate specific dances, social dance behavior or the intimate reactions of participants. One finds, for example, the ultimate downfalls of Flaubert's Emma Bovary, Hardy's Eustacia Vye, and Tolstoy's Anna Karenina are all foretold in pivotal dance scenes. Fully indexed.
(Limelight). A critic and writer on dance for well over twenty years, Barbara Newman has gone in search of teachers and coaches, directors, choreographers and stagers former dancers who had turned the focus of their own experience on others to explain the state of ballet today. Among leaders of the dance world the author interviewed were Suki Schorer, Helgi Tomasson, Mark Morris, Violette Verdy and 14 other artists whose work she knew and respected, most of them active outside of New York and London. Newman is not interested in dance as an aesthetic abstraction, and the people who answered her questions were not speaking theoretically. On the contrary, her speculation and their responses bring an elusive subject down to earth, illuminating a process that reaches back in history and forward to today, though its dreams are of a world no one can imagine.
“A glimpse into the fragile psyche of a dancer.” —The Washington Post Jenifer Ringer, a principal dancer with the New York City Ballet, was thrust into the headlines after her weight was commented on by a New York Times critic, and her response ignited a public dialogue about dance and weight. Ballet aficionados and aspiring performers of all ages will want to join Ringer behind the scenes as she shares her journey from student to star and candidly discusses both her struggle with an eating disorder and the media storm that erupted after the Times review. An unusually upbeat account of life on the stage, Dancing Through It is also a coming-of-age story and an inspiring memoir of faith and of triumph over the body issues that torment all too many women and men.
Jean Little's poignant novel about an abandoned girl, and the dog who helps teach her how to trust again. Ten-year-old Min has had a long history of foster care since she was abandoned at age three. Now, let go by yet another foster family, Min continues to build a protective wall around herself. Her newest caregiver, a former Children's Aid doctor, sees past Min's hardened shell and tries to find a way to reach her...and does, finally, by taking in a sick, neglected dog that has escaped from a puppy mill. While watching the dog recover and open its heart to its new owners, Min comes out of her own shell. Readers will rejoice as Min opens her heart and allows herself to be a part of a loving family, to make friends and to finally stand up to the taunts of a bully, whose hurtful words have contributed to her lack of self-esteem.
Could something as simple and seemingly natural as falling into step have marked us for evolutionary success? In Keeping Together in Time one of the most widely read and respected historians in America pursues the possibility that coordinated rhythmic movement--and the shared feelings it evokes--has been a powerful force in holding human groups together.As he has done for historical phenomena as diverse as warfare, plague, and the pursuit of power, William H. McNeill brings a dazzling breadth and depth of knowledge to his study of dance and drill in human history. From the records of distant and ancient peoples to the latest findings of the life sciences, he discovers evidence that rhythmic movement has played a profound role in creating and sustaining human communities. The behavior of chimpanzees, festival village dances, the close-order drill of early modern Europe, the ecstatic dance-trances of shamans and dervishes, the goose-stepping Nazi formations, the morning exercises of factory workers in Japan--all these and many more figure in the bold picture McNeill draws. A sense of community is the key, and shared movement, whether dance or military drill, is its mainspring. McNeill focuses on the visceral and emotional sensations such movement arouses, particularly the euphoric fellow-feeling he calls "muscular bonding." These sensations, he suggests, endow groups with a capacity for cooperation, which in turn improves their chance of survival. A tour de force of imagination and scholarship, Keeping Together in Time reveals the muscular, rhythmic dimension of human solidarity. Its lessons will serve us well as we contemplate the future of the human community and of our various local communities.
The television actress recounts her experiences as a contestant on "Dancing with the Stars," a program in which she participated in part as a way to showcase her Christian faith, and describes the lessons she learned facing its challenges.
A knees-up at a country fair, a pair of dancing ogres, children round a maypole, ballroom champions, decadent masquerade, and celebrations at Piccadilly Circus on VE day all feature in this enchanting survey of dance illustration through the centuries. What do these vibrant, often elegant and sometimes irreverent images reveal to us about the history of social dancing and changing attitudes towards the dance floor?In his richly illustrated book, Jeremy Barlow surveys over 600 years of imagery, drawing out major themes in the representation of dance. He shows how over the centuries, artists and illustrators have represented dance in a stylized and often humorous manner, with curved, flowing lines for the gracious dancer and angular postures for the uncouth, rustic, or exhibitionistic performer. He also reveals how artists have responded in imaginative ways to the challenge of how to convey a sense of the dancer's movement through a frozen moment in print, and what techniques illustrators have used to demonstrate specific poses and steps, from the galliard, mazurka, and minuet to the waltz, tango, and cha cha cha. Finally he examines the age-old tension between decorum and licence on the dance floor and how this changed with the advent of jive and the untutored vitality of rock'n' roll. The book draws on a wide range of materials in the Bodleian Library, including fourteenth-century manuscripts, satirical prints, dance cards, and invitations to balls. Each image is carefully analysed for what it can reveal to us about behavioural codes and satirical intent, providing an unusual insight into the social history and imagery of dance.
Sylvie dreams of being a prima ballerina. When the Franco-Prussian war begins in 1870, Sylvie is thrown into turmoil and tragedy. Sylvie must rely on the strength that ballet gives her in order to survive and acheive her goal.