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In the Marquesas Islands in Polynesia, Jody meets two new friends who work for a local dolphin-friendly tuna boat and is given the chance to witness them in action as they save dolphins.
"Dancing at the Dead Sea is a powerful narrative on the critically important topic of the world's environmental hotspots. This is not a pessimistic tirade, but instead a factual commentary that will convince many, written by a gifted writer with an independent mind. I recommend this book without reservation." Richard Leakey Alanna Mitchell, winner of the Global Reuters IUCN media award for excellence in environmental reporting, embarks on an incredible worldwide cultural and environmental odyssey, zeroing in on environmental hotspots and examines how we can live, even flourish, without destroying the planet. One hundred and fifty years after the publication of The Origin of Species, Mitchell retraces the development of evolutionary theory, grappling with Richard Leakey's contention that the extinction of the human species is well under way. How and why are we human beings shortening our time on Earth? Travelling to the last living Eden, Madagascar, Mitchell is witness to the destruction of all but 10 percent of the original forest, not due to industrial activity but woodcutting by a primitive society still dependent on fire as its main energy resource. She then moves on to the badlands of Alberta, where she draws on the theory of world-famous paleontologist Philip Currie and the extinction of dinosaurs to gain insight on humanitys own impending suicide. Travel to the Azraq Oasis in Jordan, the meeting place of Africa, Asia and Europe, the mythical Galapagos Islands, seemingly unspoiled, but not immune to degradation, the far north and the Arctic desert of Banks Island, one of the first places on Earth where climate change with global impact is visible. Like the work of Wade Davis or books such as Krakatoa by Simon Winchester and Four Wings and a Prayer by Sue Halpern, Dancing at the Dead Sea intertwines scientific theory with travel adventure and history, creating a dramatic, fresh narrative voice examining not the origin, but the ultimate fate of the human species. (April 2004)
“An unforgettable escapade of ultimate danger and discovery…” - Readers' Favorite Fans of Jon Krakauer will devour this gripping tale of adventure, survival, and a search for life’s deeper meaning. Two men, three years, seven countries, 3000 miles… The Central American Sea Kayak Expedition 2000 is an inspiring journey of exploration, endurance, and self-discovery that takes Jean-Philippe Soulé and his traveling partner Luke Shullenberger from Baja California all the way to Panama. During this unfathomably grueling expedition, they face every manner of threat, from sharks, crocodiles, and bandits to stormy seas, malaria, and their own mortality—all in search of a deeper connection to Mother Nature and the indigenous people who revere her most. This riveting memoir of physical and emotional endurance will leave you breathless as you experience their victories, misfortunes and sacrifices. An evocative, gripping narrative coupled with award-winning photographs that is a must-read for those who love travel, outdoor adventure, and cultural exploration—and for the dreamers who've been told they can't, but stubbornly refuse to listen.
Donald the Dolphin was traumatised after his partner Donna the Dolphin died. He attempted to beach himself because he was so sad. Luckily, some people spotted him on the beach and pushed him back into the sea. He also had very good friends who cheered him up by performing a sea concert with all their fellow sea creatures. Flipper and his mum, Phillipa Dolphin, were the main acts in the concert who were to perform dance tricks in the centre of the sea orchestra. Before Flipper and Phillipa performed, they needed to have a feed, but unfortunately they were confronted with a dangerous situation. Would they make it to perform for their beloved friend Donald the Dolphin?
This is the paperback edition of the great pop-paleontology book with the fabulous art that inspired a show that toured the nation's natural history museums. In its own way it has inspired many people to take a new look at the fossil record and imagine creatures and things as they might have been—a blend of word and image unlike any other. From the Trade Paperback edition.
From award-winning author E. J. Mellow comes the thrilling second installment in the Mousai series, featuring a powerful sorceress who finds her loyalties tested by a ruthless pirate lord. Within the world of Aadilor, there is a hidden place called the Thief Kingdom, where both magic and pleasure abound. There, the Mousai, a trio of deadly sorceresses bound by oath and blood, use their powers to protect the kingdom's treasures. Niya Bassette brings the potent gift of dance to the Mousai, but behind her tempting twirls, she carries a heavy secret--that the infamous pirate lord, Alōs Ezra, has been threatening to exploit for years. Now banished from the Thief Kingdom for smuggling, Alōs resurfaces in Niya's life with a plot to hold her hostage, leveraging what he knows to extort a pardon from the Thief King. But Niya makes her own deal with Alōs to guard her secret and guarantee her freedom--yet in doing so binds herself aboard his pirate ship, where she must navigate deadly waters, a bloodthirsty crew, and her own traitorous heart. Soon, a simmering attraction between her and Alōs threatens their delicate truce and makes for a tumultuous ride on the open seas. Far from her kingdom, Niya is entangled in a dangerous dance indeed. Welcome to the world of Aadilor, where dark deeds can mask noble hearts and the most alluring of sways often ends with a burn. Care for a spin?
Down on the ocean floor, deep in the sea, everybody's dancing. Ready? ONE, TWO, THREE! All the underwater creatures are having fun dancing in the deep until Shark crashes the party. But what if he just wants to dance too? Don't miss this beautifully-illustrated, charming tale of differences, common bonds, friendship, and dancing from former Children's Poet Laureate Kenn Nesbitt.
Diane LeBow's stories, like her life, take you to places and experiences you've probably never imagined. They are passionate, poignant, funny, sometimes tragic, and always unexpected. Share a meal with Corsican rebels in the ragged mountains of this ancient island, meet a black stallion in a blizzard on the Mongolian steppes, assist Afghan women exiled in Tajikistan in writing a Declaration of their Rights for the new Constitution, and savor a love affair with an elegant French Baron. LeBow gives us peeks behind the curtains into women's and men's lives around the world in our search for answers to universal human questions such as how to experience the best our world offers, ways to balance our desire for love with yearning for freedom and adventure, and longing for a sense of home within ourselves and in our worlds. Diane LeBow is an award winning writer and photojournalist, professor emerita, and president emerita of the Bay Area Travel Writers. Her work has appeared in multiple anthologies, including Best Women's Travel Writing, and numerous other publications. She received a Lifetime Achievement Award from Douglass College (Rutgers University) for her writing, photojournalism, women's rights work, and as a pioneer of women's studies and innovative college teaching in Paris, Holland, and the USA. She earned one of the first Ph.D's in Women's Studies, University of California, Santa Cruz. Her travels have taken her to almost 100 countries.
Challenging conventional understandings of time and memory, Christopher T. Nelson examines how contemporary Okinawans have contested, appropriated, and transformed the burdens and possibilities of the past. Nelson explores the work of a circle of Okinawan storytellers, ethnographers, musicians, and dancers deeply engaged with the legacies of a brutal Japanese colonial era, the almost unimaginable devastation of the Pacific War, and a long American military occupation that still casts its shadow over the islands. The ethnographic research that Nelson conducted in Okinawa in the late 1990s—and his broader effort to understand Okinawans’ critical and creative struggles—was inspired by his first visit to the islands in 1985 as a lieutenant in the U.S. Marine Corps. Nelson analyzes the practices of specific performers, showing how memories are recalled, bodies remade, and actions rethought as Okinawans work through fragments of the past in order to reconstruct the fabric of everyday life. Artists such as the popular Okinawan actor and storyteller Fujiki Hayato weave together genres including Japanese stand-up comedy, Okinawan celebratory rituals, and ethnographic studies of war memory, encouraging their audiences to imagine other ways to live in the modern world. Nelson looks at the efforts of performers and activists to wrest the Okinawan past from romantic representations of idyllic rural life in the Japanese media and reactionary appropriations of traditional values by conservative politicians. In his consideration of eisā, the traditional dance for the dead, Nelson finds a practice that reaches beyond the expected boundaries of mourning and commemoration, as the living and the dead come together to create a moment in which a new world might be built from the ruins of the old.